Elements of CriticismConner & Cooke, 1833 - 504 pages |
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Page 11
... observation that holds equally true in every one of the external senses . But there is a difference as to our knowledge of that impression . In touching , tasting , and smelling , we are sensible of the impression : that , for example ...
... observation that holds equally true in every one of the external senses . But there is a difference as to our knowledge of that impression . In touching , tasting , and smelling , we are sensible of the impression : that , for example ...
Page 13
... observation holds equally in natural sounds ; such as the singing of birds , or the murmuring of a brook . Nature here , the artificer of the object as well as of the percipient , has accurately suited them to each other . But of a poem ...
... observation holds equally in natural sounds ; such as the singing of birds , or the murmuring of a brook . Nature here , the artificer of the object as well as of the percipient , has accurately suited them to each other . But of a poem ...
Page 21
... observation , that a great or comprehensive memory is seldom connected with a good judgment . As an additional ... observe that , in things of equal rank , such as sheep in a fold , or trees in a wood , it must be indifferent in ...
... observation , that a great or comprehensive memory is seldom connected with a good judgment . As an additional ... observe that , in things of equal rank , such as sheep in a fold , or trees in a wood , it must be indifferent in ...
Page 24
... observe justly , that while we guard against some dan- gers , we are exposed to others we cannot foresee : he ends with ... observation in a sprightly manner by several examples , the author , forgetting his subject , enters upon a ...
... observe justly , that while we guard against some dan- gers , we are exposed to others we cannot foresee : he ends with ... observation in a sprightly manner by several examples , the author , forgetting his subject , enters upon a ...
Page 26
... observation appears the connection of emo- tions and passions with the fine arts , which , as observed in the intro- duction , are all calculated to give pleasure to the eye or the ear ; never once descending to gratify any of the ...
... observation appears the connection of emo- tions and passions with the fine arts , which , as observed in the intro- duction , are all calculated to give pleasure to the eye or the ear ; never once descending to gratify any of the ...
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Elements of Criticism: With the Author's Last Corrections and Additions Henry Home Kames No preview available - 2019 |
Common terms and phrases
accent action ¯neid agreeable appear beauty blank verse C¿sar Chap circumstances color congruity connected degree Demetrius Phalereus dignity disagreeable distinguished distress effect elevation emotion raised epic epic poem epic poetry equally Euripides example expression external signs Falstaff feeling figure final cause Fingal foregoing garden give grandeur hand heav'n Hence Henry IV Hexameter human ideas Iliad imagination impression instances Julius C¿sar kind language less manner means melody mind motion Mourning Bride nature never novelty object observation occasion ornaments Othello pain Paradise Lost passion pause perceive perceptions person pleasant emotion pleasure poem produce proper proportion propriety qualities reader reason regularity relation relish remarkable resemblance respect Richard II ridiculous risible rule scarcely sense sensible sentiments Shakspeare sight simile sion sound spectator Spondees sublime succession syllables taste termed thee things thou thought tion tone uniformity variety verse words writer
Popular passages
Page 143 - All places that the eye of heaven visits Are to a wise man ports and happy havens : Teach thy necessity to reason thus ; There is no virtue like necessity.
Page 371 - And now go to ; I will tell you what I will do to my vineyard : I will take away the hedge thereof, and it shall be eaten up, And break down the wall thereof, and it shall be trodden down...
Page 395 - There are a sort of men, whose visages Do cream and mantle like a standing pond; And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, "I am Sir Oracle, And when I ope my lips, let no dog bark!
Page 112 - Why, man, he doth bestride the narrow world, Like a Colossus ; and we petty men Walk under his huge legs, and peep about To find ourselves dishonourable graves.
Page 439 - With mazy error under pendent shades Ran nectar, visiting each plant, and fed Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...
Page 400 - With thee conversing I forget all time ; All seasons and their change, all please alike. Sweet is the breath of morn, her rising sweet, With charm of earliest birds...
Page 399 - But whate'er you are That in this desert inaccessible, Under the shade of melancholy boughs, Lose and neglect the creeping hours of time ; If ever you have look'd on better days, If ever been where bells have knoll'd to church, If ever sat at any good man's feast, If ever from your eyelids wiped a tear And know what 'tis to pity and be pitied, Let gentleness my strong enforcement be : In the which hope I blush, and hide my sword.
Page 226 - I better brook the loss of brittle life Than those proud titles thou hast won of me ; They wound my thoughts worse than thy sword my flesh : But thought's the slave of life, and life time's fool ; And time, that takes survey of all the world, Must have a stop.
Page 388 - Why, well : Never so truly happy, my good Cromwell. I know myself now ; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
Page 377 - Methought I heard a voice cry, Sleep no more ! Macbeth does murder sleep, the innocent sleep ; Sleep, that knits up the ravell'd sleave of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast ;— Lady M.