ANTWERP (Fr. Anvers), capital of the above province, an important city on the right bank of the Scheldt, Belgium's chief centre of commerce and a strong fortified position.

Modern Antwerp is a finely laid out city with a succession of broad avenues which mark the position of the first enceinte. There are long streets and terraces of fine houses belonging to the merchants and manufacturers of the city which amply testify to its prosperity, and recall the 16th century distich that Antwerp was noted for its moneyed men (" Antwerpia nummis "). Despite the ravages of war and internal disturbances it still preserves some memorials of its early grandeur, notably its fine cathedral. This church was begun in the 14th century, but not finished till 1518. Its tower of over 400 ft. is a conspicuous object to be seen from afar over the surrounding flat country. A second tower which formed part of the original plan has never been erected. The proportions of the interior are noble, and in the church are hung three of the masterpieces of Rubens, viz. "The Descent from the Cross," "The Elevation of the Cross," and The Assumption." Another fine church in Antwerp is that of St James, far more ornate than the cathedral, and containing the tomb of Rubens, who devoted himself to its embellishment. The Bourse or exchange, which claims to be the first distinguished by the former name in Europe, is a fine new building finished in 1872, on the site of the old Bourse erected in 1531 and destroyed by fire in 1858. Fire has destroyed several other old buildings in the city, notably in 1891 the house of the Hansa League on the northern quays. A curious museum is the Maison Plantin, the house of the great printer C. Plantin (q.v.) and his successor Moretus, which stands exactly as it did in the time of the latter. The new picture gallery close to the southern quays is a fine building divided into ancient and modern sections. The collection of old masters is very fine, containing many splendid examples of Rubens, Van Dyck, Titian and the chief Dutch masters. Antwerp, famous in the middle ages and at the present time for its commercial enterprise, enjoyed in the 17th century a celebrity not less distinct or glorious in art for its school of painting, which included Rubens, Van Dyck, Jordaens, the two Teniers and many others. Commerce. Since 1863, when Antwerp was opened to the trade of the outer world by the purchase of the Dutch right to levy toll, its position has completely changed, and no place in Europe has made greater progress in this period than the ancient city on the Scheldt. The following figures for the years 1904 and 1905 show that its trade is still rapidly increasing:

Year.

Value. £71,349,678 £80,032,355

Tonnage.

8,427,894 9,061,781

Value.

£79,539,100 £91,194,517

Tonnage. 1904 6,578,558 1905 7,153,655 The growth of its commerce in recent times may be measured by a comparison of the following figures. In 1888, 4272 ships entered the port and 4302 sailed from it. In 1905, 6095 entered the port and 6065 sailed from it-an increase of nearly 50 %. In 1888 the total tonnage was 7,800,000; in 1905 it had risen to 19,662,000. These figures explain how and why Antwerp has outgrown its dock accommodation. The eight principal basins or docks already existing in 1908 were (1) the Little or Bonaparte dock; (2) the Great dock, also constructed in Napoleon's time; (3) the Kattendijk, built in 1860 and enlarged in 1881; (4) the Wood dock; (5) the Campine dock, used especially for minerals; (6) the Asia dock, which is in direct communication with the Meuse by a canal as well as with the Scheldt; (7) the Lefebvre dock; and (8) the America dock, which was only opened in 1905. Two new docks, called "intercalary" because they would fit into whatever scheme might be adopted for the rectification of the course of the Scheldt, were still to be constructed, leading out of the Lefebvre dock and covering 70 acres. With the completion of the new maritime lock, ships drawing 30 ft. of water would be able to enter these new docks and also the Lefebvre and America docks. In connexion with the projected grande coupure (that is, a cutting through the neck of

the loop in the river Scheldt immediately below Antwerp), the importance of these four docks would be greatly increased because they would then flank the new main channel of the river. When the Belgian Chambers voted in February 1906 the sums necessary for the improvement of the harbour of Antwerp no definite scheme was sanctioned, the question being referred to a special mixed commission. The improvements at Antwerp are not confined to the construction of new docks. The quays flanking the Scheldt are 3 m. in length. They are constructed of granite, and no expense has been spared in equipping them with hydraulic cranes, warehouses, &c.

