John DrydenHarold Bloom Chelsea House, 1987 - 234 pages A collection of twelve critical essays on the work of Dryden, arranged in chronological order of original publication. |
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Page 162
... plot in Marriage à la Mode it becomes difficult to ignore the relevance to it of the traditional doctrine of the ... plot that on the only two occasions when the bifurcated lines of action momentarily converge both encounters serve ...
... plot in Marriage à la Mode it becomes difficult to ignore the relevance to it of the traditional doctrine of the ... plot that on the only two occasions when the bifurcated lines of action momentarily converge both encounters serve ...
Page 161
... plots may be unified not only by the interaction and contiguity of plot lines , but also by their similarity , by the way actions , characters , language , and ideas may reflect each other in plots that , as structures of events ...
... plots may be unified not only by the interaction and contiguity of plot lines , but also by their similarity , by the way actions , characters , language , and ideas may reflect each other in plots that , as structures of events ...
Page 162
... plot in Marriage à la Mode it becomes difficult to ignore the relevance to it of the traditional doctrine of the ... plot that on the only two occasions when the bifurcated lines of action momen- tarily converge both encounters serve ...
... plot in Marriage à la Mode it becomes difficult to ignore the relevance to it of the traditional doctrine of the ... plot that on the only two occasions when the bifurcated lines of action momen- tarily converge both encounters serve ...
Contents
The Trivialization of Universal Harmony | 7 |
The Herculean Hero in All for Love | 31 |
Absalom and Achitophel | 43 |
Copyright | |
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Absalom and Achitophel action allusion Antony appears argument assertion become begin celebration characters Charles claims Cleopatra close contemporary course court criticism death dialectical Dryden effect English Essay expressed Fables fact figure final Flecknoe follows force formal give hand Hastings hero heroic human idea ideology interest John kind king language later less lines literary live marriage meaning mind Mode nature never notes once opening original passage past perhaps play plot poem poet poetic poetry political praise Preface present Press question reading reason reference relation Religio Religio Laici remains Restoration satire seems sense social sort soul spirit structure success suggests things thou thought tion traditional translation true turn University verse virtue whole writing