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These, 'tis enough to temper and employ;
But what composes Man, can Man destroy?
Suffice that Reason keep to Nature's road,
Subject, compound them, follow her and God.
Love, Hope, and Joy, fair Pleasure's smiling train,
Hate, Fear, and Grief, the family of Pain,
These mix'd with art, and to due bounds confin'd,
Make and maintain the balance of the Mind:
The lights and shades, whose well-accorded strife
Gives all the strength and colour of our life.

115

120

Pleasures are ever in our hands or eyes;

And when, in act, they cease, in profpect, rise :

Present to grasp, and future still to find,
The whole employ of body and of mind.

125

All

VARIATIONS.

After ver. 112. in the MS.

The foft reward the virtuous, or invite;
The fierce, the vicious punish or affright.

COMMENTARY.

VER. 123. Pleasures are ever in our bands or eyes;] His third argument against the Stoics (from ver. 122 to 127.) is, that the Paffions are a continual spur to the pursuit of Happiness; which, without these powerful inciters, we should neglect, and fink into a fenfeless indolence. Now Happiness is the end of our creation; and this excitement, the means to that end: therefore, these movers, the Passions, are the inftruments of God, which he hath put into the hands of Reason to work withal. WARBURTON.

:

NOTES.

VER. 117. Love, Hope, and Joy, This beautiful groupe of allegorical perfonages, so strongly contrafted, how does it act? The profopopœia is unfortunately dropped, and the metaphor changed immediately in the fucceeding lines, viz.

"These mix'd with art," &c.

WARTON.

All fpread their charms, but charm not all alike;

On diff'rent senses diff'rent objects strike;

COMMENTARY.

Hence

VER. 127. All spread their charms, &c.] The Poet now proceeds in his subject; and this last observation leads him naturally to the discussion of his next principle. He shews then, that though all the Paffions have their turn in swaying the determinations of the mind, yet every Man hath one MASTER PASSION, that at length flifles or absorbs all the rest. The fact he illustrates at large in his epistle to Lord Cobham. Here (from ver. 126 to 149.) he giveth us the CAUSE of it. Those Pleasures or Goods, which are the objects of the Passions, affect the mind by striking on the senses ; but as, through the formation of the organs of our frame, every man hath some one sense stronger and more acute than others, the object which strikes the stronger or acuter sense, whatever it be, will be the object most defired; and confequently, the pursuit of that will be the ruling Passion: That the difference of force in this ruling Paffion, shall, at first, perhaps, be very small, or even imperceptible; but Nature, Habit, Imagination, Wit, nay even Reason itself, shall assist its growth, till it hath at length drawn and converted every other into itself. All which is delivered in a ftrain of Poetry so wonderfully sublime, as suspends, for a while, the ruling Paffion in every Reader, and engrosses his whole admiration.

This naturally leads the Poet to lament the weakness and insufficiency of human Reafon (from ver. 148 to 161.); and the purpose he had in fo doing, was plainly to intimate THE NECESSITY OF A WARBURTON.

MORE PERFECT DISPENSATION TO MANKIND.

NOTES.

VER. 128. On diffrent fenfes] A didactic poet has thus nobly illuftrated this very doctrine:

"Diff'rent minds

Incline to diff'rent objects: one pursues

The vast alone, the wonderful, the wild;

Another fighs for harmony, and grace,

And gentlest beauty. Hence, when lightning fires
The arch of heaven, and thunders rock the ground;

When furious whirlwinds rend the howling air,

And

Hence diff'rent Paffions more or less inflame,
As strong or weak, the organs of the frame;
And hence one MASTER PASSION in the breast,
Like Aaron's ferpent, swallows up the rest.

130

As Man, perhaps, the moment of his breath, Receives the lurking principle of death; The young disease, that must subdue at length, 135 Grows with his growth, and strengthens with his

strength:

So, cast and mingl'd with his very frame,
The Mind's disease, its RULING PASSION, came;
Each vital humour which should feed the whole,
Soon flows to this, in body and in foul :

NOTES.

