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The first row of the series is formed by the major coverts; these, like the primaries, have their free-edges directed towards the tip of the wing, and hence are said to have a distal overlap. The next row is formed by the median coverts. These, on the forearm, commonly overlap as to the outer half of the row distally, and as to the inner half proximally. On the hand this series is incomplete. Beyond the median are four or five rows of coverts known as the minor coverts. These may have either a proximal or a distal overlap. The remaining rows of small feathers are known as the marginal coverts, and they always have a distal overlap.

The three or four large quill-like feathers borne by the thumb form what is known as the "bastard-wing," ala spuria.

The coverts of the under follow an arrangement similar to that of the upper surface, but the minor coverts are commonly but feebly developed, leaving a more or less bare space which is covered by the great elongation of the marginal series."

One noteworthy fact about the coverts of the under side of the wing is that all save the major and median coverts have what answers to the dorsal surfaces of the feather turned towards the body, and what answers to the ventral surface of the feather turned towards the under surface of the wing. In the major and median coverts, however, the ventral surfaces of these feathers are turned ventralwards, that is to say, in the extended wing they, like the remiges, have the ventral surfaces turned downwards or towards the body in the closed wing.

But the most remarkable fact in connexion with the pterylosis of the wing is the fact that in all, save the Passerine and Galliform types, and some few other isolated exceptions, the secondary series of remiges appears always to lack the fifth remex, counting from the wrist inwards, inasmuch as, when such wings are examined, there is always found, in the place of the fifth remex, a pair of major coverts only, while throughout the rest of the series each such pair of coverts embraces a quill.

This extraordinary fact was first discovered by the French naturalist Z. Gerbe, and was later rediscovered by R. S. Wray. Neither of these, however, was able to offer any explanation thereof. This, however, has since been attempted, simultaneously, by P. C. Mitchell and W. P. Pycraft. The former has aptly coined the word diastataxic to denote the gap in the series, and eutaxic to denote such wings as have an uninterrupted series of quills. While both authors agree that there is no evidence of any loss in the number of the quiils in diastataxic wings, they differ in the interpretation as to which of the two conditions is the more primitive and the means by which the gap has been brought about." According to Mitchell the diastataxic is the more primitive condition, and he has conclusively shown a way in which diastataxic wings may become eutaxic. Pycraft on the other hand contends that the diastataxic wing has been derived from the eutaxic type, and has produced evidence showing, on the one hand, the method by which this transition is effected, and on the other that by which the diastataxic wing may again recover the eutaxic condition, though in this last particular the evidence adduced by Mitchell is much more complete. The matter is, however, one of considerable difficulty, but is well worth further investigation.

The wings of struthious birds differ from those of the Carinatae, just described, in many ways. All are degenerate and quite useless as organs of flight. In some cases indeed they have become reduced to mere vestiges.

Those of the ostrich and Rhea are the least degraded.

In the ostrich ankylosis has prevented the flexion of the hand at the wrist joint so that the quills-primaries and secondaries-form an unbroken series of about forty in number. Of these sixteen belong to the primary or metacarpo-digital series, a number exceeding that of any other bird. What the significance of this may be with regard to the primitive wing it is impossible to say at present. The coverts, in their disposition, bear a general resemblance to those of Carinate wings; but they differ on account of the great length of the feathers and the absence of any definite overlap.

The wing of the South American Rhea more nearly resembles that of flying birds since the hand can be flexed at the wrist joint, and the primaries are twelve in number, as in grebes, and some storks, for example.

The coverts, as in the African ostrich, are remarkable for their great length, those representing the major series being as long as the remiges, a fact probably due to the shortening of the latter. They are not, however, arranged in quincunx, as is the rule among the Carinatae, but in parallel, transverse rows, in which respect they In both ostrich and Rhea, as well as in all the other struthious birds, the under surface of the wing is entirely bare. The wing of the cassowary, emeu and apteryx has undergone complete degeneration; so much so that only a vestige of the hand

resemble the owls.

remains.

Remiges in the cassowary are represented by a few spine-like shafts-three primaries and two secondaries. These are really hypertrophied calami. This is shown by the fact that in the nestling these remiges have a normal calamus, rhachis and vane; but as development proceeds the rhachis with its vane sloughs off, while the calamus becomes enormously lengthened and solid."

In the emeu the wing is less atrophied than in the cassowary,

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but is not yet completely degenerate. Altogether seventeen remiges are represented, of which seven correspond to primaries. Since, however, these feathers have each an aftershaft as long as the main shaft-like the rest of the body feathers-it may be that they answer not to remiges, but to major coverts.

