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jesty has had the satisfaction of wit nessing an encreasing energy and firmness on the part of his people, whose uniform and determined re. sistance has been no less advantageous than honourable to themselves, and has exhibited the most striking example to the surrounding nations. The unconquerable valour and discipline of his majesty's fleets and armies continue to be displayed with undiminished lustre. The great sources of our prosperity and strength are unimpaired; nor has the British nation been, at any
time, more united in sentimenta nd action, or more determined to maintain inviolate the independence of the empire, and the dignity of the national character.
With these advantages, and with an humble reliance on the protec tion of the Divine Providence, his majesty is prepared to meet the exi gencies of this great crisis; assured of receiving the fullest support from the wisdom of your deliberations, and from the tried affection, loyalty, and public spirit of his brave people.
The Life and Literary Works of him, for some learned profession,
Michel Angelo Buonarroti.
HE name of Michel Angelo has been written differently by different authors. Angelo is made Agnolo by the Tuscans, Angiolo by the Bolognese, and Anziolo by the Venetians. The Roman form Angelo is authorised by the academy della Crusca. Buonarroti he himself wrote four different ways.
Michel Angelo was descended from the famous countess Matilda, and had imperial blood in his veins; it could not, therefore, have been from that side that he derived his love of liberty, his genius and his virtue. His father was podesta, or governor of Chiusi, in old times the capital of Porsenna, and of Caprere, where Michel was born, on the 6th of March, 1474, under a benign aspect, when Mercury and Venus, according to Condivi, were in conjunction with Jupiter for the second time, plainly shewing that the child would be a very extraordinary genius, whose success would be universal, but particularly in the arts of painting, sculpture, and architecture. But as his nurse was both daughter and wife of a stonemason, the chisel was his plaything, and his nursing had more to do than his nativity in making him a sculp. His father wished to educate
thinking that if he became an artist, according to his own early discovered propensity, it would degrade the dignity of his family; this propen. sity, however, he was resolute in pursuing, and the father, at length wisely yielding to it, articled him, when he was fourteen, to Domenico Ghirlandaïo and his brother David, for three years; they were to teach him the art and practice of painting, and to allow him six florins for the first, eight for the second, and ten for the third year. Domenico had a numerous school, and was the most eminent painter in Florence.
"Granacci was his constant friend and companion: they studied together, and probably helped each other in their pursuits. The first attempt Michel Angelo made in oil painting, was with his assistance: he lent him colours and pencils, and a print*, representing the story of St. Anthony beaten by devils, which he copied on a pannel with such success that it was much admired. In this little picture, besides the figure of the saint, there were many strange forms and monsters, which he was so intent on representing in the best manner he was capable, that he coloured no part without referring to some natural object. He went to the fish-market to observe the form and colour of fins, and the
* Vasari says, this print was engraved by Martino Tedesco, but there remains some doubt who this German artist was: Mariette is of opinion that his name was Martin Schoen, whose prints are known by this monogram, M † S.
3. That a negotiation shall be immediately opened, to decide, in a permanent manner, on all the points in dispute, and that for Prussia its preliminary basis shall be, the separation of Wesel from the French empire, and the re-occupation of the three Abbies by the Prussian troops.
The instant that his majesty is assured that this basis is accepted, he will resume that attitude which he has quitted with regret, and will become to France that frank and peaceable neighbour, who for so many years has seen without jealousy, the glory of a brave people, for whose prosperity he has been anxious. But the instant intelligence of the march of the French troops compels his majesty to ascertain immediately what he is to do. The undersigned is charged to insist on an immediate answer, which at all events must reach his majesty's head-quarters by the 8th of October; his majesty still hoping that it will arrive there time enough, that the unexpected and rapid progress of events, and the presence of the troops, should not pat either party under the necessity of providing for his safety.
The undersigned is particularly instructed to declare, in the most solemn manner, that peace is the sincere wish of his majesty, and that he only requires that which can contribute to make it permanent. The causes of his apprehensions, the claims which he had for another connection, from France, are unfolded in the letter of his majesty to the emperor, and are calculated to obtain from that monarch the last permanent pledge of a new order of things.
The undersigned embraces this opportunity to renew to the prince
Whereas his majesty the emperor of the French, and their majesties the kings of Bavaria and Wirtemberg; their electoral highnesses the arch-chancellor and the elector of Baden; his imperial highness the duke of Berg; and their royal highnesses the Landgrave of HesseDarmstadt, the princes of Nassau. Weilburg, and Nassau-Usingen, of Hohenzollern-Hechingen, and Ho henzollern-Siegmaringen, SalmSalm, and Salm Kyrburg, Isenburg, Birstein, and Lichtenstein; the duke of Ahremberg, and the count of Leyen; being desirous to secure, through proper stipulations, the internal and external peace of southern Germany, which, as experience for a long period and recently has shewn, can derive no kind of guarantee from the existing German constitution; have appointed to be their plenipotentiaries to this effect, namely, his majesty the emperor of the French, Charles Maurice Talleyrand, duke of Benevento, minister of his foreign affairs; his majesty the king of Bavaria, his minister plenipotentiary, A. Von Cetto; his majesty the king of Wirtemberg, his state-minister the count of Wintzingerode; the elector arch-chancellor, his ambassader extraordinary, the count of Boust; the elector of
ble sufficiently large for his purpose, and was also accommodated with chisels and whatever else was necessary to execute his undertaking. Although this was his first essay in sculpture, he in a few days brought his task to a conclusion; with his own invention supplied what was imperfect in the original, and made some other additions. Lorenzo visiting his garden as usual, found Michel Angelo polishing his mask, and thought it an extraordinary work for so young an artist; nevertheless, he jestingly remarked, You have restored to the old Faun all his teeth, but don't you know that a man of such an age has generally some wanting?" Upon this observation Michel Angelo was impatient for Lorenzo's absence, that he might be alone to avail himself of his criticism; and immediately, on his retiring, broke a tooth from the upper jaw, and drilled a hole in the gum to represent its having fallen out.
