Stanislavski and the Actor: The Method of Physical ActionRoutledge, 4. dets 2013 - 150 pages In Stanislavski and the Actor , Stanislavski scholar and biographer Jean Bendetti has recovered materials that can stand as a final, last work by the great director and teacher. In this volume readers will find the first English text of Stanislavski s notes and practical exercises from these last sessions. This is a major rediscovered work by Stanislavski, full of new ideas and insights about his working method. To the original materials Jean Benedetti adds his own analysis of Stanislavski's approach to acting and rehearsal methods.The master's own summary of a lifetime of theatrical experience, Stanislavski and the Actor will quickly become an essential tool for actors, students, and teachers everywhere. |
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acting actors adaptations appear Attention Basic become begin behaviour body called chair character Circle circumstances clear close communication concentration create creative death decide defined describe detail develop Emotion Episode establish everything example experience express fact father feelings focus four give given Hamlet hands happened Iago images imagine improvisation inner kind King leave logical look matter means Memory mental Method mind mother move nature notes object observe pause performance person Phase Physical Action play Polonius position present problem question rehearsal scene sequence sitting situation someone speak stage Stanislavski stress student STUDIO EXERCISES Supertask Tasks tell Tempo-rhythm theatre thing thoughts train turn understand waiting walk whole write