The Dramatick Writings of Will. Shakspere: With the Notes of All the Various Commentators; Printed Complete from the Best Editions of Sam. Johnson and Geo. Steevens, 2. köide
Printed for, and under the direction of, John Bell, 1788
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
acted alluded ancient appears believe body called character circumstance comedy composed contains copy daughter death drama dramatick early edition Elizabeth English entered entry Epigrams exhibited former give given Hall Hamlet hand hath History honour issue James John Jonson Juliet Julius C¿sar kind King Henry Labour late Latin latter least likewise lines living London Lord Lost manner Measure mentioned Meres Merry nature never Night observed original passage performance perhaps person piece Plautus play players poem poet praise present printed probably produced prologue published queen represented Richard Romeo says scene Second seems Shak Shakspere Shakspere's stage Stationers Stationers-Company Stationers-Hall STEEVENS Stratford supposed theatre thee Thomas thou thought till tragedy translated true unto verses whole WILLIAM SHAKSPERE writer written
Page 528 - Euripides, and Sophocles to us, Paccuvius, Accius, him of Cordova dead, To life again, to hear thy buskin tread, And shake a stage : or, when thy socks were on, Leave thee alone, for the comparison Of all that insolent Greece or haughty Rome Sent forth, or since did from their ashes come.
Page 550 - For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow, and that each heart • Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took, Then thou, our fancy of itself bereaving, Dost make us marble, with too much conceiving ; And, so sepulchred in such pomp dost lie, That kings for such a tomb would wish to die.
Page 524 - To draw no envy, SHAKESPEARE, on thy name, Am I thus ample to thy book and fame ; While I confess thy writings to be such, As neither man, nor muse, can praise too much.
Page 526 - The applause! delight! the wonder of our stage! My Shakespeare rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read, and praise to give.
Page 556 - This pencil take' (she said), 'whose colours clear Richly paint the vernal year: Thine, too, these golden keys, immortal Boy! This can unlock the gates of joy; Of horror that, and thrilling fears, Or ope the sacred source of sympathetic tears.
Page 379 - Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind. I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other — Enter Lady MACBETH.
Page 476 - With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part; the sixth age shifts Into the lean and...
Page 484 - Taint not thy mind, nor let thy soul contrive Against thy mother aught; leave her to heaven, And to those thorns that in her bosom lodge To prick and sting her.
Page 476 - With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
Page 462 - She was so well pleased with that admirable character of Falstaff, in The Two Parts of Henry the Fourth, that she commanded him to continue it for one play more, and to shew him in love. This is said to be the occasion of his writing The Merry Wives of Windsor.