all objects upon which they fall. How novel and fine the first drifts! The old, dilapidated fence is suddenly set off with the most fantastic ruffles, scalloped and fluted after an unheard-of fashion! Looking down a long line of decrepit stone-wall, in the trimming of which the wind had fairly run riot, I saw, as for the first time, what a severe yet masterartist old Winter is. Ah, a severe artist! How stern the woods look; dark and cold, and as rigid against the horizon as iron ! 7. All life and action upon the snow have an added emphasis and significance. Every expression is underscored. Summer has few finer pictures than this winter one of the farmer foddering his cattle from a stack upon the clean snow, —the movement, the sharply defined figures, the great green flakes of hay, the long file of patient cows-the advance just arriving and pressing eagerly for the choicest morsels,—and the bounty and providence it suggests. 8. Or the chopper in the woods,-the prostrate tree, the white new chips scattered about, his easy triumph over the cold, coat hanging to a limb, and the clear, sharp ring of his ax. The woods are rigid and tense, keyed up by the frost, and resound like a stringed instrument. Or the road-breakers, sallying forth with oxen and sleds in the still, white world, the day after the storm, to restore the lost track and demolish the beleaguering drifts. 9. All sounds are sharper in winter,-the air transmits better. At night I hear more distinctly the steady roar of the North Mountain. In summer it is a sort of complacent pur, as the breezes stroke down its sides; but in winter always the same low, sullen growl. 10. A severe artist! No longer the canvas and the pigments, but the marble and the chisel. When the nights are calm and the moon full, I go out to gaze upon the wonderful purity of the moonlight and the snow. The air is full of latent fire, and the cold warms me-after a different fashion from that of the kitchen-stove. The world lies about me in a trance of snow." The clouds are pearly and iridescent, and seem the farthest possible remove from the condition of a storm, the ghosts of clouds, the indwelling beauty freed from all dross. 66 11. I see the hills, bulging with great drifts, lift themselves up cold and white against the sky, the black lines of fences here and there obliterated by the depth of the snow. Presently a fox barks away up next the mountain, and I imagine I can almost see him sitting there, in his furs, upon the illuminated surface, and looking down in my direction. As I listen, one answers him from behind the woods in the valley. What a wild winter sound,-wild and weird, up among the ghostly hills. Since the wolf has ceased to howl upon these mountains, and the panther to scream, there is nothing to be compared with it. So wild! I get up in the middle of the night to hear it. 12. It is refreshing to the ear, and one delights to know that such wild creatures are still among us. At this season Nature makes the most of every throb of life that can withstand her severity. How heartily she indorses this fox! In what bold relief stand out the lives of all walkers of the snow! The snow is a great telltale, and blabs as effectually as it obliterates. I go into the woods, and know all that has happened. I cross the fields, and if only a mouse has visited his neighbor, the fact is chronicled. 13. Entering the woods, the number and variety of the tracks contrast strongly with the rigid, frozen aspect of things. Warm jets of life still shoot and play amid this snowy desolation. Fox-tracks are far less numerous than in the fields; but those of hares, skunks, partridges, squirrels, and mice abound. The mice-tracks are very pretty, and look like a sort of fantastic stitching on the coverlid of the snow. 14. One is curious to know what brings these tiny creatures from their retreats; they do not seem to be in quest of food, but rather to be traveling about for pleasure or sociability, though always going post-haste, and linking stump with stump and tree with tree by fine, hurried strides. That is when they travel openly; but they have hidden passages and winding galleries under the snow, which undoubtedly are their main avenues of communication. 15. Here and there these passages rise so near the surface as to be covered by only a frail arch of snow, and a slight ridge betrays their course to the eye. I know him well. He is known to the farmer as the deermouse, to the naturalist as the Hesperomys leucopus, a very beautiful creature, nocturnal in his habits, with large ears, and large, fine eyes, full of a wild, harmless look. He leaps like a rabbit, and is daintily marked, with white feet and a white belly. 16. It is he who, far up in the hollow trunk of some tree, lays by a store of beech-nuts for winter use. Every nut is carefully shelled, and the cavity that serves as storehouse lined with grass and leaves. The wood-chopper frequently squanders this precious store. I have seen half a peck taken from one tree, as clean and white as if put up by the most delicate hands, as they were. How long it must have taken the little creature to collect this quantity, to hull them one by one, and convey them up to his fifth-story chamber! He is not confined to the woods, but is quite as common in the fields, particularly in the fall, amid the corn and pota toes. 17. The sharp-rayed track of the partridge adds another figure to this fantastic embroidery upon the winter snow. Her course is a clear, strong line, sometimes quite wayward, but generally very direct, steering for the densest, most impenetrable places,-leading you over logs and through brush, alert and expectant, till, suddenly, she bursts up a few yards from you, and goes humming through the trees,the complete triumph of endurance and vigor. Hardy native bird, may your tracks never be fewer, or your visits to the birch-tree less frequent! XLIV. THE SAME SUBJECT CONTINUED. 