The wing of apteryx, like that of the cassowary, has become extremely reduced. The remiges are thirteen in number, four of which answer to primaries. These feathers are specially interesting, inasmuch as they retain throughout life a stage corresponding to that seen in the very young cassowary, the calamus being greatly swollen, and supporting a very degenerate rhachis and vane. The penguins afford another object-lesson in degeneration of this kind. Here the wing has become transformed into a paddle, clothed on both sides with a covering of small, close-set feathers. A pollex is wanting, as in the cassowary, emeu and apteryx, while it is impossible to say whether remiges are represented or not. AUTHORITIES.-The following authors should be consulted for further details on this subject:-

For General Reference as to Structure, Colour, Development and Plerylosis.-H. Gadow, in Newton's Dictionary of Birds (1896); W. P. Pycraft," The Interlocking of the Barbs of Feathers," Natural Science (1893). On the Colours of Feathers.-J. L. Bonhote, " On Moult and Colour Change in Birds," Ibis (1900); A. H. Church, "Researches on Turacin, an Animal Pigment containing Copper," Phil. Trans. clix. (1870), pt. ii.; H. Gadow, "The Coloration of Feathers as affected by Structure," Proc. Zool. Soc. (1882); Newbegin, Colour in Nature (1898); R. M. Strong," The Development of Color in the Definitive Feather," Bull. Mus. Zool. Harvard College, vol. xl.

On Moulting.-J. Dwight, "The Sequences of Plumage and Moults of the Passerine Birds of New York," Annals N. Y. Acad. Sci., vol. xiii. (1900); W. E. De Winton, "On the Moulting of the King Penguin," Proc. Zool. Soc. (1898-1899); W. P. Pycraft, "On some Points in the Anatomy of the Emperor and Adélie Penguins," Report National Antarctic Expedition, vol. ii. (1907).

On Development of Embryonic, Nestling and Adult Feathers.-T. H. Studer, "Die Entwicklung der Federn," Inaug. Diss. (Bern, 1873): Beiträge zur Entwickl, der Feder," Zeitsch. f. wiss. Zool., Bd. xxx.; J. T. Cunningham, "Observations and Experiments on Japanese Long-tailed Fowls," Proc. Zool. Soc. (1903); H. R. Davies, "Beitrag zur Entwicklung der Feder," Morph. Jahrb. xiv. (1888), xv. (1889); W. P. Pycraft, "A Contribution towards our Knowledge of the Morphology of the Owls," Trans. Linn. Soc. (1898); W. P. Pycraft, "A Contribution towards our Knowledge of the Pterytography of the Megapodii," Report Willey's Zoological Results, pt. iv. (1900); W. P. Pycraft, Nestling Birds and some of the Problems they Present," British Birds (1907).

On Pierylosis.-H. Gadow," Remarks on the Numbers and on the Phylogenetic Development of the Remiges of Birds," Proc. Zool. Soc. (1888): Z. Gerbe," Sur les plumes du vol et leur mue," Bull. Soc. Zool. France, vol. ii. (1877): J. G. Goodchild, "The Cubital Coverts of the Euornithae in relation to Taxonomy," Proc. Roy. Phys. Edinb. vol. x. (1890-1891); Meijere," Über die Federn der Vögel," Morphol. Jahrb. xxiii. (1895); P. C. Mitchell," On so-called Quintocubitalism' in the Wing of Birds," Journ. Linn. Soc. Zool. vol. xxvii. (1899); "On the Anatomy of the Kingfishers, with special reference to the Conditions known as Eutaxy and Diastataxy." Ibis (1901); C. L. Nitzsch, 'Pterytography," Ray Soc. (1867); W. P. Pycraft, "Some Facts concerning the so-called Aquintocubitalism' of the Bird's Wing," Journ. Linn. Soc. vol. xxvii.; C. J. Sundevall, "On the Wings of Birds," Ibis (1886); R. S. Wray, "On some Points in the Morphology of the Wings of Birds," Proc. Zool. Soc. (1887). (W. P. P.)

Commercial Applications of Feathers.-The chief purposes for which feathers become commercially valuable may be comprehended under four divisions:-(1) bed and upholstery feathers; (2) quills for writing; (3) ornamental feathers; and (4) miscellaneous uses of feathers.

Bed and Upholstery Feathers.-The qualities which render feathers available for stuffing beds, cushions, &c., are lightness, elasticity, freedom from matting and softness. These are combined in the most satisfactory degree in the feathers of the goose and of several other allied aquatic birds, whose bodies are protected with a warm downy covering. Goose feathers and down, when plucked in spring from the living bird, are most esteemed, being at once more elastic, cleaner and less liable to taint than those obtained from the bodies of killed geese. The down of the eider duck, Anas mollissima, is valued above all other substances for lightness, softness and elasticity; but it has some tendency to mat, and is consequently more used for quilts and in articles of clothing than unmixed for stuffing beds. The feathers of swans, ducks and of the common domestic fowl are also largely employed for beds; but in the case of the latter bird, which is of course non-aquatic, the feathers are harsher

and less downy than are those of the natatorial birds generally. | wing feathers of the female are white tinged with a dusky grey, Feathers which possess strong or stiff shafts cannot without some preliminary preparation be used for stuffing purposes, as the stiff points they present would not only be highly uncomfortable, but would also pierce and cause the escape of the feathers from any covering in which they might be enclosed. The barbs are therefore stripped or cut from these feathers, and when so prepared they, in common with soft feathers and downs, undergo a careful process of drying and cleaning, without which they would acquire an offensive smell, readily attract damp, and harbour vermin. The drying is generally done in highly heated apartments or stoves, and subsequently the feathers are smartly beaten with a stick, and shaken in a sieve to separate all dust and small debris.

