Rhetoric and Renaissance Culturede Gruyter, 2004 - 581 pages Since Jacob Burckhardt's Kultur der Renaissance in Italien (1869) rhetoric as a significant cultural factor of the renaissance has largely been neglected. The present study seeks to remedy this deficit regarding the arts by concentrating on literary theory and its aspects of imagination (inventio), genre (dispositio of the genera), style (elocutio), mnemonic architecture (memoria) and representation (actio), with illustrative examples taken from Shakespeare's works, but also on the intermedial rhetoric of painting and music. Particular attention is given to the rhetorical ideology of the Renaissance. |
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Page 297
... Painter . You are rapt , sir , in some work , some dedication Poet To the great lord . Our A thing slipp'd idly from ... Painter . A picture , sir . When comes your book forth ? Upon the heels of my presentment , sir . Let's see your ...
... Painter . You are rapt , sir , in some work , some dedication Poet To the great lord . Our A thing slipp'd idly from ... Painter . A picture , sir . When comes your book forth ? Upon the heels of my presentment , sir . Let's see your ...
Page 311
... painter more than riches . If painters will follow this , their painting will hold the eyes and soul of the observer . We have stated above how they could do this in passages on composition and the reception of light . However , I would ...
... painter more than riches . If painters will follow this , their painting will hold the eyes and soul of the observer . We have stated above how they could do this in passages on composition and the reception of light . However , I would ...
Page 321
... painter must strive to achieve an effective arrangement of the subjects of his composition . Both sculptor and painter make use of what linguists call a grammar , but the painter makes additional use of a secondary grammar consisting of ...
... painter must strive to achieve an effective arrangement of the subjects of his composition . Both sculptor and painter make use of what linguists call a grammar , but the painter makes additional use of a secondary grammar consisting of ...
Contents
Renaissance Culturology and Rhetoric | 1 |
Inventio Poetica | 111 |
Dispositio Poetica | 151 |
Copyright | |
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action actor Apology for Poetry Art of Memory Arte of English Arte of Rhetorique artem Ben Jonson century chap chapter Cicero classical comedy commonplace concept Coriolanus courtier courtly Critical culture decorum dispositio drama edition effect Elizabethan elocutio Eloquence emblem emotions enargeia England English Poesie epideictic Essays Figure Frankfurt/M genres George Puttenham H.F. Plett Hamlet Henry Peacham Hercules Gallicus humanist Iago Iago's icon illustrate images imagination intertextuality inventio invention Johann John Julius Caesar Scaliger language Latin libri literary literature London meditation metaphor mnemonic München nature orator oratory Orpheus Othello Oxford painter painting passion philosophy pictorial picture play poem poet poeta poetic poétique Princeton prosopopoeia Quintilian Renaissance Rhetoric representation rhetoric Rhetorica Rhetorik Richard role Scaliger Shakespeare's Sidney Sidney's speaking speech Studies style stylistic theatrical theory things Thomas Thomas Sébillet tion tradition tragedy Trans translation treatise tropes verbal visual words York