Fortifications.-Besides being the chief commercial port of Belgium, Antwerp is the greatest fortress of that country. Nothing, however, remains of the former enceinte or even of the famous old citadel defended by General Chassé in 1832, except the Steen, which has been restored and contains a museum of arms and antiquities. After the establishment of Belgian independence Antwerp was defended only by the citadel and an enceinte of about 2 m. round the city. No change occurred till 1859, when the system of Belgian defence was radically altered by the dismantlement of seventeen of the twenty-two fortresses constructed under Wellington's supervision in 18151818. At Antwerp the old citadel and enceinte were removed. A new enceinte 8 m. in length was constructed, and the villages of Berchem and Borgerhout, now parishes of Antwerp, were absorbed within the city. This enceinte still exists, and is a fine work of art. It is protected by a broad wet ditch (plans in article FORTIFICATION), and in the caponiers are the magazines and store chambers of the fortress. The enceinte is pierced by nineteen openings or gateways, but of these seven are not used by the public. As soon as the enceinte was finished eight detached forts from 2 to 2 m. distant from the enceinte were constructed. They begin on the north near Wyneghem and the zone of inundation, and terminate on the south at Hoboken. In 1870 Fort Merxem and the redoubts of Berendrecht and Oorderen were built for the defence of the area to be inundated north of Antwerp. In 1878, in consequence of the increased range of artillery and the more destructive power of explosives, it was recognized that the fortifications of Antwerp were becoming useless and out of date. It was therefore decided to change it from a fortress to a fortified position by constructing an outer line of forts and batteries at a distance varying from 6 to 9 m. from the enceinte. This second line was to consist of fifteen forts, large and small. Up to 1898 only five had been constructed, but in that and the two following years five more were finished, leaving another five to complete the line. A mixed commission selected the points at which they were to be placed. With the completion of this work, which in 1908 was being rapidly pushed on, Antwerp might be regarded as one of the best fortified positions in Europe, and so long as its communications by sea are preserved intact it will be practically impregnable.

Two subsidiary or minor problems remained over. (1) The much-discussed removal of the existing enceinte in order to give Antwerp further growing space. If it were removed there arose the further question, should a new enceinte be made at the first line of outer forts, or should an enceinte be dispensed with? An enceinte following the line of those forts would be 30 m. in length. Then if the city grew up to this extended enceinte the outer forts would be too near. To screen the city from bombardment they would have to be carried 3 m. further out, and the whole Belgian army would scarcely furnish an adequate garrison for this extended position. A new enceinte, or more correctly a rampart of a less permanent character, connecting the eight forts of the inner line and extending from Wyneghem to a little south of Hoboken, was decided upon in 1908. (2) The second problem was the position on the left bank of the Scheldt. All the defences enumerated are on the right bank. On the left bank the two old forts Isabelle and Marie alone defend the Scheldt. It is assumed (probably rightly) that no enemy could get round to this side in sufficient strength to deliver any attack that the existing forts could not easily

strategical importance, assigned two millions for the construction of two docks and a mole.

Population. The following statistics show the growth of population in and since the 19th century. In 1800 the population was computed not to exceed 40,000. At the census of 1846 the total was 88,487; .of 1851, 95,501; of 1880, 169, 100; of 1900, 272,830; and of 1904, 291,949. To these figures ought to be added the populations (1904) of Borgerhout (43,391) and Berchem (26,383), as they are part of the city, which would give Antwerp a total population of 361,723.

History. The suggested origin of the name Antwerp from Hand-werpen (hand-throwing), because a mythical robber chief indulged in the practice of cutting off his prisoners' hands and throwing them into the Scheldt, appeared to Motley rather farfetched, but it is less reasonable to trace it, as he inclines to do, from an t werf (on the wharf), seeing that the form Andhunerbo existed in the 6th century on the separation of Austrasia and Neustria. Moreover, hand-cutting was not an uncommon practice in Europe. It was perpetuated from a savage past in the custom of cutting off the right hand of a man who died without heir, and sending it as proof of main-morte to the feudal lord. Moreover, the two hands and a castle, which form the arms of Antwerp, will not be dismissed as providing no proof by any one acquainted with the scrupulous care that heralds displayed in the golden age of chivalry before assigning or recognizing the armorial bearings of any claimant.

