Cato

Front Cover
CreateSpace Independent Publishing Platform, 2016 - 40 pages
Por. The dawn is overcast, the morning low'rs, And heavily in clouds brings on the day, The great, the important day, big with the fate Of Cato and of Rome--Our father's death Would fill up all the guilt of civil war, And close the scene of blood. Already Caesar Has ravaged more than half the globe, and sees Mankind grown thin by his destructive sword: Should he go farther, numbers would be wanting To form new battles, and support his crimes. Ye gods, what havoc does ambition make Among your works! Marc. Thy steady temper, Portius, Can look on guilt, rebellion, fraud, and Caesar, In the calm lights of mild philosophy; I'm tortured e'en to madness, when I think On the proud victor-ev'ry time he's named, Pharsalia rises to my view!-I see Th' insulting tyrant, prancing o'er the field, Strew'd with Rome's citizens, and drench'd in slaughter; His horse's hoofs wet with patrician blood! Oh, Portius! is there not some chosen curse, Some hidden thunder in the stores of Heav'n, Red with uncommon wrath, to blast the man Who owes his greatness to his country's ruin? Por. Believe me, Marcus, 'tis an impious greatness, And mix'd with too much horror to be envied: How does the lustre of our father's actions, Through the dark cloud of ills that cover him, Break out, and burn with more triumphant brightness!"

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About the author (2016)

Addison, son of the Dean of Litchfield, took high honors at Oxford University and then joined the British army. He first came to literary fame by writing a poem, "The Campaign" (1704), to celebrate the Battle of Blenheim. When Richard Steele, whom he had known in his public school Charterhouse, started The Tatler in 1709, Addison became a regular contributor. But his contributions to a later venture The Spectator (generally considered the zenith of the periodical essay), were fundamental. While Steele can be credited with the editorial direction of the journal, Addison's essays, ranging from gently satiric to genuinely funny, secured the journal's success. In The Spectator, No. 10, Addison declared that the journal aimed "to enliven morality with wit, and to temper wit with morality." His brilliant character of Sir Roger de Coverley (followed from rake to reformation) distinguishes the most popular essays. Addison died in 1719. He is buried in Westminster Abbey.

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