Classic Writings on PoetryWilliam Harmon Columbia University Press, 13. apr 2005 - 560 pages The poet is the sayer, the namer, and represents beauty. He is a sovereign, and stands on the centre.—Ralph Waldo Emerson, from "The Poet" |
From inside the book
Results 1-5 of 46
... plot, character, thought and feeling, diction, sound, and spectacle; he applies these concepts to patterns that can be called tragic and comic. (Umberto Eco's The Name of the Rose has to do with a fanciful account of the last existing ...
... plot, it came originally from Sicily; but of Athenian writers Crates was the first who abandoning the “iambic” or lampooning form, generalized his themes and plots. Epic poetry agrees with Tragedy in so far as it is an imitation in ...
... Plot is the imitation of the action—for by plot I here mean the arrangement of the incidents. By Character I mean that in virtue of which we ascribe certain qualities to the agents. Thought is required wherever a statement is proved, or ...
... plot and artistically constructed incidents. Besides which, the most powerful elements of emotional interest in Tragedy—Peripeteia or Reversal of the Situation, and Recognition scenes—are parts of the plot. A further proof is, that ...
... Plot, since this is the first and most important thing in Tragedy. Now, according to our definition Tragedy is an imitation of an action that is complete, and whole, and of a certain magnitude; for there may be a whole that is wanting ...
Contents
1 | |
31 | |
3 Ars Poetica by Horace | 63 |
4 Germania excerpt by Publius Cornelius Tacitus | 75 |
5 On the Sublime excerpt by Longinus? | 79 |
6 Skáldskaparmál by Snorri Sturluson | 107 |
7 The Defence of Poesy by Sir Philip Sidney | 115 |
8 Of Education excerpt by John Milton | 153 |
18 English Bards and Scotch Reviewers excerpt by George Gordon Lord Byron | 331 |
19 A Defence of Poetry by Percy Bysshe Shelley | 349 |
20 The Poet by William Cullen Bryant | 375 |
21 Poems by John Keats | 379 |
22 The Poet excerpt by Ralph Waldo Emerson | 385 |
23 Aurora Leigh Fifth Book excerpt by Elizabeth Barrett Browning | 405 |
24 Poems by Henry Wadsworth Longfellow | 423 |
25 The Philosophy of Composition by Edgar Allan Poe | 429 |
10 An Essay on Criticism by Alexander Pope | 207 |
Epistle to Dr Arbuthnot by Alexander Pope | 229 |
11 Lives of the Poets excerpts by Samuel Johnson | 243 |
12 The Progress of Poesy by Thomas Gray | 269 |
13 Observations Prefixed to Lyrical Ballads by William Wordsworth | 277 |
14 Biographia Literaria Chapter XIV by Samuel Taylor Coleridge | 297 |
15 The State of Modern Poetry excerpt by Francis Jeffrey | 305 |
16 On Poetry in General excerpt by William Hazlitt | 313 |
17 The Four Ages of Poetry excerpt by Thomas Love Peacock | 317 |
26 Preface to Leaves of Grass first edition 1855 excerpt by Walt Whitman | 443 |
27 The Study of Poetry by Matthew Arnold | 461 |
28 Poems by Emily Dickinson | 485 |
29 Proofs of Holy Writ by Rudyard Kipling | 493 |
30 A Retrospect by Ezra Pound | 507 |
31 The Possibility of a Poetic Drama by T S Eliot | 519 |
32 Poetic Reality and Critical Unreality by Laura Riding Jackson
| 527 |