In the 4th century Antwerp is mentioned as one of the places in the second Germany, and in the 11th century Godfrey of Bouillon was for some years best known as marquis of Antwerp. Antwerp was the headquarters of Edward III. during his early negotiations with van Artevelde, and his son Lionel, earl of Cambridge, was born there in 1338.

It was not, however, till after the closing of the Zwyn and the decay of Bruges that Antwerp became of importance. At the end of the 15th century the foreign trading gilds or houses were transferred from Bruges to Antwerp, and the building assigned to the English nation is specifically mentioned in 1510. In 1560, a year which marked the highest point of its prosperity, six | nations, viz. the Spaniards, the Danes and the Hansa together, the Italians, the English, the Portuguese and the Germans, were named at Antwerp, and over 1000 foreign merchants were resident in the city. Guicciardini, the Venetian envoy, describes the activity of the port, into which 500 ships sometimes passed in a day, and as evidence of the extent of its land trade he mentioned that 2000 carts entered the city each week. Venice had fallen from its first place in European commerce, but still it was active and prosperous. Its envoy, in explaining the importance of Antwerp, states that there was as much business done there in a fortnight as in Venice throughout the year.

The religious troubles that marked the second half of the 16th century broke out in Antwerp as in every other part of Belgium excepting Liége. In 1576 the Spanish soldiery plundered the town during what was called "the Spanish Fury," and 6000 citizens were massacred. Eight hundred houses were burnt down, and over two millions sterling of damage was wrought in the town on that occasion.

One other incident in the chequered history of Antwerp deserves mention. In 1830 the city was captured by the Belgian insurgents, but the citadel continued to be held by a Dutch garrison under General Chassé. For a time this officer subjected the town to a periodical bombardment which inflicted much damage, and at the end of 1832 the citadel itself was besieged by a French army. During this attack the town was further injured. In December 1832, after a gallant defence, Chassé made an honourable surrender.

See J. L. Motley's Rise of the Dutch Republic; C. Scribanii, Origines Antwerpiensium; Gens, Hist. de la ville d'Anvers; Mertens and Torfs, Geschiedenis van Antwerp; Génard, Anvers à travers (D. C. B.) les âges; Annuaire statisque de la Belgique.

ANU, a Babylonian deity, who, by virtue of being the first figure in a triad consisting of Anu, Bel and Ea, came to be regarded as the father and king of the gods. Anu is so prominently associated with the city of Erech in southern Babylonia that there are good reasons for believing this place to have been the original seat of the Anu cult. If this be correct, then the goddess Nanā (or Ishtar) of Erech was presumably regarded as his consort. The name of the god signifies the "high one" and he was probably a god of the atmospheric region above the earthperhaps a storm god like Adad (q.v.), or like Yahweh among the ancient Hebrews. However this may be, already in the oldBabylonian period, i.e. before Khammurabi, Anu was regarded as the god of the heavens and his name became in fact synonymous with the heavens, so that in some cases it is doubtful whether, under the term, the god or the heavens is meant. It would seem from this that the grouping of the divine powers recognized in the universe into a triad symbolizing the three divisions, heavens, earth and the watery deep, was a process of thought which had taken place before the third millennium. To Anu was assigned the control of the heavens, to Bel the earth, and to Ea the waters. The doctrine once established remained an inherent part of the Babylonian-Assyrian religion and led to the more or less complete disassociation of the three gods constituting the triad from their original local limitations. An intermediate step between Anu viewed as the local deity of Erech (or some other centre), Bel as the god of Nippur, and Ea as the god of Eridu is represented by the prominence which each one of the centres associated with the three deities in question must have acquired, and which led to each one absorbing the qualities of other gods so as to give them a controlling position in an organized pantheon. For Nippur we have the direct evidence that its chief deity, En-lil or Bel, was once regarded as the head of an extensive pantheon. The sanctity and, therefore, the importance of Eridu remained a fixed tradition in the minds of the people to the latest days, and analogy therefore justifies the conclusion that Anu was likewise worshipped in a centre which had acquired great prominence. The summingup of divine powers manifested in the universe in a threefold division represents an outcome of speculation in the schools attached to the temples of Babylonia, but the selection of Anu, Bel and Ea for the three representatives of the three spheres recognized, is due to the importance which, for one reason or the other, the centres in which Anu, Bel and Ea were worshipped had acquired in the popular mind. Each of the three must have been regarded in his centre as the most important member in a larger or smaller group, so that their union in a triad marks also the combination of the three distinctive pantheons into a harmonious whole.

