The Quarterly Review, 246. köideWilliam Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, Sir William Smith, Sir John Murray IV, Rowland Edmund Prothero Baron Ernle John Murray, 1926 |
From inside the book
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Page 2
... never imagined that he was doing anything but advancing along a track that stretched far back into the past . As for the future , he was content with that short length ahead , still hidden from his fellows , which the power of his ...
... never imagined that he was doing anything but advancing along a track that stretched far back into the past . As for the future , he was content with that short length ahead , still hidden from his fellows , which the power of his ...
Page 5
... never emancipated ' and of Gothic to the cedar with its muscular force , constructive strength , free and independent , ' does not clear the air , even when reinforced by a further com- parison with the silver birch . After all , the ...
... never emancipated ' and of Gothic to the cedar with its muscular force , constructive strength , free and independent , ' does not clear the air , even when reinforced by a further com- parison with the silver birch . After all , the ...
Page 15
... never knows how anthropomorphic he is ; and it was better put by Plotinus , who held that the pleasure we derive from beautiful things is due to the soul's recognition of something in them akin to its own nature ; and though this theory ...
... never knows how anthropomorphic he is ; and it was better put by Plotinus , who held that the pleasure we derive from beautiful things is due to the soul's recognition of something in them akin to its own nature ; and though this theory ...
Page 17
... never quite knows where he is . In the preface to his book on ' Southern Baroque Art ' he announces that he has taken it as his subject with the definite object of establishing a short circuit , ' and by showing that one art is as good ...
... never quite knows where he is . In the preface to his book on ' Southern Baroque Art ' he announces that he has taken it as his subject with the definite object of establishing a short circuit , ' and by showing that one art is as good ...
Page 21
... never checked by any technical impasse in design , such as in less skilful hands leads to the abandonment of a promising idea , but they were artistic acrobats rather than artists . Mr Sitwell was right in describing Baroque as virtuoso ...
... never checked by any technical impasse in design , such as in less skilful hands leads to the abandonment of a promising idea , but they were artistic acrobats rather than artists . Mr Sitwell was right in describing Baroque as virtuoso ...
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Common terms and phrases
18th century agricultural appear architect architecture Baroque Baroque architecture Baroque art beautiful Bela Kun believed better British Brutus building called capital cent century Church criticism Dante dead dividend doubt employees England English existence fact farm favour France friends Gatchina ghost Giotto give Government Grand Duke hand human Hungarian Hungary idea improved increase industry Inigo Jones interest Irish jest-book jests John Rastell labour land landlord landowner less Liberal living look Lord matter ment methods Michael Romanov mind Minister modern necromancy never Newman Oxford Pausanias perhaps Philip Webb Plutarch poetry poets political practice probably produced profits prohibition Rastell realise reason recognised regard seems share Sitwell social spirit St Petersburg stories success suggested taxation tenant things thought tion to-day told W. G. Ward whole workers writes