 Every limb, and every finger, contributes to the part he acts, insomuch that a deaf man might go along with him in the sense of it. There is scarce a beautiful posture in an old statue which he does not plant himself in, as the different circumstances...  The Harmonicon - Page 411823Full view - About this book
 | 1711 - 404 lehte
...mean Signior Kittlim, who fets off the Character he bears in an Opera by his A&ion, as much as he does the Words of it by his Voice. Every Limb, and every Finger, contributes to the Pan [Mf.3.] B he he afts, infbmuch that a deaf Man might go along with him in the Senfe of k. There... | |
 | Tatler - 1754 - 322 lehte
...Signior Nicolini, who fets off jhe Charafter he bears in an Opera by his Aftion, as much as he does the Words of it by his Voice. Every Limb, and every Finger, contributes to the Part he afts, infornuch that a deaf Man might go along with him in the Senfe of it. There is fcarce a beautiful... | |
 | 1785 - 698 lehte
...Nicolini, who fets off the charafter he bears in an opera by his tôion, as much as he does the words of л by his voice. Every limb, and every finger, contributes to the part he аи s , infomuch thatadeif man might go along *ith him in the fenfe of it. There is farce a beautiful... | |
 | Alexander Chalmers - 1803 - 572 lehte
...Signior Nicolini, who sets off the character he bears in an opera by his aclion, as much as he does the words of it by his voice. Every limb, and every...contributes to the part he acts, insomuch that a deaf man might go along with him in the sense of it. Thc-re is scarce a beautiful posture in an old statue which... | |
 | Joseph Addison, Sir Richard Steele - 1804 - 450 lehte
...signior Nicolini ', who sets off the character he bears in an opera by his action, as much as he does the words of it by his voice. Every limb, and every...contributes to the part he acts, insomuch that a deaf man might go along with him in the sense of it. There is scarce a beautiful posture in an old statue which... | |
 | Alexander Chalmers - 1808 - 348 lehte
...Signior Nicolini, who sets off the character he bears in an opera by his action, ag much as he does the words of it by his voice. Every limb, and every finger, contribute!} to th$ part he acts, insomuch that a deaf man might go along with him in the sense of... | |
 | Alexander Chalmers - 1817 - 340 lehte
...Signior Nicolini, who sets off the character he bears in an opera by his action, as much as he does the words of it by his voice. Every limb, and every...contributes to the part he acts, insomuch that a deaf man might go along with him in the sense of it. There is scarce a beautiful posture in an old statue which... | |
 | James Ferguson - 1819 - 348 lehte
...Signior Nicolini, who sets off the character he bears in an opera by his action, as much as he does the words of it by his voice. Every limb, and every...contributes to the part he acts, insomuch that a deaf man might go along with him in the sense of it. There is scarce a beautiful posture in an old statue which... | |
 | Colley Cibber - 1822 - 564 lehte
...Signior Nicolini, who sets off the character he bears in an opera by his action, as much as he does the words of it by his voice. Every limb, and every finger, contributes to the part he acts, insomucli that a deaf man might go along with him in the sense of it. There is scarcely a beautiful... | |
 | Lionel Thomas Berguer - 1823 - 332 lehte
...Signior Nicolini, who sets off the character he bears in an opera by his action, as much as he does the words of it by his voice. Every limb, and every...contributes to the part he acts, insomuch that a deaf man might go along with him in the sense of it. There is scarce a beautiful posture in an old statue which... | |
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