Shakspere: His Inner Life as Intimated in His WorksJ. Maxwell, 1865 - 521 pages |
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Page x
... style of composition ; but having also , as a professional critic during a great portion of the same period , reviewed an indefinite num- ber of modern works , he may , he thinks , reasonably indulge in the belief that he has gone ...
... style of composition ; but having also , as a professional critic during a great portion of the same period , reviewed an indefinite num- ber of modern works , he may , he thinks , reasonably indulge in the belief that he has gone ...
Page xii
... style - Throughout Shakspere's - His theology- " King John " -The policy of Eng- land . CHAPTER II . p . 105 Fancy and Memory- " The Merchant of Venice " -The characters of Shylock and Portia- " Midsummer - Night's Dream " -Shakspere's ...
... style - Throughout Shakspere's - His theology- " King John " -The policy of Eng- land . CHAPTER II . p . 105 Fancy and Memory- " The Merchant of Venice " -The characters of Shylock and Portia- " Midsummer - Night's Dream " -Shakspere's ...
Page 38
... delivers himself in the same style and manner : " Say what you will , sir ; but I know what I know , That you beat me at the mart , I have your hand to show . The Comedy of Errors . 39 If my skin were 38 Inner Life of Shakspere .
... delivers himself in the same style and manner : " Say what you will , sir ; but I know what I know , That you beat me at the mart , I have your hand to show . The Comedy of Errors . 39 If my skin were 38 Inner Life of Shakspere .
Page 39
... style and subject . Already we may note a great improvement in Shakspere's versification . It has become bold and free , nervous and masculine . In place , too , of the capricious sentimentalities of the first play , we begin to have ...
... style and subject . Already we may note a great improvement in Shakspere's versification . It has become bold and free , nervous and masculine . In place , too , of the capricious sentimentalities of the first play , we begin to have ...
Page 40
... style of both plays is classical , and shows the author to be yet in the imitative stage of his art . Never- theless in the latter there is a change . The spi- rit of the author's age has entered into his own , and begun making him its ...
... style of both plays is classical , and shows the author to be yet in the imitative stage of his art . Never- theless in the latter there is a change . The spi- rit of the author's age has entered into his own , and begun making him its ...
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Shakspere His Inner Life As Intimated in His Works (Classic Reprint) John A. Heraud No preview available - 2017 |
Common terms and phrases
action already Anne Hathaway Antony appears artist beauty become Ben Jonson Cæsar character Coleridge comedy Comedy of Errors comic composition conduct Coriolanus death dialogue divine drama dramatist Duke England evidently eyes fact faery fancy father favour feeling genius Gentlemen of Verona Hamlet hath heart heaven Helena Henry Henry VI hero honour human idea ideal imagination individual John Juliet Julius Cæsar king lady latter Lear living Lord Love's Labour's lost lovers Macbeth manner means ment mind moral murder nature noble old play Othello passion perceive period person philosophical players poem poet poet's poetic poetry prince Queen racter recognise rendered Richard Richard III Romeo Romeo and Juliet says scene Shak Shakspere Shakspere's Shaksperian Sonnets soul spere spirit stage story Stratford style sublime supposed taste theatre thee things thou thought Timon tion tragedy Troilus woman written
Popular passages
Page 177 - Therefore the moon, the governess of floods, Pale in her anger, washes all the air, That rheumatic diseases do abound : And thorough this distemperature we see The seasons alter : hoary-headed frosts Fall in the fresh lap of the crimson rose, And on old Hiems' thin and icy crown An odorous chaplet of sweet summer buds Is, as in mockery, set.
Page 125 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus ? Or cloy the hungry edge of appetite By bare imagination of a feast...
Page 273 - If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most preposterous conclusions : but we have reason to cool our raging motions, our carnal stings, our unbitted lusts ; whereof I take this, that you call love, to be a sect or scion.
Page 492 - Which hides your life and shows not half your parts. If I could write the beauty of your eyes And in fresh numbers number all your graces, The age to come would say 'This poet lies; Such heavenly touches ne'er touch'd earthly faces.
Page 8 - Yet must I not give Nature all; thy art, My gentle Shakespeare, must enjoy a part. For though the poet's matter nature be, His art doth give the fashion; and, that he Who casts to write a living line, must sweat, (Such as thine are) and strike the second heat Upon the Muses...
Page 392 - Hence in a season of calm weather Though inland far we be, Our Souls have sight of that immortal sea Which brought us hither, Can in a moment travel thither, And see the Children sport upon the shore, And hear the mighty waters rolling evermore.
Page 100 - t, that the opposed may beware of thee. Give every man thine ear, but few thy voice : Take each man's censure, but reserve thy judgment. Costly thy habit as thy purse can buy, But not...
Page 221 - Sweet Swan of Avon! what a sight it were To see thee in our waters yet appear, And make those flights upon the banks of Thames, That so did take Eliza, and our James!
Page 44 - Sir, he hath never fed of the dainties that are bred in a book ; He hath not eat paper, as it were ; he hath not drunk ink ; his intellect is not replenished ; he is only an animal, only sensible in the duller parts...
Page 134 - Cold fearful drops stand on my trembling flesh. What do I fear? Myself? There's none else by. Richard loves Richard; that is, I am I. Is there a murderer here? No— yes, I am. Then fly. What, from myself? Great reason why— Lest I revenge. What, myself upon myself! Alack, I love myself. Wherefore? For any good That I myself have done unto myself? O, no! Alas, I rather hate myself For hateful deeds committed by myself!