The Works of William Mason, 3. köideT. Cadell and W. Davies, 1811 |
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Page 7
... kind that has either preceded or followed it ; yet as it was published about the middle of the seven- teenth century , many of the precepts it contains have been so frequently repeated by later writers , that they have lost the air of ...
... kind that has either preceded or followed it ; yet as it was published about the middle of the seven- teenth century , many of the precepts it contains have been so frequently repeated by later writers , that they have lost the air of ...
Page 84
... kind , let me be permitted here to recommend to the Artist to talk as little as possible of his own works , much less to praise them ; and this not so much for the sake of avoiding the character of vanity , as for keeping clear of a ...
... kind , let me be permitted here to recommend to the Artist to talk as little as possible of his own works , much less to praise them ; and this not so much for the sake of avoiding the character of vanity , as for keeping clear of a ...
Page 103
... kind ; the Artist has shown the greatest skill in disposing and constrasting more than twenty figures without confusion and without crowding ; the whole appearing as much animated and in motion as it is possible where nothing is to be ...
... kind ; the Artist has shown the greatest skill in disposing and constrasting more than twenty figures without confusion and without crowding ; the whole appearing as much animated and in motion as it is possible where nothing is to be ...
Page 108
... kind of pedantry which young painters are very apt to fall into , as it carries with it a relish of the learning acquired from the ancient statues ; but they should recollect there is not the same necessity for this practice in painting ...
... kind of pedantry which young painters are very apt to fall into , as it carries with it a relish of the learning acquired from the ancient statues ; but they should recollect there is not the same necessity for this practice in painting ...
Page 115
... kind , there should be one of each which should be apparently principal , and predominate over the rest . It must be observed , even in drapery ; two folds of the same drapery must not be of equal mag- nitude . R. Note XXXIX . Verse 421 ...
... kind , there should be one of each which should be apparently principal , and predominate over the rest . It must be observed , even in drapery ; two folds of the same drapery must not be of equal mag- nitude . R. Note XXXIX . Verse 421 ...
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Accent admirable Albert Durer Andrea Anthem antient Antwerp appear Artist atque Author Bagnacavallo beauty called Caracci charms Chaunt Church Music colorum colours Composer composition Correggio defect detto Discant Domenichino drapery Essay expression figures forms Francesco Fresnoy genius Giacomo Giottino Giov Girolamo give grace Guercino Guido harmony History Florence History idea imitated instrument invention kind Landsc learned light and shade Ludovico Carracci manner master Melody ment Michael Angelo mind mode modern Nature noble Note Painter passions Paul Brill Paul Veronese perfect performed picture Pietro Pietro Perugino pleasing poem Poet poetical Poetry Portraits practice principal produced Prospero Fontana Psalmody Psalms quæ Raffaelle reader Rome Rubens rules sentiment shadows Simon Vouet singing Sir John Hawkins solemn style syllable taste thing tion Titian tragedy translation true Udina Venice Verse Virgil Vocal whole words
Popular passages
Page 314 - Anon they move In perfect phalanx to the Dorian mood Of flutes and soft recorders...
Page 29 - Viselli : 105 est modus in rebus, sunt certi denique fines, quos ultra citraque nequit consistere rectum.
Page 298 - At last divine Cecilia came, Inventress of the vocal frame; The sweet enthusiast, from her sacred store, Enlarged the former narrow bounds, And added length to solemn sounds, With Nature's mother-wit, and arts unknown before. Let old Timotheus yield the prize, Or both divide the crown : He raised a mortal to the skies : She drew an angel down.
Page 224 - And breathe an air divine on every face ; Yet should the Muses bid my numbers roll Strong as their charms, and gentle as their soul; With Zeuxis...
Page 223 - The living image in the painter's breast! Thence endless streams of fair ideas flow, Strike in the sketch, or in the picture glow; Thence Beauty, waking all her forms, supplies An angel's sweetness, or Bridgewater's eyes.1 Muse! at that name thy sacred sorrows shed...
Page 310 - The interim of unsweating themselves regularly and convenient rest before meat may both with profit and delight be taken up in recreating and composing their travailed spirits with the solemn and divine harmonies of music, heard or learned either while the skilful organist plies his grave and fancied descant in lofty fugues or the whole symphony with artful and unimaginable touches adorn and grace the well-studied chords of some choice composer — sometimes the lute or soft organ-stop waiting on...
Page 355 - HARRY, whose tuneful and well-measured song First taught our English music how to span Words with just note and accent, not to scan With Midas' ears, committing short and long, Thy worth and skill exempts thee from the throng, With praise enough for Envy to look wan : To after age thou shalt be writ the man That with smooth air couldst humour best our tongue. Thou honour'st verse, and verse must lend her wing To honour thee, the priest of Phoebus...
Page 198 - Truth is the object of our understanding, as good is of our will; and the understanding can no more be delighted with a lie, than the will can choose an apparent evil. As truth is the end of all our speculations, so the discovery of it is the pleasure of them; and since a true knowledge of nature gives us pleasure, a lively imitation of it, either in poetry or painting, must of necessity produce a much greater: for both these arts . . . are not only true imitations of nature, but of the best nature,...
Page 23 - RUE poetry the Painter's power displays : True Painting emulates the Poet's lays ; The rival sisters, fond of equal fame, Alternate change their office and their name ; Bid silent Poetry the canvass warm, . 5 The tuneful page with speaking picture charm.
Page 73 - Yet higher still great TITIAN dar'd to soar, He reach'd the loftiest heights of colouring's power ; His friendly tints in happiest mixture flow, His shades and lights their just gradations know; His were those dear delusions of the art...