LOVE I ALMIGHTY Love! whose nameless power As gilds our being with the light The joys of other worlds to this, Before whose blaze my spirits shrink, Thy golden chains embrace the land, (So vast, so boundless is thy reign) II The glittering fly, the wondrous things Bounding upon his enemies; The vast leviathan, which takes His pastime in the sounding floods; His haunts in Ceylon's spicy woods- O! whether thou, as bards have said, From out thy well-stor'd golden quiver, Or else, as Indian fables say, Upon thine emerald lory riding. Through gardens, mid the restless play Of fountains, in the moon-beam gliding, Mid sylph-like shapes of maidens dancing, Thy scarlet standard high advancing; Thy fragrant bow of cane thou bendest,2 To listen, and to grant my prayer! Awake in thy bosom the light of thy fame! Why hast thou shone in the temple of glory? Why hast thou blaz'd in those annals of fame? For know, that the former bright page of thy story Proclaims but thy bondage and tells but thy shame: Proclaims from how high thou art fallen - how low Thou art plung'd in the dark gulf of thraldom and woe! Arouse thee, O Greece! from the weight of thy slumbers! The chains are upon thee!- arise from thy sleep! Remember the time, when nor nations nor numbers Could break thy thick phalanx embodied and deep. Old Athens and Sparta remember the morning, When the swords of the Grecians were red to the hilt: And, the bright gem of conquest her chaplet adorning, Platea rejoic'd at the blood that ye spilt! Remember the night, when, in shrieks of affright, The fleets of the East in your ocean were sunk: Remember each day, when, in battle array, From the fountain of glory how largely ye drunk! For there is not ought that a freeman can fear, 'He bends the luscious cane, and twists the string, And locks like the raven's wing, And in regal state at that board there sate With crimson ting'd, and with ermine fring'd, And rich as the beam of the sun on the stream, A sparkling robe he wore. Yet though fair shone the gem on his proud diadem, Though his robe was jewell'd o'er, Though brilliant the vest on his mailed breast, Yet they all were stain'd with gore! And his eye darted ire, and his glance shot fire, And his look was high command; substitute the following stanza, which is the whole truth, and nothing but the truth': With buttons of brass that glitter'd like glass, Nothing indeed could exceed Charles's affection for his boots: he eat, drank, and slept in them; nay, he never went on a bootless errand. When the dethroned monarch Augustus waited upon him with proposals of peace, Charles entertained him with a long dissertation on his unparalleled aforesaid jack-boots: he even went so far as to threaten (according to Voltaire), in an authoritative epistle to the senate at Stockholm, that unless they proved less refractory, he would send them one of his boots as regent! Now this, we must allow, was a step beyond Caligula's consul. And each, when he spoke, struck his mighty book, And rais'd his shadowy hand. And a headman stood by, with his axe on high, While short and thick came the mingled shriek Said the earthly king to the ghostly king, Said the earthly king to the ghostly king, Said the earthly king to the ghostly king, 'And the lords of the earth shall be pale at my birth, And conquest shall hover o'er me; And the kingdoms shall shake, and the nations shall quake, And the thrones fall down before me. And the glitter of gold, and the statesmen old, Fled into the gloom of night! II. TIMBUCTOO Church, in 'The Laureate's Country' (London, 1891), says:— "The poet tells a curious story of the way in which this English verse prize came to be won. His father imagined, not, it may be, wholly without reason, that his son was doing very little at the university, and, knowing that he had a certain gift for writing verse, told him that he ought to compete for the Chancellor's medal. Alfred Tennyson had composed, two years before, a poem on "The Battle of Armageddon." This he took, furnished it with a new beginning and a new end, and sent it in for the theme of "Timbuctoo."' This is confirmed by the Memoir' (vol. i. p. 46), where other interesting information concerning the poem may be found. The poem was printed in the 'Prolusiones Academica' at Cambridge in 1829, and was reprinted several times afterwards in the collection of Cambridge Prize Poems.' It was never reprinted by the author, but his son appends it to the 1893 edition of Poems by Two Brothers.' Arthur Hallam was one of the unsuccessful competitors for this prize. His poem, written in the terza rima of Dante, was privately printed in pamphlet form, and is included in the Remains' of 1834, edited by his father. TIMBUCTOO 'Deep in that lion-haunted inland lies A mystic city, goal of high emprise.' CHAPMAN. I STOOD upon the Mountain which o'erlooks Uncertain whether faery light or cloud, Flowing Southward, and the chasms of deep, deep blue Slumber'd unfathomable, and the stars air; But had their being in the heart of man As air is th' life of flame: and thou wert then Shadows to which, despite all shocks of change, Men clung with yearning hope which would not die. As when in some great city where the walls Shake, and the streets with ghastly faces throng'd, Do utter forth a subterranean voice, Kneels the pale Priestess in deep faith, the while Above her head the weak lamp dips and winks Her phantasy informs them. Where are ye, Thrones of the Western wave, fair Islands green? Where are your moonlight halls, your cedarn glooms, The blossoming abysses of your hills? bays Blown round with happy airs of odorous winds? The unfading foreheads of the Saints in Heaven? For nothing visible, they say, had birth My voice and cried, Wide Afric, doth thy Sun As those which starr'd the night o' the elder world? Or is the rumour of thy Timbuctoo A dream as frail as those of ancient time?' A curve of whitening, flashing, ebbing light! A rustling of white wings! the bright descent Of a young Seraph! and he stood beside me There on the ridge, and look'd into my face With his unutterable, shining orbs. So that with hasty motion I did veil My vision with both hands, and saw before me Such colour'd spots as dance athwart the eyes Of those that gaze upon the noonday Sun. Girt with a zone of flashing gold beneath His breast, and compass'd round about his brow With triple arch of ever-changing bows, And circled with the glory of living light And alternation of all hues, he stood. O child of man, why muse you here alone Upon the Mountain, on the dreams of old And odours rapt from remote Paradise? I look'd, but not men, Or other things talking in unknown tongues, Involving and embracing each with each, Expanding momently with every sight lake As even then the torrent of quick thought Adown the sloping of an arrowy stream, My thoughts which long had grovell'd in the slime Of this dull world, like dusky worms which house Beneath unshaken waters, but at once To bear them upward through the trackless fields Of undefin'd existence far and free. Then first within the South methought I saw On battlement, and the imperial height Behind Each aloft In diamond light upsprung the dazzling peaks Or metal more etherial, and beneath Two doors of blinding brilliance, where no gaze Might rest, stood open, and the eye could scan, Through length of porch and valve and bound less hall, Part of a throne of fiery flame, wherefrom With ministering hand he raised me up: There is no mightier Spirit than I to sway The heart of man: and teach him to attain By shadowing forth the Unattainable: And step by step to scale that mighty stair Whose landing-place is wrapt about with clouds Of glory of heaven. With earliest light of And in the glow of sallow Summertide, The headland with inviolate white snow, I play about his heart a thousand ways, The reflex of my city in their depths. Unto all eyes, the time is well-nigh come Thus far the Spirit: Then parted heaven-ward on the wing: and I Was left alone on Calpe, and the moon Had fallen from the night, and all was dark! 1Be ye perfect even as your Father in heaven a perfect.' |