Quills for Writing. The earliest period at which the use of quill feathers for writing purposes is recorded is the 6th century; and from that time till the introduction of steel pens in the early part of the 19th century they formed the principal writing implements of civilized communities. It has always been from the goose that quills have been chiefly obtained, although the swan, crow, eagle, owl, hawk and turkey all have more or less been laid under contribution. Swan quills, indeed are better and more costly than are those from the goose, and for fine lines crow quills have been much employed. Only the five outer wing feathers of the goose are useful for writing, and of these the second and third are the best, while left-wing quills are also generally more esteemed than those of the right wing, from the fact that they curve outward and away from the writer using them. Quills obtained in spring, by plucking or otherwise, from living birds are by far the best, those taken from dead geese, more especially if fattened, being comparatively worthless. To take away the natural greasiness to remove the superficial and internal pellicles of skin, and to give the necessary qualities of hardness and elasticity, quills require to undergo some processes of preparation. The essential operation consists in heating them, generally in a fine sand-bath, to from 130° to 180° F. according to circumstances, and scraping them under pressure while still soft from heat, whereby the outer skin is removed and the inner shrivelled up. If the heating has been properly effected, the quills are found on cooling to have become hard, elastic and somewhat brittle While the quills are soft and hot, lozenge-shaped patterns, ornamental designs, and names are easily and permanently impressed on them by pressure with suitable instruments or designs in metal stamps.

Ornamental Feathers.-Feathers do not appear to have been much used, in Europe at least, for ornamental purposes till the close of the 13th century. They are found in the conical caps worn in England during the reigns of Edward III. and Richard IL; but not till the period of Henry V. did they take their place as a part of military costume. Towards the close of the 15th century the fashion of wearing feathers in both civil and military life was carried to an almost ludicrous excess. In the time of Henry VIII. they first appeared in the bonnets of ladies; and during Elizabeth's reign feathers began to occupy an important place as head-dress ornaments of women. From that time down to the present, feathers of endless variety have continued to be leading articles of ornamentation in female headattire; but, except for military plumes, they have long ceased to be worn in ordinary male costume. At the present day, the feathers of numerous birds are, in one way or another, turned to account by ladies for the purpose of personal ornament. Ostrich feathers, however, hold, as they have always held, a pre-eminent position among ornamental feathers; and the ostrich is the only bird which may be said to be reared exclusively for the sake of its feathers. Ostrich farming is one of the established industries of South Africa, and is also practised in Kordofan and other semi-desert regions of North Africa, in Argentina, and in Arizona and California in North America. The feathers are generally plucked from the living animal-a process which | does not appear to cause any great inconvenience. In the male bird, the long feathers of the rump and wings are white, and the short feathers of the body are jet black; while the rump and

the general body colour being the latter huc. The feathers of the male are consequently much more valuable than those of the female, and they are separately classified in commerce. The art of the plumassier embraces the cleaning, bleaching, dyeing, curling and making up of ostrich and other plumes and feathers. White feathers are simply washed in bundles in hot soapy water, run through pure warm water, exposed to sulphurous fumes for bleaching, thereafter blued with indigo solution, rinsed in pure cold water, and hung up to dry. When dry the shafts are pared or scraped down to give the feathers greater flexibility, and the barbs are curled by drawing them singly over the face of a blunt knife or by the cautious application of a heated iron. Dull-coloured feathers are usually dyed black. Feathers which are dyed light colours are first bleached by exposure in the open air. Much ingenuity is displayed in the making up of plumes, with the general result of producing the appearance of full, rich, and long feathers from inferior varieties and from scraps and fragments of ostrich feathers; and so dexterously can factitious plumes be prepared that only an experienced person is able to detect the fabrication.

In addition to those of the ostrich, the feathers of certain other birds form articles of steady commercial demand. Among these are the feathers of the South American ostrich, Rhea americana, the marabout feathers of India obtained from Leptoptilos argala and L. javanica, the aigrettes of the heron, the feathers of the various species of birds of paradise, and of numerous species of humming-birds. Swan-down and the skins of various penguins and grebes and of the albatross are used, like fur, for muffs and collarettes.

The Chinese excel in the preparation of artificial flowers and other ornaments from bright natural-coloured or dyed feathers; and the French also skilfully work ragments of feathers into bouquets of artificial flowers, imitation butterflies, &c.

