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S A TI E S.
P. HUT, shut the door, good John! fatigu'd
I said, Tye up the knocker, say I'm fick, I'm dead, The Dog-star rages ! nay 'tis paft a doubt, All Bedlam, or Parnassus, is let out: Fire in each eye, and papers in each hand, 5 They rave, recite, and madden round the land. What walls can guard me, or what shades can hide ? They pierce my thickets, thro' my Grot they glide, By land, by water, they renew the charge, They stop the chariot, and shey board the barge. 10 No place is facred, not the Church is free, Ev’n Sunday shines no Sabbath-day to me:
VIR. 1. Sbut, put the door, good John!] John Searl, his old and faithful servant: whom he has remembered, under that character, in his Will.
Then from the Mint walks forth the man of rhyme, Happy! to catch me, just at Dinner-time.
Is there a Parson, much be-mus'd in beer, 15 A maudlin Poetess, a rhyming Peer, A Clerk, foredoom'd his father's foul to cross, Who pens a Stanza, when he should engross? Is there, who, lock'd from ink and
scrawls With desp'rate charcoal round his darken'd walls? 20 All Aly to Twit'nam, and in humble strain Apply to me, to keep them mad or vain. Arthur, whose giddy son neglects the Laws, Imputes to me and my damnd works the cause: Poor Cornus sees his frantic wife elope,
25 And curses Wit, and Poetry, and Pope.
Friend to my Life! (which did not you prolong, The world had wanted many an idle song)
After ver. 20. in the MS.
Who would do something in his Semptress' praise
is not this a curfe? .
Ver. 13. Mint.] A place to which insolvent debtors retired, to-enjoy an illegal protection, which they were there suffered to tard. one another, from the perfecution of their creditors.
What Drop or Noftrum can this plague remove?
Nine years ! cries he, who high in Drury-lane, Lull’d by soft Zephyrs thro' the broken pane, Rhymes ere he wakes, and prints before Term ends, Oblig'd by hunger, and request of friends: “ The piece, you think, is incorrect? why take it, « I'm all submission, what you'd have it, make it."
Three things another's modest wishes bound, My Friendship, and a Prologue, and ten pound,
Pitholeon sends to me: you know his Grace, " I want a Patron; ask him for a Place."
50 Pitholeon libell'd me but here's a letter “ Informs you, Sir, 'twas when he knew no better.
VER. 49. Pitboleon] The name taken from a foolish Poet of Rhodes, who pretended much to Greek. 'Schol. in Horat. I, 1, Dr. Bentley pretends, that this Pithaleon libelled Cæsar alsó, See notes on Hor. Sat. 10. 1, i,
“ Dare you refufe him? Curl invites to dine, 4 He'll write a Journal, or he'll turn Divine."
Bless me! a packet." 'Tis a stranger sues, 55 “ A Virgin Tragedy, an Orphan Mufe." If I dislike it, “ Furies, death and rage !" If I approve, “ Commend it to the Stage. There (thank my stars) my whole commiffion ends, The Play’rs and I are, luckily, no friends. 60 Fir'd that the house reject him, “ 'Sdeath I'll print it, « And shame the fools-Your int’reit, Sir, with
Lintot." Lintot, dull rogue ! will think your price too much; * Not, Sir, if you revise it, and retouch." All my demurs but double his attacks ;
65 At laft he whispers, “ Do; and we go snacks." Glad of a quarrel, strait I clap the door, Şir, let me see your works and you no more.
"Tis fung, when Midas' Ears began to spring, (Midas, a facred person and a King)
70 His very Minifter who spy'd them first, (Some fay his Queen) was forc'd to speak, or burft.
VARIATIONS. VER. 53. in the MS.
If you refuse, he goes, as fates incliné,
To plague Sir Robert, or to turn Divinen VIR. 60. in the former Ed.
Cibber and I are luckily no friends,
VIR. 72. Queen] The story is told, by some, of his Barber, but by Cbaucer of his Queen. See Wife of Bath's Tale in Dry den's Fables,
And is not mine, my friend, a forer case,
VER. 80, Tbat secret to each fool, that he's an Afs:) i. e. that
Si fractus illabatur orbis,
P. VER. 92. The creature's at his dirty work again, ] This metamorpibosing, as it were, the Scribler into a Spider is much more poetical than a comparison would have been. But Poets should be cautious how they employ this figure; for where the likeness is not very striking, instead of giving force, they become obscure. Here, every thing concurs to make them run into one another,