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My arm-chair ready;-'tisn't in its place?
Ah! there it lurks i' the corner, thrust aside,
With one leg lacking,-just a hospital

For all the children's maimed and mangled pets,
Noah's leaky ark, the Patriarch and his wife,
Shem, Ham, and Japhet, all the sequent beasts
Emptied pell-mell, the lion with the lamb,
And jostled amid wreck of broken drums,
And trunks of long-decapitated dolls!

Somehow I lose of late my count of time :-
How many of the spaces men call days
Have dawned and darkened, registered, ticked off,
In that old unconsulted almanac

Wherein Time keeps the count of all the Past,
Some day to meet its audit?-Is't a week,
A month-it cannot sure be more-since I,
Since it, I mean (how the old habit clings!)`
The case, the shell, the husk, that held me once,
Was carried, with more pomp and circumstance,
More numerous tendance, and more lavish cost
Than e'er was spent upon it in the flesh,
Into the narrow house that, every week,
The parson warned me I must tenant soon?
Pooh! It is there-not I!—The parson preached
Some truth, no doubt;-according to his lights
Most honest ;-but you can't get blood from stones,
Or out of Parsons more than Parsons know.

I wonder-after It was borne away-
How long they looked at that old chair, and left
Its seat untenanted,-how long they talked
With bated breath of him who filled it once,
As though the cheerier tone of natural speech
Might shock the delicate ear of Death, and mar
The new scarce-tasted quiet of the grave?—
That topic's talked out now, if I can judge;
That fear is lost. I see black broadcloth still,
And ells voluminous of bombasine

At hearth and board; but small abiding sense
Of what they signify. There's a new song
Spread out-a vulgar darling of the Halls
Misnamed of Music-o'er the ivory keys ;-
There's a new novel on the window-sill ;-
And from its leaves methinks I scent a whiff
Foul, stale, of that abominable weed
Whose filthy use I never brooked indoors.
I count enough familiar things,--and yet
How all seems other than it used to seem!
A chilly, vague, uncomfortable sense
Of novelty hangs over all things old,

And some are changed in place :-and some I miss.
Where have they put that sketch that used to hang
Beside my corner ?-prized for her dear sake

Who pencilled it long since,—a simple thing,
A cottage, tree, and streamlet,-short perhaps
Of academic excellence, but Hers,

Hers, whom I lost ere these were old enough
To know their share in such a loss more great
E'en than mine own :-I'd like to rend and burn
That chromo-lithograph that fills its place!

Ah me! new lords, new ways!-They're young, I know;
It's natural, I suppose :-but in my time
Long since, when I succeeded, did I hold
Lightly as these the favourites of the Dead?
I think I'm glad they cannot know I'm here
Among them-glad I cannot speak to them.
I dare not guess what welcome I should get
Could I declare my presence. I was pleased
At thought of coming; now I'm glad to go.
They're well and happy,—that should be enough
To satisfy a reasonable ghost.

May they long live so! Farewell! I depart!

Some other way, though-not by that front door
Through which I saw them bear It out, feet first,
That morn when half the village blinds were down,
And all the children out to see the show.
Back, by the postern, through the offices
I can slip out,-no footfall to betray
The master's prying presence. I forget!
What babble I of lord and master now?
I shall not scare the idle scullery wench,
That lounges, giggling with the idle groom,
Beside the stable door, the while, unfed,
My old grey pony stands at empty rack
And manger, looking patient for the oats
His due an hour ago. The garden gate!
The kitchen garden, where my arbour bench,
With honeysuckle roofed and clematis,

Looked through espaliered rows of plum and pear,
Glistening with diamond dew of summer morns,
Down to the walnut at the orchard end,
Set by the grandame whom I never knew ;-
My beds, my shrubs, my fruit-trees,-I may look
Once more on these, at least, and find no change.
There's the old pond, and on its turfy slope
The old dial, and the sleepy old gold-fish
Among the water-lilies. Hah! what's that?-
That bald red line of brick that cuts the sky?
Is that dismantled block my garden wall?
I think, when I was heir, I would have cleft
My right hand from its socket, ere I lopped
One twig that owed its planting to my sire!
I know Dick never loved those ivy stems
It cost me years to train from base to crown,
Till all the country couldn't show their match.