or father of the gods has little of the personal element in it. A consort Antum (or as some scholars prefer to read, Anatum) is assigned to him, on the theory that every deity must have a female associate, but Antum is a purely artificial product-a lifeless symbol playing even less of a part in what may be called the active pantheon than Anu.

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For works of reference see BABYLONIAN AND ASSYRIAN RELIGION. (M. JA.) ANUBIS (in Egyptian Anup, written inpw in hieroglyphs), the name of one of the most important of the Egyptian gods. There were two types of canine divinities in Egypt, their leading representatives being respectively Anubis and Ophois (Wp-wi-wt, opener of the ways"): the former type is symbolized by the recumbent animal, the other by a similar animal (in a stiff standing attitude), carried as an emblem on a standard in war or in religious processions. The former comprised two beneficent gods of the necropolis; the latter also were beneficent, but warlike, divinities. They thus corresponded, at any rate in some measure, respectively to the fiercer and milder aspects of the dog-tribe. In late days the Greeks report that Kúves (dogs) were the sacred animals of Anubis while those of Ophois were Xúkoɩ (wolves). The above figure is coloured black as befits a funerary and nocturnal animal: it is more attenuated than even a greyhound, but it has the bushy tail of the fox or the jackal. Probably these were the original genii of the necropolis, and in fact the same lean animal figured passant is sib "jackal" or "fox." The domestic dog would be brought into the sacred circle through the increased veneration for animals, and the more pronounced view in later times of Anubis as servant, messenger and custodian of the gods.

Anubis was the principal god in the capitals of the XVIIth and XVIIIth nomes of Upper Egypt, and secondary god in the XIIIth and probably in the XIIth nome; but his cult was universal. To begin with, he was the god of the dead, of the cemetery, of all supplies for the dead, and therefore of embalming when that became customary. In very early inscriptions the funerary prayers in the tombs are addressed to him almost exclusively, and he always took a leading place in them. In the scene of the weighing of the soul before Osiris, dating from the New-kingdom onwards, Anubis attends to the balance while Thoth registers the result. Anubis was believed to have been the embalmer of Osiris: the mummy of Osiris, or of the deceased, on a bier, tended by this god, is a very common subject on funerary tablets of the late periods. Anubis came to be considered especially the attendant of the gods and conductor of the dead, and hence was commonly identified with Hermes (cf. the name Hermanubis); but the rôle of Hermes as the god of eloquence, inventor of arts and recorder of the gods was taken by Thoth. In those days Anubis was considered to be son of Osiris by Nephthys; earlier perhaps he was son of Rē, the sun-god. In the 2nd century A. D. his aid was compelled " by the magicians and necromancers to fetch the gods and entertain them with food (especially in the ceremony of gazing into the bowl of oil), and he is invoked by them sometimes as the Good Ox-herd." The cult of Anubis must at all times have been very popular in Egypt, and, belonging to the Isis and Serapis cycle, was introduced into Greece and Rome. See Erman, Egyptian Religion; Budge, Gods of the Egyptians; Meyer, in Zeits. f. Aeg. Spr. 41-97. (F. LL. G.) ANURADHAPURA, a ruined city of Ceylon, famous for its ancient monuments. It is situated in the North-central province. Anuradhapura became the capital of Ceylon in the 5th century B.C., and attained its highest magnificence about the commencement of the Christian era. In its prime it ranked beside Nineveh and Babylon in its colossal proportions-its four walls, each 16 m. long, enclosing an area of 256 sq. m.,-in the number of its inhabitants, and the splendour of its shrines and public edifices. It suffered much during the earlier Tamil invasions, and was finally deserted as a royal residence in A.D. 769. It fell com