And Ocean, groaning from the lowest bed,
Heaves his tempestuous billows to the sky;
Amid the mighty uproar, while below
The nations tremble, Shakespear looks abroad
From fome high cliff, superior, and enjoys
The elemental war. But Waller longs
All on the margin of some flow'ry stream,
To fpread his careless limbs, amid the cool
Of plantane shades."

140

Whatever

AKENSIDE.

WARTON.

VER. 129. Hence diff'rent Passions] It may be doubted, as Johnfon justly observes, whether there be any foundation in Nature for this great paramount principle of action, and whether Pope does not confound "Passions, Appetites, and Habits," in his theory.

VER. 133. As Man, perhaps, &c.] " Antipater Sidonius Poeta omnibus annis uno die natali tantum corripiebatur febre, et eo con sumptus eft fatis longa senecta." Plin. 1. vii. N. H. This Antipater was in the times of Craffus, and is celebrated for the quickness of his parts by Cicero.

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WARBURTON,

1

Whatever warms the heart, or fills the head,
As the mind opens, and its functions spread,
Imagination plies her dang'rous art,
And pours it all upon the peccant part.

Nature its mother, Habit is its nurse;
Wit, Spirit, Faculties, but make it worse;
Reafon itself but gives it edge and pow'r;
As Heav'n's blest beam turns vinegar more four.
We, wretched subjects, tho' to lawful fway,
In this weak queen, some fav'rite still obey :

NOTES.

145

150 Ah!

VER. 147. Reason itself, &c.] The Poet, in some other of his epíitles, gives examples of the doctrines and precepts here delivered. Thus, in that of the Use of Riches, he has illustrated this truth in the character of Cotta:

"Old Cotta sham'd his fortune and his birth,
'Yet was not Cotta void of wit or worth.

What though (the use of barb'rous spits forgot)
His kitchen vy'd in coolness with his grot?
If Cotta liv'd on pulse, it was no more

Than bramins, faints, and fages did before."

WARBURTON.

VER. 148. turns vinegar] Taken from Bacon, De Calore; and

the preceding verse, and comparison, 132.

" Like Aaron's ferpent,"

is from Bacon likewife.

WARTON.

VER. 148. turns vinegar] This comparison, which might be very proper in Philosophy, has a mean effect in Poetry.

VER. 149. We, wretched fubjects, &c.] St. Paul himself did not choose to employ other arguments, when disposed to give us the highest idea of the usefulness of CHRISTIANITY (Rom. vii.). But it may be, the Poet finds a remedy in NATURAL RELIGION. Far from it. He here leaves Reafon unrelieved. What is this then, but an intimation that we ought to feek for a cure in that Religion, which only dares profess to give it? WARBURTON.

Ah! if she lend not arms, as well as rules,
What can she more than tell us we are fools?

Teach us to mourn our Nature, not to mend,
A sharp accufer, but a helpless friend!
Or from a judge turn pleader, to perfuade
The choice we make, or justify it made;
Proud of an easy conquest all along,
She but removes weak Passions for the strong:
So, when small humours gather to a gout,
The doctor fancies he has driv'n them out.

Yes, Nature's road must ever be preferr'd;
Reason is here no guide, but still a guard :
'Tis her's to rectify, not overthrow,
And treat this passion more as friend than foe:
A mightier Pow'r the strong direction sends,
And sev'ral Men impels to sev'ral ends :
Like varying winds, by other passions tost,
This drives them constant to a certain coaft.

COMMENTARY.

155

160

165

Let

VER.161. Yes, Nature's road, &c.] Now as it appears from the account here given of the ruling Passion and its cause (which refults from the structure of the organs), that it is the road of Nature, the Poet shews (from ver. 160 to 197.), that this road is to be followed. So that the office of Reason is not to direct us what paffion to exercise, but to assist us in RECTIFYING, and keeping within due bounds, that which Nature hath so strongly impressed; because

"A mightier Power the strong direction sends,

And sev'ral Men impels to sev'ral ends." WARBURTON. VER. 167. Like varying winds, &c.] The Poet having proved that the ruling passion (fince Nature hath given it us) is not to be overthrown,

NOTES.

VER. 160. The doctor fancies, &c.] The fame may be faid of this as of the line 148.

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