John DrydenHarold Bloom Chelsea House, 1987 - 234 pages A collection of twelve critical essays on the work of Dryden, arranged in chronological order of original publication. |
From inside the book
Results 1-3 of 32
Page 163
... ideology of the low plot . Yet the edge and vibrancy with which Dryden has invested that ideology may make it hard for us to be certain that ( for example ) Melantha's " Let me die ! ” is a vulgar adulteration of Leonidas ' idealism ...
... ideology of the low plot . Yet the edge and vibrancy with which Dryden has invested that ideology may make it hard for us to be certain that ( for example ) Melantha's " Let me die ! ” is a vulgar adulteration of Leonidas ' idealism ...
Page 164
... ideology to be quite so definitive- ly specified as some have thought . Marx's own use of the term is inconsis- tent . At times he speaks of ideology as though it were a mere “ reflex ” or " echo " of reality , the passive product of an ...
... ideology to be quite so definitive- ly specified as some have thought . Marx's own use of the term is inconsis- tent . At times he speaks of ideology as though it were a mere “ reflex ” or " echo " of reality , the passive product of an ...
Page 167
... ideology as a reactive and distorting mechanism , has proposed instead that the creation of ideology be understood as a process of interpretive representation , in which " symbol systems " are constructed as models in order to be ...
... ideology as a reactive and distorting mechanism , has proposed instead that the creation of ideology be understood as a process of interpretive representation , in which " symbol systems " are constructed as models in order to be ...
Contents
The Trivialization of Universal Harmony | 7 |
The Herculean Hero in All for Love | 31 |
Absalom and Achitophel | 43 |
Copyright | |
9 other sections not shown
Other editions - View all
Common terms and phrases
Absalom and Achitophel action allusion Antony appears argument assertion become begin celebration characters Charles claims Cleopatra close contemporary course court criticism death dialectical Dryden effect English Essay expressed Fables fact figure final Flecknoe follows force formal give hand Hastings hero heroic human idea ideology interest John kind king language later less lines literary live marriage meaning mind Mode nature never notes once opening original passage past perhaps play plot poem poet poetic poetry political praise Preface present Press question reading reason reference relation Religio Religio Laici remains Restoration satire seems sense social sort soul spirit structure success suggests things thou thought tion traditional translation true turn University verse virtue whole writing