He used to sneer, and call them alms-houses
For slugs and snails. It might be; but I know
I never lacked a peach at autumn-tide :

There always was enough for slug, and snail,
Me, Richard, and the rest. He might have spared
His father's hobby for a year or two.

Or-there's a gardener's face that's new to me-
'Twas he, no doubt, not Richard, that despoiled
My walls of that luxuriant coronal

I wreathed upon their brows. I trimmed their locks
I' the garden-side,-but 'twas a sight to see

How outwardly they bourgeoned, how they flung
Their dark, dense, sun-defying canopy

Of shoot, and leaf, and cluster, o'er the path
That wound beneath it up the skirting lane!
'Tis best I go no further,-I would keep
Some pleasant memories yet, and dare not risk
Το prove them cheats. I will depart, and come
No more. I had thought often to return,
To see old faces, hear old voices.
That dream is dreamed!

No!

What feeble whine was that?
What moan, as of a dumb thing, sore in pain,
Comes from the corner where the stables dwarf
To byre and sty? There was no creature there,
In my time, but was happy. Ah! my God!
Who was it that did this? My Tray, my dog,
My friend, who loved me as a child might love
Its father; whom I loved-Heaven pardon me!
Almost as might a father love his child,

Turned out, uncared-for, banished, kenneled, chained!
And I-I cannot loose him! Savages,

That slew the hound upon his owner's grave,

And deemed that to the happier hunting-grounds
They sent him partner of his master's chase,
Had kinder hearts! And I must slink away,
Ashamed, in silence, like a guilty thing,
And but be thankful that he cannot know
My presence, or with piteous mute appeal
Of eye upbraid me that I leave him thus !

Ah me! I looked to see some change, for change,
I know, is death's successor,- -some disuse
Most like of trivial ordinance,—some touch
Perchance of new improvement,-but not this!
Poor Tray! thy heart is broken!—so is mine!

*

*

*

*

"Les Revenants !"-so the Frenchman calls us ghosts:"The Comers-back,"-no more; no touch, no hint Of reverence or affection,-just a plain Prosaic recognition of a fact:

The Comers-back.-Would God I had not come !

H. K.

UNDER THE MASK.

CHAPTER I.-THE COT OF CHRYSIPPUS.

JOHN STRONG was attentively regarding his little son, who was building a house on the floor.

"There is too much of his mother in the face," he muttered. Now, the unprejudiced observer, who had looked at Mr Strong (and everybody looked at him once) would have probably concluded that the more the face of the late Mrs Strong was represented in that of her child, the better for him; and yet the voice of the father, when he uttered the above comment, expressed anything but satisfaction.

"Mobile, sensitive, almost effeminate," he grumbled, with the corners of his mouth drawn down, and his eyebrows drawn stiffly upwards. "Perhaps I might do it," he continued, after a long pause: "such a skin as that must be always delicate, and the winds from every quarter are rough enough in these days, heaven knows." As he concluded the sentence, a strange twitch distorted his face for a moment. "Bah! am I a fool?" he grunted.

Mr John Strong did not enjoy an enviable reputation in the neighbourhood. The village in which he lived was out of the world, and still cherished many monstrous superstitions, of which not the least monstrous was that this worthy man had sold himself to the devil. The origin of the legend was wrapped in darkness; but there was one old dame, who remembered well that at his birth a star with fiery tail had appeared in the heavens; and that on his twenty-first birthday a swart man on a black horse had been seen in the village, who might or might not be the attorney from the neighbouring town. And though

this old lady was herself suspected of many a frolic on broomstick, yet she had long since sown her wild oats, and her testimony was credited by all.