Miscellaneous Applications of Feathers.-Quills of various sizes are extensively employed as holders for the sable and camel hair brushes used by artists, &c. Feather brushes and dusters are made from the wing-feathers of the domestic fowl and other birds; those of a superior quality, under the name of vulture dusters, being really made of American ostrich feathers. A minor application of feathers is found in the-dressing of artificial fly-hooks for fishing. As steel pens came into general use it became an object of considerable importance to find applications for the supplanted goose-quills, and a large field of employment for them was found in the preparation of toothpicks. (J. PA; W. P. P.)

FEATHERSTONE, an urban district in the Osgoldcross parliamentary division of the West Riding of Yorkshire, England, 6 m. E. of Wakefield on the Lancashire & Yorkshire railway. Pop. (1901) 12,093. The industrial population is employed in large collieries in the vicinity; and here, on the 7th of September 1893, serious riots during a strike resulted in the destruction of some of the colliery works belonging to Lord Masham, and were not quelled without military intervention and some bloodshed.

FEATLEY (or FAIRCLOUGH) DANIEL (1582-1645), English divine, was born at Charlton, Oxfordshire, on the 15th of March 1582. He was a scholar of Corpus Christi College, Oxford, and probationer fellow in 1602, after which he went to France as chaplain to the English ambassador. For some years he was domestic chaplain to George Abbot, archbishop of Canterbury, and held also the rectories of Lambeth (1619), Allhallows, Bread. Street (c. 1622), and Acton (1627), this last after leaving the archbishop's service in 1625 His varied activities included a "scholastick duel" with James I. in 1625, and the publication of (1) the report of a conference with some Jesuits in 1624, (2) a devotional manual entitled Ancilla Pietatis (1626), (3) Mystica Clavis, a Key opening divers Difficult Texts of Scripture in 70 Sermons (1636). He was appointed provost of Chelsea College in 1630, and in 1641 was one of the sub-committee "to settle religion." In the course of this work he had a disputation with four Baptists at Southwark which he commemorated in his book

KaraẞaлTaTai KararTvOToi, The Dippers dipt or the Anabaptists | (nine in all) it was at once obeyed "for political reasons," duckt and plunged over head and ears (1645). He sat in the Westminster Assembly 1643, and was the last of the Episcopal members to remain. For revealing its proceedings he was expelled and imprisoned. He died at Chelsea on the 17th of April 1645.

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FEBRONIANISM, the name given to a powerful movement within the Roman Catholic Church in Germany, in the latter part of the 18th century, directed towards the "nationalizing of Catholicism, the restriction of the monarchical power usurped by the papacy at the expense of the episcopate, and the reunion of the dissident churches with Catholic Christendom. It was thus, in its main tendencies, the equivalent of what in France is known as Gallicanism (q.v.). The name is derived from the pseudonym of "Justinus Febronius " adopted by Johann Nikolaus von Hontheim (q.v.), coadjutor bishop of Treves (Trier), in publishing his work De statu ecclesiae et legitima potestate Romani pontificis. This book, which roused a vast amount of excitement and controversy at the time, exercised an immense influence on opinion within the Roman Catholic Church, and the principles it proclaimed were put into practice by the rulers of that Church in various countries during the latter part of the 18th and the beginning of the 19th century.

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The main propositions defended by "Febronius were as follows. The constitution of the Church is not, by Christ's institution, monarchical, and the pope, though entitled to a certain primacy, is subordinate to the universal Church. Though as the centre of unity" he may be regarded as the guardian and champion of the ecclesiastical law, and though he may propose laws, and send legates on the affairs of his primacy, his sovereignty (principatus) over the Church is not one of jurisdiction, but of order and collaboration (ordinis et consociationis). | The Roman (ultramontane) doctrine of papal infallibility is not accepted by the other Catholic Churches" and, moreover, has no practical utility." The Church is based on the one episcopacy common to all bishops, the pope being only primus inter pares. It follows that the pope is subject to general councils, in which the bishops are his colleagues (conjudices), not merely his consultors; nor has he the exclusive right to summon such councils. The decrees of general councils need not be confirmed by the pope nor can they be altered by him; on the other hand, appeal may be made from papal decisions to a general council. As for the rights of the popes in such matters as appeals, reservations, the confirmation, translation and deposition of bishops, these belong properly to the bishops in provincial synods, and were usurped by the papacy gradually as the result of a variety of causes, notably of the False Decretals. For the health of the Church it is therefore necessary to restore matters to their condition before the False Decretals, and to give to the episcopate its due authority. The main obstacle to this is not the pope himself, but the Curia, and this must be fought by all possible means, especially by thorough popular education (primum adversus abusum ecclesiasticae potestatis remedium), and by the assembling of national and provincial synods, the neglect of which is the main cause of the Church's woes. If the pope will not move in the matter, the princes, and notably the emperor, must act in co-operation with the bishops, summon national councils even against the pope's will, defy his excommunication, and in the last resort refuse obedience in those matters over which the papacy has usurped jurisdiction.

