John DrydenHarold Bloom Chelsea House, 1987 - 234 pages A collection of twelve critical essays on the work of Dryden, arranged in chronological order of original publication. |
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Page 99
... fact that we always remember the poem to be longer than it is , 217 lines . I take it of great importance that the poem in fact possesses a considerable measure of plot , and of equal importance that our impression runs quite contrary ...
... fact that we always remember the poem to be longer than it is , 217 lines . I take it of great importance that the poem in fact possesses a considerable measure of plot , and of equal importance that our impression runs quite contrary ...
Page 162
... fact that they scarcely come into contact with each other . Now it would seem a remarkable confirmation of this ideological rationale for the formal features of Dryden's plot that on the only two occasions when the bifurcated lines of ...
... fact that they scarcely come into contact with each other . Now it would seem a remarkable confirmation of this ideological rationale for the formal features of Dryden's plot that on the only two occasions when the bifurcated lines of ...
Page 162
... fact that they scarcely come into contact with each other . Now it would seem a remarkable confir- mation of this ideological rationale for the formal features of Dryden's plot that on the only two occasions when the bifurcated lines of ...
... fact that they scarcely come into contact with each other . Now it would seem a remarkable confir- mation of this ideological rationale for the formal features of Dryden's plot that on the only two occasions when the bifurcated lines of ...
Contents
The Trivialization of Universal Harmony | 7 |
The Herculean Hero in All for Love | 31 |
Absalom and Achitophel | 43 |
Copyright | |
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Absalom and Achitophel action allusion Antony appears argument assertion become begin celebration characters Charles claims Cleopatra close contemporary course court criticism death dialectical Dryden effect English Essay expressed Fables fact figure final Flecknoe follows force formal give hand Hastings hero heroic human idea ideology interest John kind king language later less lines literary live marriage meaning mind Mode nature never notes once opening original passage past perhaps play plot poem poet poetic poetry political praise Preface present Press question reading reason reference relation Religio Religio Laici remains Restoration satire seems sense social sort soul spirit structure success suggests things thou thought tion traditional translation true turn University verse virtue whole writing