The Life and Works of Goethe: With Sketches of His Age and Contemporaries, from Published and Unpublished Sources, 1. köideTicknor and Fields, 1856 |
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Page vi
... critical considerations on the various works , Herr Schäfer brings his material within two volumes . Not only is this work somewhat richer than Vie- hoff's , it is also preferred by the Germans on account of its compactness . It would ...
... critical considerations on the various works , Herr Schäfer brings his material within two volumes . Not only is this work somewhat richer than Vie- hoff's , it is also preferred by the Germans on account of its compactness . It would ...
Page 37
... critical , and do not need to understand a play to enjoy it . A Racine , found upon his father's shelves , was eagerly studied , and the speeches were declaimed with more or less appreciation of their meaning . The theatre , and ...
... critical , and do not need to understand a play to enjoy it . A Racine , found upon his father's shelves , was eagerly studied , and the speeches were declaimed with more or less appreciation of their meaning . The theatre , and ...
Page 39
... critical capacity was merciless . He picked the play to pieces , and stun- ned the poor author with the critical jargon of that day ; proclaimed the absolute integrity of the Three Unities , abused the English , laughed at the Germans ...
... critical capacity was merciless . He picked the play to pieces , and stun- ned the poor author with the critical jargon of that day ; proclaimed the absolute integrity of the Three Unities , abused the English , laughed at the Germans ...
Page 74
... critical attention , we shall observe the con- crete tendency determining - first , his choice of subjects ; secondly , his handling of characters ; and , thirdly , his style . We shall see the operation of that law of his mind , which ...
... critical attention , we shall observe the con- crete tendency determining - first , his choice of subjects ; secondly , his handling of characters ; and , thirdly , his style . We shall see the operation of that law of his mind , which ...
Page 129
... Critical Rules , upon which Taste securely rested , neces- sarily made Shakespeare appear like a Cyclops of Genuis -a monster , though of superhuman proportions . French- men could not help being ' shocked ' at many things in ...
... Critical Rules , upon which Taste securely rested , neces- sarily made Shakespeare appear like a Cyclops of Genuis -a monster , though of superhuman proportions . French- men could not help being ' shocked ' at many things in ...
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acquaintance admiration Autobiography Beaumarchais beauty called character charming Christian Clavigo Corona Schröter court criticism dear delight drama Drusenheim Duchess Duke Emilia eyes father feel felt Frankfurt Frau Fräulein Frederika French friendship genius German give Goethe Goethe's Götz von Berlichingen Greek hand happy heart Herder hope imagination imitation influence Jena Jerusalem Julius C¿sar Karl August Käthchen Kestner Klettenberg Klopstock Leipsic less letter literature live look Lotte lover Lucinda Merck mind mother nature never night noble once Otto Jahn passion picture play poem poet poetic poetry prince reader scene Schiller seems sentimental Sesenheim Shakespeare sister song soul speak Spinoza spirit Strasburg Sturm und Drang table d'hôte tendency thee things thou thought tion translation truth Viehoff Weimar Weislingen Werther Wetzlar Weyland Wieland wife Wolfgang woman word write wrote young youth
Popular passages
Page 192 - Within its own creation, or in thine, Maternal Nature ! for who teems like thee, Thus on the banks of thy majestic Rhine? There Harold gazes on a work divine, A blending of all beauties; streams and dells, Fruit, foliage, crag, wood, cornfield, mountain, vine, And chiefless castles breathing stern farewells From gray but leafy walls, where Ruin greenly dwells.
Page 294 - Ahazuerus sees depicted the features of our Lord, not in their present agony, but radiant with celestial life. Astounded at the sight, he turns away his eyes, and hears the words, ' Over the earth shalt thou wander till thou shalt once more see me in this form.' Overwhelmed by the sentence, he is some time before he recovers himself ; he then finds that every one has gone to the place of execution, and that the streets of Jerusalem are empty. Unrest and yearnings drive him forth, and his wanderings...
Page 128 - For Hamlet, and the trifling of his favor, Hold it a fashion, and a toy in blood, A violet in the youth of primy nature, Forward, not permanent, sweet, not lasting, The perfume and suppliance of a minute ; No more.
Page 30 - Circumstance, it would be nearer the mark to say that Man is the architect of Circumstance.
Page 56 - Willst du genau erfahren was sich ziemt, So frage nur bei edlen Frauen an.
Page 139 - They say, best men are moulded out of faults; And, for the most, become much more the better For being a little bad: so may my husband.
Page 206 - Goethe has narrated in full the conception of this piece, which is very grand ; he tells us the idea arose within him of illustrating the sad fact, noticeable in the biographies of genius, that every man who attempts to realize a great idea comes in contact with the lower world, and must place himself on its level in order to influence it, and thus compromises his higher aims and finally forfeits them.
Page 13 - I never bemoralise any one — always seek out the good that is in them, and leave what is bad to him who made mankind, and knows how to round off the angles. In this way I make myself happy and comfortable.
Page 235 - O that I could spring on thy neck, throw myself at Lotte's feet, one, one minute, and all, all that should be done away with, explained, which I could not make clear with quires of paper ! O ye unbelieving ones, I could exclaim ! Ye of little faith ! Could you feel the thousandth part of what Werther is to a thousand hearts, you would not reckon the sacrifice you have made towards it! Here is a letter, read it, and send me word quickly what thou thinkest of it, what impression it makes on thee. Thou...
Page 169 - This it is to write autobiography when one has outlived almost the memories of youth, and lost sympathy with many of its agitations. At the time he was in Wetzlar he would have looked strangely on any one who ventured to tell him that the history of the Imperial...