Directing Shakespeare: A Scholar Onstage
Ohio University Press, 2004 - 152 pages
An impossible question from a Chinese actor--"Why is Shakespeare eternal?"--drove Sidney Homan after fifty years in the theater to ponder just what makes Shakespeare...well, Shakespeare. The result, Directing Shakespeare, reflects the two worlds in which Homan operates--as a scholar and teacher on campus, and as a director and actor in professional and university theaters. His concern is the entire process, beginning in the lonely period when the director develops a concept, and moving into increasingly larger realms: interaction with stage designers; rehearsals; and performances in which the audience's response further shapes the play.
Homan recounts the experience of staging King Lear accompanied by a musical score for piano, violin, and cello played live onstage. He discusses the challenge of making and trying to justify cuts in Hamlet. A casual remark from an actress leads to a feminist production of A Midsummer Night's Dream. He describes the delicate collaboration between director and performer as he works with actors preparing for The Merchant of Venice, King Lear, and Hamlet. Other chapters treat a set designer's bold red drapes that influenced the director's concept for Julius Caesar, and the cross-influence of back-to-back runs of Stoppard's Rosencrantz and Guildenstsern Are Dead and Hamlet.
In a highly personal concluding chapter, Homan tells of joyously working with a spontaneous young actor playing Puck and with an audience of unruly teenagers who wept at a performance of Lear.
Delightfully written, and filled with practical insights, Directing Shakespeare draws together scholars, critics, and those who work in the theater to bring the written word to life.
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Directing Shakespeare: a scholar onstageKasutaja arvustus - Not Available - Book Verdict
A sign once seen in a black box experimental theater space says it all: "Life is easy; Shakespeare is hard." Any actor, acting student, or director given the challenge of approaching a Shakespearean ... Read full review
Bridging the Gap between Text and Performance
Creating Lear Onstage
A Directors Concept for The Comedy of Errors
Interacting with the Actors
Set Design and Theatrical Presence in Julius Caesar
Adapting A Midsummer Nights Dream for the Cast Producer and Theater
North American Players of Shakespeare: A Book of Interviews
Michael W. Shurgot
No preview available - 2007