Tennyson: The Critical HeritageJohn Davies Jump Routledge & K. Paul, 1967 - 464 pages |
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Page 194
... sweet . No doubt it is only weak characters who are affected in this way . To strong men the world is not made bitter by a father's ruin and suicide , by the prevalence of meanness and cruelty , by contemptuous neglect , and general ...
... sweet . No doubt it is only weak characters who are affected in this way . To strong men the world is not made bitter by a father's ruin and suicide , by the prevalence of meanness and cruelty , by contemptuous neglect , and general ...
Page 207
... sweet hours It is midnight . But this midnight is the knell of hours that have been bridal or fresh in the history of his joy , and that have past , and yet not past , because their influences over him will endure whilst he lives— Of ...
... sweet hours It is midnight . But this midnight is the knell of hours that have been bridal or fresh in the history of his joy , and that have past , and yet not past , because their influences over him will endure whilst he lives— Of ...
Page 429
... sweet words , only made Less sweet by the kiss that broke ' em , liking best To be so richly stayed— the last about as insufferable a piece of Elizabethanism as any modern has turned out . At the beginning of the poem , too , there ...
... sweet words , only made Less sweet by the kiss that broke ' em , liking best To be so richly stayed— the last about as insufferable a piece of Elizabethanism as any modern has turned out . At the beginning of the poem , too , there ...
Contents
W J FOX on Poems Chiefly Lyrical 1830 1831 | 21 |
A H HALLAM on Poems Chiefly Lyrical 1830 1831 | 34 |
CHRISTOPHER NORTH on Poems Chiefly Lyrical | 50 |
Copyright | |
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admiration Æneid Alfred Alfred de Musset Alfred Tennyson Arthur Arthurian artist beauty called character charm colour criticism death deep delight delineation doubt dream emotion English Enoch Arden expression exquisite eyes faith fancy feeling garden genius Gerard Manley Hopkins give Guinevere heart Homer hope human idea ideal Idylls imagination intellect Keats kind King King Arthur Lady of Shalott Lancelot language less lines living Locksley Hall Lord Tennyson lyrical Maud means melody Memoriam mind mood moral nature never night noble object once Palace of Art Parnassian passage passion peculiar perfect perhaps picture poet poet's poetic poetry present Princess Queen Quotes readers seems sense Shakespeare Shelley Simeon Stylites song soul speak spirit stanza story style sweet Swinburne things Thomas Malory thought tion touch true truth verse Vivien voice volume whole words Wordsworth write