1. The squirrel-tracks—sharp, nervous, and wiry—have their histories also. But who ever saw squirrels in winter? The naturalist says they are mostly torpid; yet evidently that little pocket-faced depredator, the chipmunk, was not carrying buckwheat for so many days to his hole for nothing; -was he anticipating a state of torpidity, or the demands of a very active appetite? Red and gray squirrels are more or less active all winter, though very shy, and, I am inclined to think, partially nocturnal in their habits. 2. Here a gray one has just passed,-came down that tree and went up this ; there he dug for a beech-nut, and left the bur on the snow. How did he know where to dig? During an unusually severe winter I have known him to make long journeys to a barn, in a remote field, where wheat was stored. How did he know there was wheat there? In attempting to return, the adventurous creature quently run down and caught in the deep snow. was fre 3. His home is in the trunk of some old birch or maple, with an entrance far up amid the branches. In the spring he builds himself a summer-house of small leafy twigs in the top of a neighboring beech, where the young are reared, and much of the time passed. But the safer retreat in the maple is not abandoned, and both old and young resort thither in the fall, or when danger threatens. Whether this temporary residence amid the branches is for elegance or pleasure, or for sanitary reasons or domestic convenience, the naturalist has forgotten to mention. 4. The elegant creature, so cleanly in its habits, so graceful in its carriage, so nimble and daring in its movements, excites feelings of admiration akin to those awakened by the birds and the fairer forms of nature. His passage through the trees is almost a flight. Indeed, the flying squirrel has little or no advantage over him, and in speed and nimbleness cannot compare with him at all. If he miss his footing and fall, he is sure to catch on the next branch; if the connection be broken, he leaps recklessly for the nearest spray or limb, and secures his hold, even if it be by the aid of his teeth. 5. His career of frolic and festivity begins in the fall, after the birds have left us and the holiday spirit of nature has commenced to subside. How absorbing the pastime of the sportsman, who goes to the woods in the still October morning in quest of him! You step lightly across the threshold of the forest, and sit down upon the first log or rock to await the signals. It is so still that the ear suddenly seems to have acquired new powers, and there is no movement to confuse the eye. 6. Presently you hear the rustling of a branch, and see it sway or spring as the squirrel leaps from or to it; or else you hear a disturbance in the dry leaves, and mark one running upon the ground. He has probably seen the intruder, and, not liking his stealthy movements, desires to avoid a nearer acquaintance. Now he mounts a stump to see if the way is clear, then pauses a moment at the foot of a tree to take his bearings, his tail, as he skims along, undulating behind him, and adding to the easy grace and dignity of his movements. 7. Or else you are first advised of his proximity by the dropping of a false nut, or the fragments of the shucks rattling upon the leaves. Or, again, after contemplating you awhile unobserved, and making up his mind that you are not dangerous, he strikes an attitude on a branch, and commences to quack and bark, with an accompanying movement of his tail. Late in the afternoon, when the same stillness reigns, the same scenes are repeated. There is a black variety, quite rare, but mating freely with the gray, from which he seems to be distinguished only in color. 8. The track of the red squirrel may be known by its smaller size. He is more common and less dignified than the gray, and oftener guilty of petty larceny about the barns. and grain-fields. He is most abundant in old bark-peelings, and low, dilapidated hemlocks, from which he makes excursions to the fields and orchards, spinning along the tops of the fences, which afford, not only convenient lines of communication, but a safe retreat if danger threatens. He loves to linger about the orchard; and, sitting upright on the topmost stone in the wall, or on the tallest stake in the fence, chipping up an apple for the seeds, his tail conforming to the curve of his back, his paws shifting and turning the apple, he is a pretty sight, and his bright, pert appearance atones for all the mischief he does. 9. At home, in the woods, he is the most frolicsome and loquacious. The appearance of any thing unusual, if, after contemplating it a moment, he concludes it not dangerous, excites his unbounded mirth and ridicule, and he snickers and chatters, hardly able to contain himself; now darting up the trunk of a tree and squealing in derision, then hopping into a position on a limb and dancing to the music of his own cackle, and all for your special benefit. There is |