It will be seen that the views of Febronius had but little originality. In the main they were those that predominated in the great general councils of Constance and Basel in the 15th century; but they were backed by him with such a wealth of learning, and they fitted so well into the intellectual and political conditions of the time, that they found a widespread acceptance. The book, indeed, was at once condemned at Rome (February 1764), and by a brief of the 21st of May the pope commanded all the bishops of Germany to suppress it. The papal condemnation met with a very mixed reception; in some dioceses the order to prohibit the book was ignored, in others action upon it was postponed pending an independent examination, in yet others

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though even in these the forbidden book became the "breviary of the governments." The Febronian doctrine, in fact, exactly fitted the views of the German bishops, which were by no means disinterested. It must be remembered that the bishops were at this time great secular princes rather than Catholic prelates; with rare exceptions, they made no pretence of carrying out their spiritual duties; they shared to the full in the somewhat shallow "enlightenment" of the age. As princes of the Empire they had asserted their practical independence of the emperor; they were irked by what they considered the unjustifiable interference of the Curia with their sovereign prerogatives, and wished to establish their independence of the pope also. In the ranks of the hierarchy, then, selfish motives combined with others more respectable to secure the acceptance of the Febronian position. Among secular rulers the welcome given. to it was even less equivocal. Even so devout a sovereign as Maria Theresa refused to allow "Febronius" to be forbidden in the Habsburg dominions; her son, the emperor Joseph II., applied the Febronian principles with remorseless thoroughness. In Venice, in Tuscany, in Naples, in Portugal, they inspired the vigorous efforts of "enlightened despots to reform the Church from above; and they gave a fresh impetus to the movement against the Jesuits, which, under pressure of the secular governments, culminated in the suppression of the Society by Pope Clement XIV. in 1773. "Febronius," too, inspired the proceedings of two notable ecclesiastical assemblies, both held in the year 1786. The reforming synod which met at Pistoia under the presidency of the bishop, Scipione de' Ricci, is dealt with elsewhere (see PISTOIA). The other was the socalled congress of Ems, a meeting of the delegates of the four German archbishops, which resulted, on the 25th of August, in the celebrated "Punctation of Ems," subsequently ratified and issued by the archbishops. This document was the outcome of several years of controversy between the archbishops and the papal nuncios, aroused by what was considered the unjustifiable interference of the latter in the affairs of the German dioceses. In 1769 the three archbishop-electors of Mainz, Cologne and Treves (Trier) had drawn up in thirty articles their complaints against the Curia, and after submitting them to the emperor Joseph II., had forwarded them to the new pope, Clement XIV. These articles, though "Febronius" was prohibited in the archdioceses, were wholly Febronian in tone; and, indeed, Bishop von Hontheim himself took an active part in the diplomatic negotiations which were their outcome. In drawing up the "Punctation" he took no active part, but it was wholly inspired by his principles. It consisted of XXIII. articles, which may be summarized as follows. Bishops have, in virtue of their God-given powers, full authority within their dioceses in all matters of dispensation, patronage and the like; papal bulls, briefs, &c., and the decrees of the Roman Congregations are only of binding force in each diocese when sanctioned by the bishop; nunciatures, as hitherto conceived, are to cease; the oath of allegiance to the pope demanded of bishops since Gregory VII.'s time is to be altered so as to bring it into conformity with episcopal rights; annates and the fees payable, for the pallium and confirmation are to be lowered and, in the event of the pallium or confirmation being refused, German archbishops and bishops are to be free to exercise their office under the protection of the emperor; with the Church tribunals of first and second instance (episcopal and metropolitan) the nuncios are not to interfere, and, though appeal to Rome is allowed under certain "national safe-guards, the opinion is expressed that it would be better to set up in each archdiocese a final court of appeal representing the provincial synod; finally the emperor is prayed to use his influence with the pope to secure the assembly of a national council in order to remove the grievances left unredressed by the council of Trent.

Whether this manifesto would have led to a reconstitution of the Roman Catholic Church on permanently Febronian lines must for ever remain doubtful. The French Revolution intervened; the German Church went down in the storm; and in

