The Works of William Mason, 3. köideT. Cadell and W. Davies, 1811 |
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... THE ART OF PAINTING BY CHARLES ALPHONSE DU FRESNOY . NOTES BY SIR JOSHUA REYNOLDS . MR . DRYDEN'S PREFACE . MR . POPE'S EPISTLE TO MR . JERVAS . ESSAYS ON ENGLISH CHURCH MUSIC . CONTENTS OF THE THIRD VOLUME . ART OF PAINTING .
... THE ART OF PAINTING BY CHARLES ALPHONSE DU FRESNOY . NOTES BY SIR JOSHUA REYNOLDS . MR . DRYDEN'S PREFACE . MR . POPE'S EPISTLE TO MR . JERVAS . ESSAYS ON ENGLISH CHURCH MUSIC . CONTENTS OF THE THIRD VOLUME . ART OF PAINTING .
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... Notes Page 3 7 13 21 79 - 149 157 A Table of the Rules contained in the foregoing Poem The Sentiments of M. du Fresnoy on the Works of the prin- cipal and best Painters of 1600 and 1700 Mr. Dryden's Preface , with a Parallel between ...
... Notes Page 3 7 13 21 79 - 149 157 A Table of the Rules contained in the foregoing Poem The Sentiments of M. du Fresnoy on the Works of the prin- cipal and best Painters of 1600 and 1700 Mr. Dryden's Preface , with a Parallel between ...
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... NOTE . * Mr. Pope , in his Epistle to Jervas , has these lines : Read these instructive leaves , in which conspire Fresnoy's close art with Dryden's native fire . But what , if Fashion tempted Pope astray ? The 4 EPISTLE TO.
... NOTE . * Mr. Pope , in his Epistle to Jervas , has these lines : Read these instructive leaves , in which conspire Fresnoy's close art with Dryden's native fire . But what , if Fashion tempted Pope astray ? The 4 EPISTLE TO.
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... NOTE . * Alluding to another couplet in the same Epistle Beauty , frail flower , that every season fears , Blooms in thy colours for a thousand years . 6 EPISTLE TO SIR JOSHUA REYNOLDS . Be it that SIR JOSHUA REYNOLDS . 5.
... NOTE . * Alluding to another couplet in the same Epistle Beauty , frail flower , that every season fears , Blooms in thy colours for a thousand years . 6 EPISTLE TO SIR JOSHUA REYNOLDS . Be it that SIR JOSHUA REYNOLDS . 5.
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... notes of M. du Piles , which have hitherto ac- companied it , have lost much more . Indeed it may be doubted whether ... NOTE . * Du Frenoi ( Charles ) né à Paris 1611 , peintre et poëte . Son poëme de la Peinture a réussi auprès de ceux ...
... notes of M. du Piles , which have hitherto ac- companied it , have lost much more . Indeed it may be doubted whether ... NOTE . * Du Frenoi ( Charles ) né à Paris 1611 , peintre et poëte . Son poëme de la Peinture a réussi auprès de ceux ...
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Common terms and phrases
Accent admirable Albert Durer Andrea Anthem antient Antwerp appear Artist atque Author Bagnacavallo beauty called Caracci charms Chaunt Church Music colorum colours Composer composition Correggio defect detto Discant Domenichino drapery Essay expression figures forms Francesco Fresnoy genius Giacomo Giottino Giov Girolamo give grace Guercino Guido harmony History Florence History idea imitated instrument invention kind Landsc learned light and shade Ludovico Carracci manner master Melody ment Michael Angelo mind mode modern Nature noble Note Painter passions Paul Brill Paul Veronese perfect performed picture Pietro Pietro Perugino pleasing poem Poet poetical Poetry Portraits practice principal produced Prospero Fontana Psalmody Psalms quæ Raffaelle reader Rome Rubens rules sentiment shadows Simon Vouet singing Sir John Hawkins solemn style syllable taste thing tion Titian tragedy translation true Udina Venice Verse Virgil Vocal whole words
Popular passages
Page 314 - Anon they move In perfect phalanx to the Dorian mood Of flutes and soft recorders...
Page 29 - Viselli : 105 est modus in rebus, sunt certi denique fines, quos ultra citraque nequit consistere rectum.
Page 298 - At last divine Cecilia came, Inventress of the vocal frame; The sweet enthusiast, from her sacred store, Enlarged the former narrow bounds, And added length to solemn sounds, With Nature's mother-wit, and arts unknown before. Let old Timotheus yield the prize, Or both divide the crown : He raised a mortal to the skies : She drew an angel down.
Page 224 - And breathe an air divine on every face ; Yet should the Muses bid my numbers roll Strong as their charms, and gentle as their soul; With Zeuxis...
Page 223 - The living image in the painter's breast! Thence endless streams of fair ideas flow, Strike in the sketch, or in the picture glow; Thence Beauty, waking all her forms, supplies An angel's sweetness, or Bridgewater's eyes.1 Muse! at that name thy sacred sorrows shed...
Page 310 - The interim of unsweating themselves regularly and convenient rest before meat may both with profit and delight be taken up in recreating and composing their travailed spirits with the solemn and divine harmonies of music, heard or learned either while the skilful organist plies his grave and fancied descant in lofty fugues or the whole symphony with artful and unimaginable touches adorn and grace the well-studied chords of some choice composer — sometimes the lute or soft organ-stop waiting on...
Page 355 - HARRY, whose tuneful and well-measured song First taught our English music how to span Words with just note and accent, not to scan With Midas' ears, committing short and long, Thy worth and skill exempts thee from the throng, With praise enough for Envy to look wan : To after age thou shalt be writ the man That with smooth air couldst humour best our tongue. Thou honour'st verse, and verse must lend her wing To honour thee, the priest of Phoebus...
Page 198 - Truth is the object of our understanding, as good is of our will; and the understanding can no more be delighted with a lie, than the will can choose an apparent evil. As truth is the end of all our speculations, so the discovery of it is the pleasure of them; and since a true knowledge of nature gives us pleasure, a lively imitation of it, either in poetry or painting, must of necessity produce a much greater: for both these arts . . . are not only true imitations of nature, but of the best nature,...
Page 23 - RUE poetry the Painter's power displays : True Painting emulates the Poet's lays ; The rival sisters, fond of equal fame, Alternate change their office and their name ; Bid silent Poetry the canvass warm, . 5 The tuneful page with speaking picture charm.
Page 73 - Yet higher still great TITIAN dar'd to soar, He reach'd the loftiest heights of colouring's power ; His friendly tints in happiest mixture flow, His shades and lights their just gradations know; His were those dear delusions of the art...