Shakspeare's Dramatic Art: History and Character of Shakspeare's Plays, 2. köideG. Bell and sons, 1908 |
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Page 1
... reality they but represent the unaccountable sway and the effectual power of accident ; in the latter case , it is the caprices and the desires , the emotions and the passions , the aims and the VOL . II B resolves of men themselves ...
... reality they but represent the unaccountable sway and the effectual power of accident ; in the latter case , it is the caprices and the desires , the emotions and the passions , the aims and the VOL . II B resolves of men themselves ...
Page 2
... reality represent the same view of life , the dependence of human life and destiny upon those external circumstances and relations into which men are thrown by accident , whim or caprice , intention or intrigue , and which are ravelled ...
... reality represent the same view of life , the dependence of human life and destiny upon those external circumstances and relations into which men are thrown by accident , whim or caprice , intention or intrigue , and which are ravelled ...
Page 3
... reality . but man himself can be fantastic , can think and act fantas- tically , by yielding completely to his whims , caprices and illusions , or by allowing himself to be led by the play of chance without having any plan or intention ...
... reality . but man himself can be fantastic , can think and act fantas- tically , by yielding completely to his whims , caprices and illusions , or by allowing himself to be led by the play of chance without having any plan or intention ...
Page 5
... reality , even more significant . It indeed refers to the relation between the public and the play , but not ( as has been supposed ) in the quite inadmissible sense , that the piece was to give and to represent what- ever the ...
... reality , even more significant . It indeed refers to the relation between the public and the play , but not ( as has been supposed ) in the quite inadmissible sense , that the piece was to give and to represent what- ever the ...
Page 6
... reality , all as little fond of an exist- ence which passes with nothing unusual , surprising or exciting to the imagination , where everything happens according to well considered aims and objects , as we are of the reverse , a life ...
... reality , all as little fond of an exist- ence which passes with nothing unusual , surprising or exciting to the imagination , where everything happens according to well considered aims and objects , as we are of the reverse , a life ...
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Common terms and phrases
according accordingly action æsthetic already ancient appeared beauty Ben Jonson caprice character circumstances comedy comic composition connection contrast Coriolanus correct Cymbeline Delius diction doubtful plays dramatic art Duke Dyce edition endeavoured external fact Falstaff fantastic favour feeling Fletcher folio French genius German Gervinus give Goethe's hand hence Henry Henry IV Henry VI historical drama humour idea inasmuch Julius Cæsar King John language Lastly latter less Malone manner Marlowe's merely Merry Midsummer Night's Dream mind moral motives nature nevertheless noble outward passages passion Pericles personages piece poet poet's poetical poetry possess Prince printed proved quartos Queen reality regards representation represented Richard Richard III scene Shak Shakspeare Shakspeare's plays Shakspearian significance speare speare's spirit stage Steevens style taste theatre Theseus Tieck Timon of Athens tion Titus Andronicus tragic translation True Tragedie truth unity vols whole wholly written
Popular passages
Page 425 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too.
Page 336 - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.
Page 62 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune...
Page 62 - twixt the green sea and the azur'd vault Set roaring war : to the dread rattling thunder Have I given fire, and rifted Jove's stout oak With his own bolt...
Page 422 - What needs my Shakespeare for his honoured bones The labour of an age in piled stones ? Or that his hallowed reliques should be hid Under a star-ypointing pyramid ? Dear son of memory, great heir of fame, What needst thou such weak witness of thy name ? Thou in our wonder and astonishment Hast built thyself a livelong monument.
Page 437 - He sacrifices virtue to convenience, and is so much more careful to please than to instruct, that he seems to write without any moral purpose.
Page 437 - It may be observed, that in many of his plays the latter part is evidently neglected. When he found himself near the end of his work, and in view of his reward, he shortened the labour to snatch the profit. He, therefore, remits his efforts where he should most vigorously exert them, and his catastrophe is improbably produced or imperfectly represented.
Page 437 - It is from this wide extension of design that so much instruction is derived. It is this which fills the plays of Shakespeare with practical axioms and domestic wisdom. It was said of Euripides that every verse was a precept; and it may be said of Shakespeare that from his works may be collected a system of civil and economical prudence.
Page 157 - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: how would you be, If He, which is the top of judgment, should But judge you as you are ? O, think on that ; And mercy then will breathe within your lips, Like man new made.
Page 337 - Yes, trust them not: for there is an upstart crow beautified with our feathers, that with his tiger's heart, wrapt in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.