pletely into decay, and it is only of recent years that the jungle has been cleared away, the ruins laid bare, and some measure of prosperity brought back to the surrounding country by the restoration of hundreds of village tanks. The ruins consist of three classes of buildings, dagobas, monastic buildings, and pokunas. The dagobas are bell-shaped masses of masonry, varying from a few feet to over 1100 in circumference. Some thousand inhabitants. Remains of the monastic buildings are of them contain enough masonry to build a town for twenty-five to be found in every direction in the shape of raised stone platforms, foundations and stone pillars. The most famous is the Brazen Palace erected by King Datagamana about 164 B.C. The pokunas are bathing-tanks or tanks for the supply of drinking-water, which are scattered everywhere through the jungle. The city also contains a sacred Bo-tree, which is said to date back to the year 245 B.C. The railway was extended from Matale to Anuradhapura in 1905. Population: town, 3672; province, 79,110.

ANVIL (from Anglo-Saxon anfilt or onfilti, either that on which something is welded" or folded," cf. German falzen, to fold, or connected with other Teutonic forms of the word, cf. German amboss, in which case the final syllable is from beat," and the meaning is "that on which something is beaten "), a mass of iron on which material is supported while being shaped under the hammer (see FORGING). The common blacksmith's anvil is made of wrought iron, often in America It has at one end a projecting conical beak or bick for use in of cast iron, with a smooth working face of hardened steel. hammering curved pieces of metal; occasionally the other end is also provided with a bick, which is then partly rectangular in section. There is also a square hole in the face, into which tools, such as the anvil-cutter or chisel, can be dropped, cutting edge uppermost. For power hammers the anvil proper is supported on an anvil block which is of great massiveness, sometimes weighing over 200 tons for a 12-ton hammer, and this again rests on a strong foundation of timber and masonry or concrete. In anatomy the term anvil is applied to one of the bones of the middle ear, the incus, which is articulated with the malleus.

ANVILLE, JEAN BAPTISTE BOURGUIGNON D' (16971782), perhaps the greatest geographical author of the 18th century, was born at Paris on the 11th of July 1697. His passion for geographical research displayed itself from early years: at the age of twelve he was already amusing himself by drawing maps for Latin authors. Later, his friendship with the antiquarian, Abbé Longuerue, greatly aided his studies. His first serious map, that of Ancient Greece, was published when he was fifteen, and at the age of twenty-two he was appointed one of the king's geographers, and began to attract the attention of the first authorities. D'Anville's studies embraced everything of geographical nature in the world's literature, as far as he could master it: for this purpose he not only searched ancient and modern historians, travellers and narrators of every description, but also poets, orators and philosophers. One of his cherished objects was to reform geography by putting an end to the blind copying of older maps, by testing the commonly accepted positions of places through a rigorous examination of all the descriptive authority, and by excluding from cartography every name inadequately supported. Vast spaces, which had before been covered with countries and cities, were thus suddenly reduced almost to a blank.

D'Anville was at first employed in the humbler task of illustrating by maps the works of different travellers, such as Marchais, Charlevoix, Labat and Duhalde. For the history of China by the last-named writer he was employed to make an atlas, which was published separately at the Hague in 1737. In 1735 and 1736 he brought out two treatises on the figure of the earth; but these attempts to solve geometrical problems by literary material were, to a great extent, refuted by Maupertuis' measurements of a degree within the polar circle. D'Anville's historical method was more successful in his 1743 map of Italy, which first indicated numerous errors in the mapping of that country, and was accompanied by a valuable memoir (a novelty in such work), showing