The Rhetoric of Confession: <i>Shishosetsu</i> in Early Twentieth-Century Japanese FictionUniversity of California Press, 1. sept 2023 - 364 pages The shishosetsu is a Japanese form of autobiographical fiction that flourished during the first two decades of this century. Focusing on the works of Chikamatsu Shuko, Shiga Naoya, and Kasai Zenzo, Edward Fowler explores the complex and paradoxical nature of shishosetsu, and discusses its linguistic, literary and cultural contexts. |
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Page xxiv
... social unit . As we shall discover , the self in a shishosetsu is defined typically by its separation and withdrawal from a society that normally demands strict allegiance from members , rather than by its confident confrontation with ...
... social unit . As we shall discover , the self in a shishosetsu is defined typically by its separation and withdrawal from a society that normally demands strict allegiance from members , rather than by its confident confrontation with ...
Page 5
... social position of the listener and / or the referent . A man might use one pronominal ( e.g. , ore ) to refer to himself when speaking to family members or to close friends , another ( e.g. , boku ) when speaking to his peers at work ...
... social position of the listener and / or the referent . A man might use one pronominal ( e.g. , ore ) to refer to himself when speaking to family members or to close friends , another ( e.g. , boku ) when speaking to his peers at work ...
Page 6
... social relationship with a specific hearer and referent , tends to undermine that sense of sepa- rate , autonomous presence and blur the boundary between self and other . In short , self - expression in Japanese is forever a contin ...
... social relationship with a specific hearer and referent , tends to undermine that sense of sepa- rate , autonomous presence and blur the boundary between self and other . In short , self - expression in Japanese is forever a contin ...
Page 11
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Contents
3 | |
Language and the Illusion of Presence | 28 |
Shishosetsu Criticism and the Myth of Sincerity | 43 |
THE RISE OF A FORM | 71 |
Harbingers I Tokoku Doppo Hogetsu | 73 |
Harbingers II Katai Homei | 103 |
The Bundan Readers Writers Critics | 128 |
THREE APPROACHES TO EXPERIENCE | 147 |
Chikamatsu Shuko The Hero as Fool | 149 |
Shiga Naoya The Hero as Sage | 187 |
Kasai Zenzo The Hero as Victim | 248 |
The Shishosetsu Today | 290 |
Bibliography | 299 |
Index | 315 |
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Common terms and phrases
Akutagawa An'ya kōro argues artistic audience autobiographical bungaku career chapter character Chikamatsu Shūkō confession consciousness critics culture cycle Doppo emotional essay example fact father feelings first-person narration Futon Giwaku hero's Hōgetsu Hōmei Ibid Itō Japan Japanese literature junbungaku kare Kasai hero Kasai Zenzō kenkyū Kensaku Kindai Kobayashi Kobayashi Hideo Kume Masao Kunikida Doppo language later literary lived experience magazine Masamune Hakuchō Meiji modern Japanese mono Nakamura Mitsuo narrator-hero narrator's Natsume Sōseki naturalist nature never Nihon novel Osei Osuma Ōtsu reader reality relationship sense setsu Shiga Naoya Shimazaki Tōson shinkyō shinkyō shōsetsu Shirakaba shishō shishōsetsu writer shō shōsetsu ron shū Shūjaku sincerity social society Sōseki's story story's Taishō Taishō period Tanizaki Tayama Katai third-person thought tion Tōkoku Tokyo Tōson tradition truth Wakai Wakareta tsuma watakushi shōsetsu western western fiction writing written reportive style Yukioka zenshū