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" Beginning with deep tones, it unfolds itself in gloom-inspiring harmonies, and truly reflects the impression which the gloom of an extensive wood produces on our feelings. Occasional glancing and disconnected tones appear to betoken light, breaking through... "
New Monthly Magazine, and Universal Register - Page 404
1844
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The Quarterly Review, 66. köide

William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle) - 1840 - 650 lehte
...wood produces on our feelings. Occasional glancing and disconnected tones appear to betoken light, breaking through the darkness of the grove ; and thus...actually represented on the stage must be a forest.' It is well known that the Crown- Prince of Hanover is suffering under a temporary deprivation of sight,...
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The Quarterly Review, 66. köide

William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle) - 1840 - 658 lehte
...wood produces on our feelings. Occasional glancing and disconnected tones appear to betoken light, breaking through the darkness of the grove ; and thus...person deprived of sight, who, on first hearing this introductioa, instantly exclaimed that the scene then actually represented on the stage must be a forest.'...
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Orpheus, Or, Musical Anthology: A Collection of Elegant Papers, Original and ...

Boston professor - 1850 - 420 lehte
...wood produces on our feelings. Occasional glancing and disconnected tones appear to betoken light, breaking through the darkness of the grove ; and thus...the opera, the grove of sacrifice, fitly delineated. Assured by this, the striking qualities of this tone-picture will still more forcibly suggest themselves...
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The Crimean campaign. American orators and statesmen. Journalism in France ...

Abraham Hayward - 1858 - 460 lehte
...wood produces on our feelings. Occasional glancing and disconnected tones appear to betoken light, breaking through the darkness of the grove ; and thus...actually represented on the stage must be a forest." It is well known that the crown- prince of Hanover is suffering under a temporary deprivation of sight,...
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Bentley's Miscellany, 49. köide

Charles Dickens, William Harrison Ainsworth, Albert Smith - 1861 - 696 lehte
...wood produces on our feelings. Occasional glancing and disconnected tones appear to betoken light, breaking through the darkness of the grove ; and thus...to the reader, when I mention the exclamation of a * Edinburgh Review, vol. Ixix. p. 199. t Ideen und Uetrachtungen iiber die Eigenschaften der Musik....
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Dwight's Journal of Music: A Paper of Art and Literature, 19–20. köide

1862 - 432 lehte
...and disconnected tones appear to betoken light, breaking through the darkness of the grove ; and this is the first drop-scene of the opera — the grove...delineated. Assuredly the striking qualities of this tone picture will still more forcibly suggest themselves to the reader, when I mention the exclamation...
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The Quarterly Review, 66. köide

William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle) - 1840 - 650 lehte
...wood produces on our feelings. Occasional glancing and disconnected tones appear to betoken light, breaking through the darkness of the grove ; and thus...actually represented on the stage must be a forest.' It is well known that the Crown-Prince of Hanover is suffering under a temporary deprivation of sight,...
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