Shakspeare's Dramatic Art: History and Character of Shakspeare's Plays, 2. köideG. Bell and sons, 1908 |
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Page vi
... ENGLISH HISTORIES . KING JOHN CHAPTER VI . 201 209 RICHARD II · 223 CHAPTER VII . HENRY IV . FIRST AND SECOND PARTS 232 CHAPTER VIIL HENRY V. 250 CHAPTER IX . HENRY VI . FIRST , SECOND AND THIRD PARTS • 260 CHAPTER X. RICHARD IIL . 275 ...
... ENGLISH HISTORIES . KING JOHN CHAPTER VI . 201 209 RICHARD II · 223 CHAPTER VII . HENRY IV . FIRST AND SECOND PARTS 232 CHAPTER VIIL HENRY V. 250 CHAPTER IX . HENRY VI . FIRST , SECOND AND THIRD PARTS • 260 CHAPTER X. RICHARD IIL . 275 ...
Page vii
... ENGLISH HISTORIES , THEIR DEVIATIONS FROM HISTORY , ETC. • PAGE 284 HENRY VIII . . CHAPTER XII . . 297 BOOK VII . ON THE PLAYS ASCRIBED TO SHAKSPEARE , THE GENUINENESS OF WHICH IS DOUBTFUL . CHAPTER I. THE FIRST PART OF THE CONTENTION ...
... ENGLISH HISTORIES , THEIR DEVIATIONS FROM HISTORY , ETC. • PAGE 284 HENRY VIII . . CHAPTER XII . . 297 BOOK VII . ON THE PLAYS ASCRIBED TO SHAKSPEARE , THE GENUINENESS OF WHICH IS DOUBTFUL . CHAPTER I. THE FIRST PART OF THE CONTENTION ...
Page 24
... English dramatists , but also by the greater carefulness and regularity of the language and versification , which is a clear indication of a poet who is still striving to win the approbation of the public by all the external means at ...
... English dramatists , but also by the greater carefulness and regularity of the language and versification , which is a clear indication of a poet who is still striving to win the approbation of the public by all the external means at ...
Page 38
... English , partly from popular superstition , and partly from the old French romance of Theon and Auberon . The legend of the love potion is also ancient . Chaucer's Knight's Tale and his Tysbe of Babylone , or Golding's translation of ...
... English , partly from popular superstition , and partly from the old French romance of Theon and Auberon . The legend of the love potion is also ancient . Chaucer's Knight's Tale and his Tysbe of Babylone , or Golding's translation of ...
Page 80
... English and some of the recent German critics forming so poor an estimate of this play , and for their placing it as far back as possible into the days of the poet's youth . This much alone had hitherto been certain , that it existed as ...
... English and some of the recent German critics forming so poor an estimate of this play , and for their placing it as far back as possible into the days of the poet's youth . This much alone had hitherto been certain , that it existed as ...
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Common terms and phrases
according accordingly action æsthetic already ancient appeared beauty Ben Jonson caprice character circumstances comedy comic composition connection contrast Coriolanus correct Cymbeline Delius diction doubtful plays dramatic art Duke Dyce edition endeavoured external fact Falstaff fantastic favour feeling Fletcher folio French genius German Gervinus give Goethe's hand hence Henry Henry IV Henry VI historical drama humour idea inasmuch Julius Cæsar King John language Lastly latter less Malone manner Marlowe's merely Merry Midsummer Night's Dream mind moral motives nature nevertheless noble outward passages passion Pericles personages piece poet poet's poetical poetry possess Prince printed proved quartos Queen reality regards representation represented Richard Richard III scene Shak Shakspeare Shakspeare's plays Shakspearian significance speare speare's spirit stage Steevens style taste theatre Theseus Tieck Timon of Athens tion Titus Andronicus tragic translation True Tragedie truth unity vols whole wholly written
Popular passages
Page 425 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too.
Page 336 - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.
Page 62 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune...
Page 62 - twixt the green sea and the azur'd vault Set roaring war : to the dread rattling thunder Have I given fire, and rifted Jove's stout oak With his own bolt...
Page 422 - What needs my Shakespeare for his honoured bones The labour of an age in piled stones ? Or that his hallowed reliques should be hid Under a star-ypointing pyramid ? Dear son of memory, great heir of fame, What needst thou such weak witness of thy name ? Thou in our wonder and astonishment Hast built thyself a livelong monument.
Page 437 - He sacrifices virtue to convenience, and is so much more careful to please than to instruct, that he seems to write without any moral purpose.
Page 437 - It may be observed, that in many of his plays the latter part is evidently neglected. When he found himself near the end of his work, and in view of his reward, he shortened the labour to snatch the profit. He, therefore, remits his efforts where he should most vigorously exert them, and his catastrophe is improbably produced or imperfectly represented.
Page 437 - It is from this wide extension of design that so much instruction is derived. It is this which fills the plays of Shakespeare with practical axioms and domestic wisdom. It was said of Euripides that every verse was a precept; and it may be said of Shakespeare that from his works may be collected a system of civil and economical prudence.
Page 157 - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: how would you be, If He, which is the top of judgment, should But judge you as you are ? O, think on that ; And mercy then will breathe within your lips, Like man new made.
Page 337 - Yes, trust them not: for there is an upstart crow beautified with our feathers, that with his tiger's heart, wrapt in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.