1803 the secularizations carried out by order of the First Consul put an end to the temporal ambitions of its prelates. Febronianism indeed, survived. Karl Theodor von Dalberg, prince primate of the Confederation of the Rhine, upheld its principles throughout the Napoleonic epoch and hoped to establish them in the new Germany to be created by the congress of Vienna. He sent to this assembly, as representative of the German Church, Bishop von Wessenberg, who in his diocese of Constance had not hesitated to apply Febronian principles in reforming, on his own authority, the services and discipline of the Church. But the times were not favourable for such experiments. The tide of reaction after the Revolutionary turmoil was setting strongly in the direction of traditional authority, in religion as in politics; and that ultramontane movement which, before the century was ended, was to dominate the Church, was already showing signs of vigorous life. Moreover, the great national German Church of which Dalberg had a vision—with himself as primate-did not appeal to the German princes, tenacious of their newly acquired status as European powers. One by one these entered into concordats with Rome, and Febronianism from an aggressive policy subsided into a speculative opinion. As such it survived strongly, especially in the universities (Bonn especially had been, from its foundation in 1774, very Febronian), and it reasserted itself vigorously in the attitude of many of the most learned German prelates and professors towards the question of the definition of the dogma of papal infallibility in 1870. It was, in fact, against the Febronian position that the decrees of the Vatican Council were deliberately directed, and their promulgation marked the triumph of the ultramontane view (see VATICAN COUNCIL, ULTRAMONTANISM, PAPACY). In Germany, indeed, the struggle against the papal monarchy was carried on for a while by the governments on the so-called Kulturkampf, the Old Catholics representing militant Febronianism. The latter, however, since Bismarck "went to Canossa," have sunk into a respectable but comparatively obscure sect, and Febronianism, though it still has some hold on opinion within the Church in the chapters and universities of the Rhine provinces, is practically extinct in Germany. Its revival under the guise of socalled Modernism drew from Pope Pius X. in 1908 the scathing condemnation embodied in the encyclical Pascendi gregis.

AUTHORITIES. See Justinus Febronius, De statu ecclesiae et legitima potestae Romani pontificis (Bullioni, 1765), second and enlarged edition, with new prefaces addressed to Pope Clement XIII, to Christian kings and princes, to the bishops of the Catholic Church, and to doctors of theology and canon law; three additional volumes, published in 1770, 1772 and 1774 at Frankfort, are devoted to vindications of the original work against the critics. In the Revue des deux mondes for July 1903 (tome xvi. p. 266) is an interesting article under the title of "L'Allemagne Catholique," from the papal point of view, by Georges Goyau. For the congress of Ems see Herzog-Hauck, Realencyklopädie (Leipzig, 1898), s.v. "Emser Kongress. Further references are given in the article on Hontheim (q.v.). (W. A. P.) FEBRUARY, the second month of the modern calendar. In ordinary years it contains 28 days; but in bissextile or leap year, by the addition of the intercalary day, it consists of 29 days. This month was not in the Romulian calendar. In the reign of Numa two months were added to the year, namely, January at the beginning, and February at the end; and this arrangement was continued until 452 B.C., when the decemvirs placed February after January. The ancient name of Februarius was derived from februare, to purify, or from Februa, the Roman festival of general expiation and lustration, which was celebrated during the latter part of this month. In February also the Lupercalia were held, and women were purified by the priests of Pan Lyceus at that festival. The Anglo-Saxons called this month Sprout-Kale from the sprouting of the cabbage at this season Later it was known as Solmonath, because of the return of the sun from the low latitudes The most generally noted days of February are the following:-the 2nd, Candlemas day, one of the fixed quarter days used in Scotland; the 14th, St Valentine's day; and the 24th, St Matthias. The church festival of St Matthias was formerly observed on the 25th of February in bissextile years, but it is now invariably celebrated on the 24th.

FEBVRE, ALEXANDRE FRÉDÉRIC (1835- ), French actor, was born in Paris, and after the usual apprenticeship in the provinces and in several Parisian theatres in small parts, was called to the Comédie Française in 1866, where he made his début as Philip II. in Don Juan d'Autriche. He soon became the most popular leading man in Paris, not only in the classical répertoire, but in contemporary novelties. In 1894 he toured the principal cities of Europe, and, in 1895, of America. He was also a composer of light music for the piano, and published several books of varying merit. He married Mdlle Harville, daughter of one of his predecessors at the Comédie Française herself a well-known actress.

FÉCAMP, a seaport and bathing resort of northern France, in the department of Seine-Inférieure, 28 m. N.N.E. of Havre on the Western railway. Pop. (1906) 15,872. The town, which is situated on the English Channel at the mouth of the small river Fécamp, consists almost entirely of one street upwards of 2 m. in length. It occupies the bottom and sides of a narrow valley opening out towards the sea between high cliffs. The most important building is the abbey church of La Trinité, dating for the most part from 1175 to 1225. The central tower and the south portal (13th century) are the chief features of its simple exterior; in the interior, the decorative work, notably the chapel-screens and some fine stained glass, is remarkable. The hotel-de-ville with a municipal museum and library occupy the remains of the abbey buildings (18th century). The church of St Etienne (16th century) and the Benedictine liqueur distillery,' a modern building which also contains a museum, are of some interest. A tribunal and chamber of commerce, a board of trade-arbitrators and a nautical school, are among the public institutions. The port consists of an entrance channel nearly 400 yds. long leading to a tidal harbour and docks capable of receiving ships drawing 26 ft. at spring-tide, 19 ft. at neap-tide. Fishing for herring and mackerel is carried on and the town equips a large fleet for the codbanks of Newfoundland and Iceland. The chief exports are oil-cake, flint, cod and Benedictine liqueur. Imports include coal,timber, tar and hemp. Steam sawing, metal-founding, fish-salting, shipbuilding and repairing, and the manufacture of ship's-biscuits and fishing-nets are among the industries.

