Shakspeare's Dramatic Art: History and Character of Shakspeare's Plays, 2. köideG. Bell and sons, 1908 |
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Page 6
... maintain that it represented ' What You ( all ) Will . ' Were it necessary , a closer examination of the leading characters would still more clearly establish the inter- pretation which I have given of the title , and thereby of the ...
... maintain that it represented ' What You ( all ) Will . ' Were it necessary , a closer examination of the leading characters would still more clearly establish the inter- pretation which I have given of the title , and thereby of the ...
Page 26
... the bold and strongly - marked outlines in which the young poet has sketched his picture . It is scarcely necessary to remind the reader that I do 6 not at all wish to maintain that these more 26 [ BOOK V. SHAKSPEARE'S COMEDIES .
... the bold and strongly - marked outlines in which the young poet has sketched his picture . It is scarcely necessary to remind the reader that I do 6 not at all wish to maintain that these more 26 [ BOOK V. SHAKSPEARE'S COMEDIES .
Page 27
History and Character of Shakspeare's Plays Hermann Ulrici. 6 not at all wish to maintain that these more philosophical than poetical considerations - although in my opinion they are not very different -- were the directly conscious ...
History and Character of Shakspeare's Plays Hermann Ulrici. 6 not at all wish to maintain that these more philosophical than poetical considerations - although in my opinion they are not very different -- were the directly conscious ...
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... maintains that there is a sort of improbability with which we are shocked in dramatic representation not less than in a narra- tive of real life , because it not only contradicts the latter , but also the poetical reality , or that ...
... maintains that there is a sort of improbability with which we are shocked in dramatic representation not less than in a narra- tive of real life , because it not only contradicts the latter , but also the poetical reality , or that ...
Page 56
... maintain that the foreign source contained but the bare threads of the events , and moreover only in o far as they apply to the four chief personages ; everything else , the forming and the development of every one of the characters ...
... maintain that the foreign source contained but the bare threads of the events , and moreover only in o far as they apply to the four chief personages ; everything else , the forming and the development of every one of the characters ...
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Common terms and phrases
according accordingly action ¿sthetic already ancient appeared beauty Ben Jonson caprice character circumstances comedy comic composition connection contrast Coriolanus correct Cymbeline Delius diction doubtful plays dramatic art Duke Dyce edition endeavoured external fact Falstaff fantastic favour feeling Fletcher folio French genius German Gervinus give Goethe's hand hence Henry Henry IV Henry VI historical drama humour idea inasmuch Julius C¿sar King John language Lastly latter less Malone manner Marlowe's merely Merry Midsummer Night's Dream mind moral motives nature nevertheless noble outward passages passion Pericles personages piece poet poet's poetical poetry possess Prince printed proved quartos Queen reality regards representation represented Richard Richard III scene Shak Shakspeare Shakspeare's plays Shakspearian significance speare speare's spirit stage Steevens style taste theatre Theseus Tieck Timon of Athens tion Titus Andronicus tragic translation True Tragedie truth unity vols whole wholly written
Popular passages
Page 425 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too.
Page 336 - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.
Page 62 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune...
Page 62 - twixt the green sea and the azur'd vault Set roaring war : to the dread rattling thunder Have I given fire, and rifted Jove's stout oak With his own bolt...
Page 422 - What needs my Shakespeare for his honoured bones The labour of an age in piled stones ? Or that his hallowed reliques should be hid Under a star-ypointing pyramid ? Dear son of memory, great heir of fame, What needst thou such weak witness of thy name ? Thou in our wonder and astonishment Hast built thyself a livelong monument.
Page 437 - He sacrifices virtue to convenience, and is so much more careful to please than to instruct, that he seems to write without any moral purpose.
Page 437 - It may be observed, that in many of his plays the latter part is evidently neglected. When he found himself near the end of his work, and in view of his reward, he shortened the labour to snatch the profit. He, therefore, remits his efforts where he should most vigorously exert them, and his catastrophe is improbably produced or imperfectly represented.
Page 437 - It is from this wide extension of design that so much instruction is derived. It is this which fills the plays of Shakespeare with practical axioms and domestic wisdom. It was said of Euripides that every verse was a precept; and it may be said of Shakespeare that from his works may be collected a system of civil and economical prudence.
Page 157 - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: how would you be, If He, which is the top of judgment, should But judge you as you are ? O, think on that ; And mercy then will breathe within your lips, Like man new made.
Page 337 - Yes, trust them not: for there is an upstart crow beautified with our feathers, that with his tiger's heart, wrapt in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.