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The bigots of the iron time

Had called his harmless art a crime.
A wandering Harper, scorned and poor,
He begged his bread from door to door;
And tuned, to please a peasant's ear,
The harp, a king had loved to hear.

He passed where Newark's stately tower
Looks out from Yarrow's birchen bower:
The Minstrel gazed with wishful eye-
No humbler resting-place was nigh.
With hesitating step, at last,

The embattled portal-arch he passed,
Whose ponderous grate and massy bar
Had oft rolled back the tide of war,
But never closed the iron door
Against the desolate and poor.
The duchess marked his weary pace,
His timid mein, and reverend face,
And bade her page the menials tell,
That they should tend the old man well :
For she had known adversity,
Though born in such a high degree ;
In pride of power, in beauty's bloom,
Had wept o'er Monmouth's bloody tomb!

When kindness had his wants supplied,
And the old man was gratified,
Began to rise his minstrel pride:
And he began to talk anon,

Of good earl Francis+, dead and gone,
And of earl Walter‡, rest him God!
A braver ne'er to battle rode :
And how, full many a tale he knew,
Of the old warriors of Buccleuch ;
And, would the noble duchess deign
To listen to an old man's strain,

Though stiff his hand, his voice though weak,
He thought even yet, the sooth to speak,
That, if she loved the harp to hear,

He could make music to her ear.

Anne, duchess of Buccleuch and Monmouth, representative of the ancient lords of Buccleuch, and widow of the unfortunate James, duke of Monmouth, whe was heheaded in 1685.

+ Francis Scott, earl of Buccleuch, father of the duchess.

↑ Walter, earl of Buccleuch, grandfather of the duchess, and a celebrated warrior.

The

The humble boon was soon obtained;
The aged minstrel audience gained.
But, when he reached the room of state,
Where she, with all her ladies, sate,
Perchance he wished his boon denied :
For, when to tune his harp he tried,
His trembling hand had lost the ease,
Which marks security to please;
And scenes, long past, of joy and pain,
Came wildering o'er his aged brain-
He tried to tune his harp in vain.
The pitying duchess praised its chime,
And gave him heart, and gave him time,
Till every string's according glee
Was blended into harmony.

And then, he said, he would full fain
He could recal an ancient strain,
He never thought to sing again.
It was not framed for village churls,
But for high dames and mighty earls ;
He had played it to King Charles the Good
When he kept court in Holyrood;
And much he wished, yet feared, to try
The long forgotten melody.

Amid the strings his fingers strayed,
And an uncertain warbling made,
And oft he shook his hoary head.
But when he caught the measure wild,
The old man raised his face, and smiled;
And lightened up his faded eye,
With all a poet's extasy!

In varying cadence, soft or strong,
He swept the sounding chords along :
The present scene, the future lot,
His toils, his wants, were all forgot:
Cold diffidence, and age's frost,
In the full tide of song were lost;
Each blank, in faithless memory void,
The poet's glowing thought supplied ;
And, while his harp responsive rung,
'Twas thus the Latest Minstrel sung.

MELROSE ABBEY AND THE CHARM OF THE WIZARD,

MICHAEL SCOTT.

(From the same.)

I.

F thou would'st view fair Melrose aright,
Go visit it by the pale moon-light;

For the gay beams of lightsome day
Gild, but to flout, the ruins gray.

When the broken arches are black in night,
And each shafted oriel glimmers white;
When the cold light's uncertain shower
Streams on the ruined central tower;
When buttress and buttress, alternately,
Seem framed of ebon and ivory;
When silver edges the imagery,

And the scrolls that teach thee to live and die ;

When distant Tweed is heard to rave,

And the owlet to hoot o'er the dead man's grave,
Then go-but go alone the while-
Then view St. David's ruined pile;
And, home returning, soothly swear,
Was never scene so sad and fair!

II.

Short halt did Deloraine make there;
Little recked he of the scene so fair.
With dagger's hilt, on the wicket strong,
He struck full loud, and struck full long.
The porter hurried to the gate-

"Who knocks so loud, and knocks so late?"
"From Branksome I," the warrior cried ;
And strait the wicket opened wide:
For Branksome's chiefs had in battle stood,
To fence the rights of fair Melrose ;

And lands and livings, many a rood,

Had gifted the shrine for their souls' repose.

III.

Bold Deloraine his errand said;

The porter bent his humble head;
With torch in hand, and feet unshod,
And noiseless step, the path he trode:
The arched cloisters, far and wide,
Rang to the warrior's clanking stride;
Till, stooping low his lofty crest,

He entered the cell of the ancient priest,

And

And lifted his barred aventayle,*
To hail the monk of St Mary's aisle.

IV.

"The ladye of Branksome greets thee by me;
Says, that the fated hour is come,
And that to-night I shall watch with thee,
To win the treasure of the tomb.”—
From sackcloth couch the monk arose,
With toil his stiffened limbs he reared;
A hundred years had flung their snows
On his thin lock and floatingbeard.

V.

And strangely on the knight looked he,

And his blue eyes gleamed wild and wide; "And, dar'st thou, warrior! seek to see What heaven and hell alike would hide? My breast, in belt of iron pent,

With shirt of hair and scourge of thorn; For threescore years, in penance spent,

My knees those flinty stones have worn ;
Yet all too little to atone

For knowing what should ne'er be known:
Would'st thou thy every future year

In ceaseless prayer and penance drie,
Yet wait thy latter end with fear-
Then, daring warrior, follow me!"-

VI.

"Penance, father, will I none;

Prayer know I hardly one;

For mass or prayer can 1 rarely tarry,

Save to patter an Ave Mary,

When I ride on a Border foray;

Other prayer can I none;

So speed me my errand, and let me begone."

'VII.

Again on the knight looked the churchman old,

And again he sighed heavily;

For he had himself been a warrior bold,

And fought in Spain and Italy,

And he thought on the days that were long since by,

When his limbs were strong, and his courage was high:

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Now, slow and faint, he led the way,

Where, cloistered round, the garden lay;
The pillared arches were over their head,
And beneath their feet were the bones of the dead.

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Spreading herbs, and flowerets bright,
Glistened with the dew of night;
Nor herb, nor floweret, glistened there,
But was carved in the cloister-arches as fair.
The monk gazed long on the lovely moon,
Then into the night he looked forth;
And red and bright the streamers light
Were dancing in the glowing north.
So had he seen, in fair Castile,

The youth in glittering squadrons start;
Sudden the flying jennet wheel,

And hurl the unexpected dart.

He knew, by the streamers that shot so bright,
That spirits were riding the northern light.

IX.

By a steel-clenched postern door,
They entered now the chancel tall;

The darkened roof rose high aloof

On pillars lofty, and light, and small;

The key-stone, that locked each ribbed aisle,
Was a fleur-de-lys, or a quatre-feuille ;

The corbells were carved grote-que and grim;
And the pillars with clustered shafts so trim,

With base and with capital flourished around,

Seemed bundles of lances which garlands had bound.

X.

Full many a scutcheon and banner, riven,

Shook to the cold night-wind of heaven,

Around the screened altar's pale;

And there the dying lamps did burn,
Before thy low and lonely urn,

O gallant chief of Otterburne,

And thine, dark knight of Liddesdale!

O fading honours of the dead!

O high ambition, lowly laid!

Corbells, the projections from which the arches spring, usually cut in a fantastic face, or mask.

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