ture, instead of being above, is far below our highest conceptions of it. I, for one, cannot believe that the world would come to chaos if left to Law alone. I cannot believe that there is in it no inherent power of developing beauty or variety, and that the direct action of the Deity is required to produce each spot or streak on every insect, each detail of structure in every one of the millions of organisms that live or have lived upon the earth. For it is impossible to draw a line. If any modifications of structure could be the result of law, why not all? If some self-adaptations could arise, why not others? If any varieties of colour, why not all the varieties we see? No attempt is made to explain this, except by reference to the fact that "purpose" and "contrivance" are everywhere visible, and by the illogical deduction that they could only have arisen from the direct action of some mind, because the direct action of our minds produces similar "contrivances "; but it is forgotten that adaptation, however produced, must have the appearance of design. The channel of a river looks as if made for the river, although it is made by it; the fine layers and beds in a deposit of sand, often look as if they had been sorted, and sifted, and levelled, designedly; the sides and angles of a crystal exactly resemble similar forms designed by man; but we do not therefore conclude that these effects have, in each individual case, required the directing action of a creative mind, or see any difficulty in their being produced by natural Law.

Beauty in Nature.

Let us, however, leave this general argument for a while, and turn to another special case, which has been appealed to as conclusive against Mr. Darwin's views. "Beauty" is, to some persons, as great a stumbling-block as "contrivance." They cannot conceive a system of the Universe, so perfect, as necessarily to develop every form of Beauty, but suppose that when anything specially beautiful occurs, it is a step beyond what that system could have produced, something which the Creator has added for his own. delectation.

Speaking of the Humming Birds, the Duke of Argyll says: "In the first place, it is to be observed of the whole group, that there is no connection which can be traced or conceived, between the splendour of the humming birds and any function essential to their life. If there were any such connection, that splendour could not be confined, as it almost exclusively is, to only one sex. The female birds are, of course, not placed at any disadvantage in the struggle for existence by their more sombre colouring." And after describing the various ornaments of these birds, he says: "Mere ornament and variety of form, and these for their own sake, is the only principle or rule with reference to which Creative Power seems to have worked in these wonderful and beautiful birds. A crest of topaz is no better in the struggle for existence than a crest of sapphire. A frill ending in

spangles of the emerald is no better in the battle of life than a frill ending in spangles of the ruby. A tail is not affected for the purposes of flight, whether its marginal or its central feathers are decorated with white. Mere beauty and mere variety, for their own sake, are objects which we ourselves seek when we can make the Forces of Nature subordinate to the attainment of them. There seems to be no conceivable reason why we should doubt or question, that these are ends and aims also in the forms given to living organisms" ("Reign of Law," p. 248).

Here the statement that " no connection can be conceived between the splendour of the humming birds and any function essential to their life," is met by the fact, that Mr. Darwin has not only conceived but has shown, both by observation and reasoning, how beauty of colour and form may have a direct influence on the most important of all the functions of life, that of reproduction. In the variations to which birds are subject, any more brilliant colour than usual would be attractive to the females, and would lead to the individuals so adorned leaving more. than the average number of offspring. Experiment and observation have shown, that this kind of sexual selection does actually take place; and the laws of inheritance would necessarily lead to the further development of any individual peculiarity that was attractive, and thus the splendour of the humming birds is directly connected with their very existence. It is true that "a crest of topaz may be no better than a

crest of sapphire," but either of these may be much better than no crest at all; and the different conditions under which the parent form must have existed in different parts of its range, will have determined different variations of tint, either of which were advantageous. The reason why female birds are not adorned with equally brilliant plumes is sufficiently clear; they would be injurious, by rendering their possessors too conspicuous during incubation. Survival of the fittest, has therefore favoured the development of those dark green tints on the upper surface of so many female humming birds, which are most conducive to their protection while the important functions of hatching and rearing the young are being carried on. Keeping in mind the laws of multiplication, variation, and survival of the fittest, which are for ever in action, these varied developments of beauty and harmonious adjustments to conditions, are not only conceivable but demonstrable results.

The objection I am now combating is solely founded on the supposed analogy of the Creator's mind to ours, as regards the love of Beauty for its own sake; but if this analogy is to be trusted, then there ought to be no natural objects which are disagreeable or ungraceful in our eyes. And yet it is undoubtedly the fact that there are many such. Just as surely as the Horse and Deer are beautiful and graceful, the Elephant, Rhinoceros, Hippopotamus, and Camel are the reverse. The majority of Monkeys and Apes are not beautiful; the majority of Birds have no beauty

of colour; a vast number of Insects and Reptiles are positively ugly. Now, if the Creator's mind is like ours, whence this ugliness? It is useless to say "that is a mystery we cannot explain," because we have attempted to explain one-half of creation by a method. that will not apply to the other half. We know that a man with the highest taste and with unlimited. wealth, practically does abolish all ungraceful and disagreeable forms and colours from his own domains. If the beauty of creation is to be explained by the Creator's love of beauty, we are bound to ask why he has not banished deformity from the earth, as the wealthy and enlightened man does from his estate and from his dwelling; and if we can get no satisfactory answer, we shall do well to reject the explanation offered. Again, in the case of flowers, which are always especially referred to, as the surest evidence of beauty being an end of itself in creation, the whole of the facts are never fairly met. At least half the plants in the world have not bright-coloured or beautiful flowers; and Mr. Darwin has lately arrived at the wonderful generalization, that flowers have become beautiful solely to attract insects to assist in their fertilization. He adds, "I have come to this conclusion from finding it an invariable rule, that when a flower is fertilized by the wind it never has a gailycoloured corolla." Here is a most wonderful case of beauty being useful, when it might be least expected. But much more is proved; for when beauty is of no use to the plant it is not given. It cannot be imag