The town of Fécamp grew up round the nunnery founded in 658 to guard the relic of the True Blood which, according to the legend, was found in the trunk of a fig-tree drifted from Palestine to this spot, and which still romains the most precious treasure of the church. The original convent was destroyed by the Northmen, but was re-established by Duke William Longsword as a house of canons regular, which shortly afterwards was converted into a Benedictine monastery. King Richard I greatly enlarged this, and rebuilt the church. The town achieved some prosperity under the dukes of Normandy, who improved its harbour, but after the annexation of Normandy to France it was overshadowed by the rising port of Havre.

FECHNER, GUSTAV THEODOR (1801-1887), German experimental psychologist, was born on the 19th of April 1801 at Gross-Särchen, near Muskau, in Lower Lusatia, where his father was pastor. He was educated at Sorau and Dresden and at the university of Leipzig, in which city he spent the rest of his life. In 1834 he was appointed professor of physics, but in 1839 contracted an affection of the eyes while studying the phenomena of colour and vision, and, after much suffering, resigned. Subsequently recovering, he turned to the study of mind and the relations between body and mind, giving public lectures on the subjects of which his books treat. He died at Leipzig on the 18th of November 1887. Among his works may be mentioned: Das Büchlein vom Leben nach dem Tode (1836, 5th ed., 1903), which has been translated into English; Nanna, oder über das Seelenleben der Pflanzen (1848, 3rd ed., 1903); Zendavesta, oder

1 The liqueur is said to have been manufactured by the Benedictine monks of the abbey as far back as 1510; since the Revolution it has been produced commercially by a secular company. The familiar legend D. O. M. (Deo Optimo Maximo) on the bottles preserves the memory of its original makers

