The Works of William Mason, 3. köideT. Cadell and W. Davies, 1811 |
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Page 36
... object tower with equal pride ; And so arrange each correspondent side , That , thro ' the well - connected plan , appear No cold vacuity , no desert drear . 210 Sed qu¿dam in diversa trahant contraria membra , 140 Transverséque aliis ...
... object tower with equal pride ; And so arrange each correspondent side , That , thro ' the well - connected plan , appear No cold vacuity , no desert drear . 210 Sed qu¿dam in diversa trahant contraria membra , 140 Transverséque aliis ...
Page 37
... objects fill an ample ground . Yet if some grand important theme demand Of many needful forms a busy band , Judgment will so the several groups unite , That one compacted whole shall meet the sight . 215 220 i Pluribus implicitum ...
... objects fill an ample ground . Yet if some grand important theme demand Of many needful forms a busy band , Judgment will so the several groups unite , That one compacted whole shall meet the sight . 215 220 i Pluribus implicitum ...
Page 44
... object know its native place . m Thy last , thy noblest task remains untold , Passion to paint , and sentiment unfold ; Yet how these motions of the mind display ! Can colours catch them , or can lines pourtray ? Who shall our pigmy ...
... object know its native place . m Thy last , thy noblest task remains untold , Passion to paint , and sentiment unfold ; Yet how these motions of the mind display ! Can colours catch them , or can lines pourtray ? Who shall our pigmy ...
Page 53
... object back , or bring it near ; 446 Aided by black , it to the front aspires , That aid withdrawn , it distantly retires ; But black unmix'd , of darkest midnight hue , Still calls each object nearer to the view . 450 • Whate'er we spy ...
... object back , or bring it near ; 446 Aided by black , it to the front aspires , That aid withdrawn , it distantly retires ; But black unmix'd , of darkest midnight hue , Still calls each object nearer to the view . 450 • Whate'er we spy ...
Page 55
... objects faintly rise , As if prepar'd to vanish from our eyes . i Give then each foremost part a touch so bright , That , o'er the rest , its domineering light May much prevail ; yet , relative in all , 470 475 Let greater parts advance ...
... objects faintly rise , As if prepar'd to vanish from our eyes . i Give then each foremost part a touch so bright , That , o'er the rest , its domineering light May much prevail ; yet , relative in all , 470 475 Let greater parts advance ...
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Common terms and phrases
Accent admirable Albert Durer Andrea Anthem antient Antwerp appear Artist atque Author Bagnacavallo beauty called Caracci charms Chaunt Church Music colorum colours Composer composition Correggio defect detto Discant Domenichino drapery Essay expression figures forms Francesco Fresnoy genius Giacomo Giottino Giov Girolamo give grace Guercino Guido harmony History Florence History idea imitated instrument invention kind Landsc learned light and shade Ludovico Carracci manner master Melody ment Michael Angelo mind mode modern Nature noble Note Painter passions Paul Brill Paul Veronese perfect performed picture Pietro Pietro Perugino pleasing poem Poet poetical Poetry Portraits practice principal produced Prospero Fontana Psalmody Psalms qu¿ Raffaelle reader Rome Rubens rules sentiment shadows Simon Vouet singing Sir John Hawkins solemn style syllable taste thing tion Titian tragedy translation true Udina Venice Verse Virgil Vocal whole words
Popular passages
Page 314 - Anon they move In perfect phalanx to the Dorian mood Of flutes and soft recorders...
Page 29 - Viselli : 105 est modus in rebus, sunt certi denique fines, quos ultra citraque nequit consistere rectum.
Page 298 - At last divine Cecilia came, Inventress of the vocal frame; The sweet enthusiast, from her sacred store, Enlarged the former narrow bounds, And added length to solemn sounds, With Nature's mother-wit, and arts unknown before. Let old Timotheus yield the prize, Or both divide the crown : He raised a mortal to the skies : She drew an angel down.
Page 224 - And breathe an air divine on every face ; Yet should the Muses bid my numbers roll Strong as their charms, and gentle as their soul; With Zeuxis...
Page 223 - The living image in the painter's breast! Thence endless streams of fair ideas flow, Strike in the sketch, or in the picture glow; Thence Beauty, waking all her forms, supplies An angel's sweetness, or Bridgewater's eyes.1 Muse! at that name thy sacred sorrows shed...
Page 310 - The interim of unsweating themselves regularly and convenient rest before meat may both with profit and delight be taken up in recreating and composing their travailed spirits with the solemn and divine harmonies of music, heard or learned either while the skilful organist plies his grave and fancied descant in lofty fugues or the whole symphony with artful and unimaginable touches adorn and grace the well-studied chords of some choice composer — sometimes the lute or soft organ-stop waiting on...
Page 355 - HARRY, whose tuneful and well-measured song First taught our English music how to span Words with just note and accent, not to scan With Midas' ears, committing short and long, Thy worth and skill exempts thee from the throng, With praise enough for Envy to look wan : To after age thou shalt be writ the man That with smooth air couldst humour best our tongue. Thou honour'st verse, and verse must lend her wing To honour thee, the priest of Phoebus...
Page 198 - Truth is the object of our understanding, as good is of our will; and the understanding can no more be delighted with a lie, than the will can choose an apparent evil. As truth is the end of all our speculations, so the discovery of it is the pleasure of them; and since a true knowledge of nature gives us pleasure, a lively imitation of it, either in poetry or painting, must of necessity produce a much greater: for both these arts . . . are not only true imitations of nature, but of the best nature,...
Page 23 - RUE poetry the Painter's power displays : True Painting emulates the Poet's lays ; The rival sisters, fond of equal fame, Alternate change their office and their name ; Bid silent Poetry the canvass warm, . 5 The tuneful page with speaking picture charm.
Page 73 - Yet higher still great TITIAN dar'd to soar, He reach'd the loftiest heights of colouring's power ; His friendly tints in happiest mixture flow, His shades and lights their just gradations know; His were those dear delusions of the art...