It may be believed, therefore, that when Mr Strong wooed, won, and wedded in a single week little Molly Davis, who was both pretty and poor, and whose father was said to owe untold sums to the ill-omened bridegroom, the villagers were much annoyed. Indeed they so far emerged from their local lethargy as to murmur at old Davis, who went about smiling so pitiably, that a flood of tears would have been comparatively exhilarating; and the ale-house oracle, who had a remarkable mastery of a chain of reasoning, openly expressed a doubt, whether to sell your daughter to a man who had already sold himself, were not tantamount to a delivery to the ultimate purchaser. Few of his hearers were able to follow the argument; but it is recorded that more heads were shaken at The Odd Horse-Shoe on the day of the wedding, than on any previous occasion. Molly, however, who was at least as silly as pretty, accepted her fate with apparent resignation, and with the last smile of her girlhood on her lips, entered the dark house, which seemed to shrink away from the village street. When a year was ended, and her boy was born, she felt a strange return of her old gaiety one summer morning, and with the first smile of her married life on her lips quietly passed away. The boy, whom she left to his stern sire's care, was Chrysippus.

Mr John Strong sat in his highbacked chair, staring at his son and

debating with himself, until it began to grow dark. At last he slowly and distinctly observed, "I will do it."

"Do what?" sharply inquired Mrs Banyan, who was dusting the furniture, as indeed she was always dusting it when there was no more pressing business on hand.

"Do as you are bid," said her master without turning his head. "Put Chrysippus's cot by the side of my bed. He shall sleep in my room to-night."

Mrs Banyan, though a woman of great experience, was genuinely surprised. "Sleep in your room!" she exclaimed.

"The part of my speech, which it were well for you to remark, was, 'Put Chrysippus's cot by the side of my bed.' Go and put it."

--

"Thank you kindly, sir. I am very well aware that I must pay for the pleasure of serving you by doing as I am bid; but if it were not for that motherless babe, and fatherless too, or worse but there!" and with this incomplete but pregnant sentence, the good dame vanished. Neither the raised voice, the last flick of the duster, nor the slammed door, produced the slightest effect on Mr John Strong. When his servant had gone, he took from his pocket a key of antique shape, and opened an old cabinet which stood behind his chair. From a mass of old clothes, old papers, old sticks of divers sizes, old weapons of divers shapes, he drew out a rusty hammer, and after a long search, a piece of iron beaten thin, which, battered as it was, still bore a far-off likeness to the cast of a human face. Whilst he examined the latter object with the greatest care, he wore a look which in any other man would be held to denote

fear. Perhaps it was only the moonlight which made his cheek so pale; perhaps in the moon's

VOL. CXVIII.-NO. DCCXVII.

vague glimmer the powerful hands which held that pliant metal only seemed to tremble. "It is long since it was used in this brute shape," he muttered. "Shall I use it now, and can I change it as I wish?" He was roused from his deliberation by a little hand which was pulling his coat-tail. His infant son, after making for a time a new plaything of the moonbeams, had suddenly been frightened by the growing darkness, and crept up from the floor to claim his father's protection. John Strong looked down, and saw a little face with high forehead, delicate cheek wet with tears, and trembling lip, appealing to him for pity. His hesitation was at an end. "It will save him a great deal of pain," he said; "and perhaps wear off if he ever can do without it," he added after a moment. He thrust his hand once more into the cupboard, and drew from a shelf at the back a flask of quaint workmanship, which sent a drowsy perfume through the room. Then with flask, hammer, and battered iron in his grasp, and carrying Chrysippus under his arm, he went slowly upstairs to his bedroom and locked himself in with his son.

Mrs Banyan having vented her natural annoyance by bumping the cot of Chrysippus against every corner of the passage, and planting it with a final bang by the sombre bed of his father, donned her nightcap and prepared herself for that repose which her innocence deserved. But her perturbed spirit was not so easily lulled to rest as usual. She fell into a broken slumber and dreamed of her master. She saw him as a bird of ashen plumage and flaming tail, who with a long sharp bill tapped on the metal plate of a coffin. Still asleep, she was angry with herself for being troubled about so unworthy

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