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über die Dinge des Himmels und des Jenseits (1851, 2nd ed. | have devoted himself to a sculptor's life but for the accident by Lasswitz, 1901); Über die physikalische und philosophische of a striking success made in some private theatricals. The Atomenlehre (1853, 2nd ed., 1864); Elemente der Psychophysik | result was an engagement in 1841 to play in a travelling company (1860, 2nd ed., 1889); Vorschule der Ästhetik (1876, 2nd ed., that was going to Italy. The tour was a failure, and the com1898); Die Tagesansicht gegenüber der Nachtansicht (1879). pany broke up; whereupon Fechter returned home and worked He also published chemical and physical papers, and translated assiduously at sculpture. At the same time he attended classes chemical works by J. B. Biot and L. J. Thénard from the French. at the Conservatoire with the view of gaining admission to the A different but essential side of his character is seen in his Comédie Française. Late in 1844 he won the grand medal of poems and humorous pieces, such as the Vergleichende Anatomie the Académie des Beaux-Arts with a piece of sculpture, and was der Engel (1825), written under the pseudonym of " Dr Mises." admitted to make his début at the Comédie Française as Seide Fechner's epoch-making work was his Elemente der Psychophysik in Voltaire's Mahomet and Valère in Molière's Tartuffe. He (1860). He starts from the Spinozistic thought that bodily acquitted himself with credit; but, tired of the small parts he facts and conscious facts, though not reducible or to the other, found himself condemned to play, returned again to his sculptor's are different sides of one reality. His originality lies in trying studio in 1846. In that year he accepted an engagement to to discover an exact mathematical relation between them. play with a French company in Berlin, where he made his first The most famous outcome of his inquiries is the law known decisive success as an actor. On his return to Paris in the as Weber's or Fechner's law which may be expressed as follows:- following year he married the actress Eléonore Rabut (d. 1895). "In order that the intensity of a sensation may increase in arith- Previously he had appeared for some months in London, in a metical progression, the stimulus must increase in geometrical season of French classical plays given at the St James's theatre. progression." Though holding good within certain limits only, In Paris for the next ten years he fulfilled a series of successful the law has been found immensely useful. Unfortunately, from engagements at various theatres, his chief triumph being his the tenable theory that the intensity of a sensation increases by creation at the Vaudeville on the 2nd of February 1852 of the definite additions of stimulus, Fechner was led on to postulate part of Armand Duval in La Dame aux camélias. For nearly a unit of sensation, so that any sensation s might be regarded two years (1857-1858) Fechter was manager of the Odéon, as composed of n units. Sensations, he argued, thus being where he produced Tartuffe and other classical plays. Having representable by numbers, psychology may become an exact received tempting offers to act in English at the Princess's science, susceptible of mathematical treatment. His general theatre, London, he made a diligent study of the language, and formula for getting at the number of units in any sensation is appeared there on the 27th of October 1860 in an English s=c log R, where s stands for the sensation, R for the stimulus version of Victor Hugo's Ruy Blas. This was followed by The numerically estimated, and c for a constant that must be separ- Corsican Brothers and Don César de Basan; and on the 20th of ately determined by experiment in each particular order of sensi- March 1861 he first attempted Hamlet. The result was an bility. This reasoning of Fechner's has given rise to a great mass extraordinary triumph, the play running for 115 nights. This of controversy, but the fundamental mistake in it is simple. was followed by Othello, in which he played alternately the Moor Though stimuli are composite, sensations are not. "Every and Iago. In 1863 he became lessee of the Lyceum theatre, sensation," says Professor James," presents itself as an indivisible which he opened with The Duke's Motto; this was followed unit; and it is quite impossible to read any clear meaning into by The King's Butterfly, The Mountcbank (in which his son Paul, the notion that they are masses of units combined." Still, the a boy of seven, appeared), The Roadside Inn, The Master of idea of the exact measurement of sensation has been a fruitful Ravenswood, The Corsican Brothers (in the original French version, one, and mainly through his influence on Wundt, Fechner was in which he had created the parts of Louis and Fabian dei the father of that "new" psychology of laboratories which Franchi) and The Lady of Lyons. After this he appeared at investigates human faculties with the aid of exact scientific the Adelphi (1868) as Obenreizer in No Thoroughfare, by Charles apparatus. Though he has had a vast influence in this special Dickens and Wilkie Collins, as Edmond Dantes in Monte Cristo, department, the disciples of his general philosophy are few. His and as Count de Leyrac in Black and White, a play in which the world-conception is highly animistic. He feels the thrill of life actor himself collaborated with Wilkie Collins. In 1870 he everywhere, in plants, earth, stars, the total universe. Man visited the United States, where (with the exception of a visit stands midway between the souls of plants and the souls of stars, to London in 1872) he remained till his death. His first appearwho are angels. God, the soul of the universe, must be conceived ance in New York was at Niblo's Garden in the title role of as having an existence analogous to men. Natural laws are Ruy Blas. He played in the United States between 1870 and just the modes of the unfolding of God's perfection. In his last 1876 in most of the parts in which he had won his chief triumphs work Fechner, aged but full of hope, contrasts this joyous in England, making at various times attempts at management, daylight view" of the world with the dead, dreary "night rarely successful, owing to his ungovernable temper. The last view" of materialism. Fechner's work in aesthetics is also three years of his life were spent in seclusion on a farm which important. He conducted experiments to show that certain he had bought at Rockland Centre, near Quakertown, Pennsylabstract forms and proportions are naturally pleasing to our vania, where he died on the 5th of August 1879. A bust of the senses, and gave some new illustrations of the working of aesthetic actor by himself is in the Garrick Club, London. association. Fechner's position in reference to predecessors and contemporaries is not very sharply defined. He was remotely a disciple of Schelling, learnt much from Herbart and Weisse, and decidedly rejected Hegel and the monadism of Lotze.

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See W. Wundt, G. Th. Fechner (Leipzig, 1901); A. Elsas, "Zum Andenken G. Th. Fechners," in Grenzbote, 1888; J. E. Kuntze, G. Th. Fechner (Leipzig, 1892); Karl Lasswitz, G. Th. Fechner (Stuttgart, 1896 and 1902); E. B. Titchener, Experimental Psychology (New York, 1905); G. F. Stout, Manual of Psychology (1898), bk. ii. ch. vii.; R. Falckenberg, Hist. of Mod. Phil. (Eng. trans., 1895), pp. 601 foll.; H. Höffding, Hist, of Mod. Phil. (Eng. trans., 1900), vol. ii. pp. 524 foll.; Liebe, Fechners Metaphysik, im Umriss dargestellt (1903). (H. Sr.)

FECHTER, CHARLES ALBERT (1824-1879), Anglo-French actor, was born, probably in London, on the 23rd of October 1824, of French parents, although his mother was of Piedmontese and his father of German extraction. The boy would probably

FECKENHAM, JOHN (c. 1515-1584), English ecclesiastic, last abbot of Westminster, was born at Feckenham, Worcestershire, of ancestors who, by their wills, seem to have been substantial yeomen. The family name was Howman, but, according to the English custom, Feckenham, on monastic profession, changed it for the territorial name by which he is always known. Learning his letters first from the parish priest, he was sent at an early age to the claustral school at Evesham and thence, in his eighteenth year, to Gloucester Hall, Oxford, as a Benedictine student. After taking his degree in arts, he returned to the abbey, where he was professed; but he was at the university again in 1537 and took his B.D. on the 11th of June 1539Returning to Evesham he was there when the abbey was surrendered to the king (27th of January 1540); and then, with a pension of £10 a year, he once more went back to Oxford, but soon after became chaplain to Bishop Bell of Worcester and then served Bonner in that same capacity from 1543 to 1549.

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