"When Lorenzo made his next visit, he immediately saw the alter tion, and was delighted with the aptness and simplicity of his scholar; he laughed exceedingly, and related the incident to his friends as an instance of docility and quick ness of parts."*
This circumstance made Lorenzo resolve to take' him under his own immediate patronage, and accordingly he sent for the father. The father was greatly averse to this new degradation, as he supposed it; to be a painter was bad for a Buonarroti, to be a stone-mason still worse; and he lamented that Granacci had led his son astray, for it was from him that Michel Angelo
had first learnt his love for the arts. When, however, upon waiting on Lorenzo, he found that Michel was to live in the palace, and sit at the table of Lorenzo, he became soon sensible of the importance of the art which he had despised. Arcordingly the young artist left Ghirlandaïo, to reside with Lorenzo, and for his sake, an office in the custom-house was given to his father, till something better should present itself.
Here he enjoyed every advantage that the best models, the best patronage, and the best society could afford. Unfortunately, after two years, Lorenzo died. His son and successor Piero, considered the arts, says Mr. Duppa, without any reference to genius or to intellect, and encouraged them only to administer to his idle pleasures. Under the patronage of this man, Michel Angelo was called upon to make a statue of snow! Piero considered him with as much esteem as he had feeling to bestow," and the measure of this may be pretty well estimated from the boast he made, that he had two extraordinary men in his house, Michel Angelo, and a running footman who could keep up with a horseman when going full speed.
"In the house of Piero was a man of Cardiere, an improvisatorè of great ability, who, in the time of Lorenzo, sung improviso to the lyre in the evenings while he was at supper. Being a friend of Michel Angelo, he told him of a vision that disturbed his mind: Lorenzo de' Medici, he said, had appeared to him in a dream, with his body wrapped
This mask was preserved in the Florence gallery when I visited that city in the year 1798. It has been engraved in Gori's edition of Condivi, but with little
colleges, shall have particularly to assemble, the manner of the convocation, the subjects upon which they may have to deliberate, the manner of forming their conclusions, and putting them in execution, shall be determined in a fundamental statute, which the prince primate shall give in proposition, within a month after the notification presented at Ratisbon. This statute shall be approved of by the confederated states; this statute shall also regulate the respective rank of the members of the college of princes.
Art. XII. The emperor shall be proclaimed protector of the confederation. On the demise of the primate he shall, in such quality, as often name the successor.
Art. XIII. His majesty the king of Bavaria cedes to the king of Wirtemberg the lordship of Wiesensteig, and renounces the rights which he might have upon Weiblin. gen, on account of Burgau.
Art. XIV. His majesty the king of Wirtemberg makes over to the grand duke of Berg the county of Bonndorff, Breunlingen, and Villin. gen, the part of the territory of the latter city, which lies on the right bank of the Brigoetz, and the city of Tuttlingen, with the manor of the same name belonging to it, on the right bank of the Danube.
Art. XV. The grand duke of Baden cedes to the king of Wirtem. berg the city and territory of Biebrach, with their dependencies.
Art. XVI. The duke of Nassau cedes to the grand duke of Berg the city of Deutz and its territory.
Art. XVII. His majesty the king of Bavaria shall unite to his states the city and territory of Nuremberg, and the Teutonic comitials of Rohr and Waldstetten.
Art. XVIII. His majesty the king of Wirtemberg, shall receive the lordship of Wiesensteig, the city and territory of Bleberach, with their dependencies, the cities of Waldsee and Schettingen, the comi tial lands of Karpfenburg, Laucheim and Alschhausen, with the exception of the lordship of Hohen. feld and the abbey of Weiblingen.
Art. XIX. The grand duke of Baden shall receive the lordship of Bonndorff, the cities of Vreulingen, Villingen, and Tuttlingen, parts of their territory which are given to him in Art. XIV. and along with these the comitials of Bolken and Freyburg.
Art. XX. The grand duke of Berg shall receive the city and territory of Deutz, the city and manor of Koeningswinter and the manor of Wistich, as ceded by the duke of Nassau.
Art. XXI. The grand duke of Darmstadt shall unite to his states the burgraviat of Friedberg, taking to himself the sovereignty only dur ing the lifetime of the present pos sessor, and the whole at his death.
Art. XXII. The prince primate shall take possession of the city of Frankfort on the Maine and its territory, as his sovereign property.
Art. XXIII. The prince of Hohenzollern-Siegmaringen shall receive as his sovereign property the lordships of Aschberg and Hohensels depending on the comitial of Aschhaufen, the convents of Klos terwald and Haltzthal, and the sovereignty over the imperial equestrian estates that lie in his dominions, and in the territory to the north of the Danube, wherever his sovereignty extends, namely, the lordships of Gamerdingen and Hottingen.