Directing Shakespeare: A Scholar Onstage

Front Cover
Ohio University Press, 2004 - 152 pages

An impossible question from a Chinese actor--"Why is Shakespeare eternal?"--drove Sidney Homan after fifty years in the theater to ponder just what makes Shakespeare...well, Shakespeare. The result, Directing Shakespeare, reflects the two worlds in which Homan operates--as a scholar and teacher on campus, and as a director and actor in professional and university theaters. His concern is the entire process, beginning in the lonely period when the director develops a concept, and moving into increasingly larger realms: interaction with stage designers; rehearsals; and performances in which the audience's response further shapes the play.

Homan recounts the experience of staging King Lear accompanied by a musical score for piano, violin, and cello played live onstage. He discusses the challenge of making and trying to justify cuts in Hamlet. A casual remark from an actress leads to a feminist production of A Midsummer Night's Dream. He describes the delicate collaboration between director and performer as he works with actors preparing for The Merchant of Venice, King Lear, and Hamlet. Other chapters treat a set designer's bold red drapes that influenced the director's concept for Julius Caesar, and the cross-influence of back-to-back runs of Stoppard's Rosencrantz and Guildenstsern Are Dead and Hamlet.

In a highly personal concluding chapter, Homan tells of joyously working with a spontaneous young actor playing Puck and with an audience of unruly teenagers who wept at a performance of Lear.

Delightfully written, and filled with practical insights, Directing Shakespeare draws together scholars, critics, and those who work in the theater to bring the written word to life.

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Directing Shakespeare: a scholar onstage

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A sign once seen in a black box experimental theater space says it all: "Life is easy; Shakespeare is hard." Any actor, acting student, or director given the challenge of approaching a Shakespearean ... Read full review

Contents

Bridging the Gap between Text and Performance
Acknowledgments
Creating Lear Onstage
Cutting Shakespeare
A Directors Concept for The Comedy of Errors
Interacting with the Actors
Set Design and Theatrical Presence in Julius Caesar
Adapting A Midsummer Nights Dream for the Cast Producer and Theater
A Mirror for Staging Hamlet
Why Sir Is Shakespeare Eternal?
Never Too Young Never Too Old
Notes
Sources
Index
Copyright

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About the author (2004)

Sidney Homan is a professor of English at the University of Florida as well as an actor and director. His books include When the Theater Turns to Itself, Shakespeare's Theatre of Presence, and Beckett's Theatres.

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