Lectures on Rhetoric and Belles Lettres, 1. köidePress of M. Carey, March 19, 1793 |
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Page 45
... description of fuch objects , or of what is called the fublime in writing , which , fhall be the fubject of a following lecture . I dif- tinguish these two things from one another , the grandeur of the objects themselves when they are ...
... description of fuch objects , or of what is called the fublime in writing , which , fhall be the fubject of a following lecture . I dif- tinguish these two things from one another , the grandeur of the objects themselves when they are ...
Page 55
... description of such objects ; or , of what is called the fublime in writing . Though I may appear to enter early on the confideration of this fubject ; yet , as the fublime is a fpecies of writing which depends less than any other on ...
... description of such objects ; or , of what is called the fublime in writing . Though I may appear to enter early on the confideration of this fubject ; yet , as the fublime is a fpecies of writing which depends less than any other on ...
Page 70
... description of a fublime object ; and the natural ideas , raised by a burning mountain , are infinitely more lofty , than the belchings of any giant , how huge foever . The debafing effect of the idea which is here prefented , will ...
... description of a fublime object ; and the natural ideas , raised by a burning mountain , are infinitely more lofty , than the belchings of any giant , how huge foever . The debafing effect of the idea which is here prefented , will ...
Page 73
... description of it . This betrays entire abfence , or at leaft great po- verty of genius . Of this , there are abundance of examples , and thefe commented upon with much humour , in the treatife on the art of finking , in dean Swift's ...
... description of it . This betrays entire abfence , or at leaft great po- verty of genius . Of this , there are abundance of examples , and thefe commented upon with much humour , in the treatife on the art of finking , in dean Swift's ...
Page 81
... description . The beauty of the human countenance is more complex than any that we have yet confidered . It includes the beauty of colour , arifing from the deli- cate fhades of the complexion ; and the beauty of figure , arifing from ...
... description . The beauty of the human countenance is more complex than any that we have yet confidered . It includes the beauty of colour , arifing from the deli- cate fhades of the complexion ; and the beauty of figure , arifing from ...
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Common terms and phrases
alfo appears arifes beauty becauſe cafe caufe Cicero circumftances clofe compariſon compofition confequence confiderable confidered conftruction dean Swift defcribing defcription defign difcourfe diftinct diftinguished effect eloquence employed expreffion exprefs faid fame feems fenfe fenfible fentence fentiments ferves feveral fhall fhould fhow fignify figures fimple fimplicity firft firſt fome fomething fometimes fpeak fpecies fpeech ftand ftate ftill ftrength ftrong ftudied ftyle fubftantive fubject fublime fuch fufficient fuppofed genius give guage himſelf ideas imagination impreffion inftance itſelf juft laft language lefs manner means metaphor mind moft moſt mufic muft muſt nature neceffary obfcure obferve objects occafion orator ornament paffage paffion pafs pallion perfon perfpicuity pleafing pleaſure poffefs precife prefent profe proper purpoſe Quintilian racter reafon refemblance refpect reft render rife ſpeak ſtudy ſtyle tafte taſte tence thefe themſelves theſe thing thofe thoſe tion tropes underſtanding uſe verbs whofe words writing
Popular passages
Page 47 - In thoughts from the visions of the night, when deep sleep falleth on men, fear came upon me, and trembling, which made all my bones to shake. Then a spirit passed before my face; the hair of my flesh stood up: it stood still, but I could not discern the form thereof: an image was before mine eyes, there was silence, and I heard a voice, saying, Shall mortal man be more just than God?
Page 309 - Hell from beneath is moved for thee to meet thee at thy coming: it stirreth up the dead for thee, even all the chief ones of the earth; it hath raised up from their thrones all the kings of the nations.
Page 309 - Art thou also become weak as we ? art thou become like unto us? Thy pomp is brought down to the grave, and the noise of thy viols: the worm is spread under thee, and the worms cover thee.
Page 64 - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 56 - In my distress I called upon the Lord, and cried unto my God: He heard my voice out of his temple, and my cry came before him, even into his ears.
Page 389 - Delightful scenes, whether in nature, painting, or poetry, have a kindly influence on the body as well as the mind ; and not only serve to clear and brighten the imagination, but are able to disperse grief and melancholy, and to set the animal spirits in pleasing and agreeable motions.
Page 287 - Why hast thou then broken down her hedges, So that all they which pass by the way do pluck her ? The boar out of the wood doth waste it, < And the wild beast of the field doth devour it.
Page 403 - There is a second kind of beauty that we find in the several products of art and nature, which does not work in the imagination with that warmth and violence as the beauty that appears in our proper species, but is apt however to raise in us a secret delight, and a kind of fondness for the places or objects in which we discover it.
Page 58 - That saith of Cyrus, He is my shepherd, and shall perform all my pleasure: even saying to Jerusalem, Thou shalt be built; and to the temple, Thy foundation shall be laid.
Page 181 - Entire, complete. — A thing is entire, by wanting none of its parts ; complete, by wanting none of the appendages that belong to it. A man may have an entire house to himself, and yet not have one complete apartment.