Gender and the Poetics of Reception in Poe's Circle

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Cambridge University Press, 6. sept 2004 - 238 pages
Poe is frequently portrayed as an isolated idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. Richards introduces and interprets the work of three important and largely forgotten women poets: Frances Sargent Osgood, Sarah Helen Whitman, and Elizabeth Oakes Smith. Richards re-evaluates the work of these writers, and of nineteenth-century lyric practices more generally.
 

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Contents

The Poetess and Poes Performance of the Feminine
28
Frances Sargent Osgood Salon Poetry and the Erotic Voice
60
Sarah Helen Whitman Spiritualist Poetics and
107
Elizabeth Oakes Smith s unspeakable eloquence
149
the Ravens Return
191
Select Bibliography
221
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