 | Jared Sparks, Edward Everett, James Russell Lowell, Henry Cabot Lodge - 1841 - 600 lehte
...but their attitude is that of pain and trouble. The design and anatomical proportions of the figures are faulty, but there is a force of expression about...which shows the skill and conceptive power of the artist." — Ibid. p. 314. This description, which Mr. Stephens judiciously pursues with much detail,... | |
 | Jared Sparks, Edward Everett, James Russell Lowell, Henry Cabot Lodge - 1841 - 578 lehte
...but their attitude is that of pain-and trouble. The design and anatomical proportions of the figures are faulty, but there is a force of expression about...which shows the skill and conceptive power of the artist." — 76td. p. 314. This description, which Mr. Stephens judiciously pursues with much detail,... | |
 | 1842 - 630 lehte
...but their attitude is that of pain and trouble. The design and anatomical proportions of the figures are faulty, but there is a force of expression about...which shows the skill and conceptive power of the artist. . . . ' On each side of the courtyard the palace was divided into apartments, probably for... | |
 | Nicholas Patrick Wiseman - 1842 - 660 lehte
...but their attitude is that of pain and trouble. The design and anatomical proportions of the figures are faulty, but there is a force of expression about...which shows the skill and conceptive power of the artist. " On each side of the court-yard the palace was divided into apartments, probably for sleeping.... | |
 | George Jones - 1843 - 572 lehte
...but their attitude is that of pain and trouble. The design and anatomical proportion of the figures are faulty, but there is a force of expression about them which shews the skill and conceptive power of the artist. On each side of the courtyard of the Palace (Temple)... | |
 | George Jones - 1843 - 500 lehte
...but their attitude is that of pain and trouble. The design and anatomical proportion of the figures are faulty, but there is a force of expression about them which shews the skill and conceptive power of the artist. On each side of the courtyard of the Palace (Temple)... | |
 | George Jones - 1843 - 514 lehte
...but their altitude is that of pain and trouble. The design and anatomical proportion of the figures are faulty, but there is a force of expression about them which shews the skill and conceptive power of the artist. On each side of the courtyard of the Palace (Temple)... | |
 | John L. Stephens - 1854 - 638 lehte
...attitnde is that of pain and trouble. The design and anatomical proportions of the figures are fanlty, but there is a force of expression about them which shows the skill and conceptive power of the artist. When we first took possession of the palace this courtyard was encumbered with trees, so that... | |
 | Henry Thomas Buckle - 1872 - 650 lehte
...coast of Guatemala and Nicaragua. At Palenque " the design and anatomical proportions of the figures are faulty ; but there is a force of expression about them which shows the skill and concept! ve power of the artist."7 See also the hideous colossal figures in plate at p. 315 of Stephens's... | |
 | Henry Thomas Buckle - 1872 - 670 lehte
...coast of Guatemala and Nicaragua. At Palenque " the design and anatomical proportions of the figures are faulty ; but there is a force of expression about them which shows the skill and concept! ve power of the artist."7 See also the hideous colossal figures in plate at p. 315 of Stephens's... | |
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... from the end of the steps to the floor of the corridor They are adorned with rich head-dresses and necklaces, but their attitude is that of pain and trouble. The design and anatomical proportions of the figures are faulty, but there is a force of... 
