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in one word, somewhat of a finer turn, and more Lyrical Verse, is yet wanting. As for the soul of it, which consists in the warmth and vigour of fancy, the masterly figures, and the copiousness of imagination, he has excelled all others in this kind. Yet, if the kind itself be capable of more perfection, though rather in the ornamental parts of it, than the essential, what rules of morality or respect have I broken, in naming the defects, that they may hereafter be amended? Imitation is a nice point, and there are few Poets who deserve to be models in all they write. Milton's Paradise Lost is admirable; but I am therefore bound to maintain, that there are no flats amongst his elevations, when 'tis evident he creeps along sometimes, for above a hundred lines together. Cannot I admire the height of his invention, and the strength of his expression, without defending his antiquated words, and the perpetual harshness of their sound? It is as much commendation as a man can bear, to own him excellent; all beyond it is idolatry.

Since Pindar was the prince of Lyric Poets, let me have leave to say, that, in imitating him, our numbers should, for the most part, be Lyrical. For variety, or rather where the majesty of thought requires it, they may be stretched to the English Heroic of five feet, and to the French Alexandrine of six. But the ear must preside, and direct the judgment to the choice of numbers. Without the nicety of this, the harmony of Pindaric Verse can never be complete: the cadency of one line must be a rule to that of the next; and the sound of the former must slide gently into that which follows; without leaping from one extreme into another. It must be done like the shadowings of a picture, which fall by degrees into a darker colour. I shall be glad, if I have so explained myself as to be understood; but if I have not, quod nequeo dicere, et sentio tantum, must be my excuse.

There remains much more to be said on this subject; but, to avoid envy, I will be silent. What I have said is the general opinion of the best judges, and in a manner has been forced from me, by seeing a noble sort of Poetry so happily restored by one man, and so grossly copied by almost all the A musical ear, and a great genius, if another Mr. Cowley could arise, in another age may bring it to perfection. In the mean time,

rest.

Fungar vice cotis, acutum

Reddere quæ ferrum valet, exsors ipsa secandi.

I hope it will not be expected from me that I should say

any thing of my fellow undertakers in this Miscellany. Some of them are too nearly related to me, to be commended without suspicion of partiality: others, I am sure, need it not; and the rest I have not perused.

To conclude, I am sensible that I have written this too hastily and too loosely: I fear I have been tedious, and, which is worse, it comes out from the first draught, and uncorrected. This I grant is no excuse; for it may be reasonably urged, why he did not write with more leisure, or, if he had it not (which was certainly my case), why did he attempt to write on so nice a subject? The objection is unanswerable; but in part of recompense, let me assure the reader, that, in hasty productions, he is sure to meet with an author's present sense, which cooler thoughts would possibly have disguised. There is undoubtedly more of spirit, though not of judgment, in these uncorrect Essays, and consequently, though my hazard be the greater, yet the reader's pleasure is not the less.

JOHN DRYDEN.

TRANSLATIONS FROM THEOCRITUS.

AMARYLLIS;

OR, THE THIRD IDYLLIUM OF THEOCRITUS, PARAPHRASED.

To Amaryllis love compels my way,

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My browzing goats upon the mountains stray:
O Tityrus, tend them well, and see them fed
In pastures fresh, and to their watering led;
And 'ware the ridgling with his budding head. 5
Ah, beauteous nymph! can you forget your love,
The conscious grottos, and the shady grove;
Where stretch'd at ease your tender limbs were laid,
Your nameless beauties nakedly display'd?
Then I was call'd your darling, your desire,
With kisses such as set my soul on fire:
But you are chang'd, yet I am still the same;
My heart maintains for both a double flame;
Griev'd, but unmov'd, and patient of your scorn:
So faithful I, and you so much forsworn!
I die, and death will finish all my pain;
Yet, ere I die, behold me once again :
Am I so much deform'd, so chang'd of late?
What partial judges are our love and hate!

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Ten wildings have I gather'd for my dear;
How ruddy like your lips their streaks appear!
Far off you view'd them with a longing eye
Upon the topmost branch (the tree was high):
Yet nimbly up, from bough to bough I swerv'd,
And for to-morrow have ten more reserv'd.
Look on me kindly, and some pity show,
Or give me leave at least to look on you.
Some god transform me by his heavenly power
E'en to a bee to buzz within your bower,
The winding ivy-chaplet to invade,

And folded fern, that your fair forehead shade.
Now to my cost the force of love I find;
The heavy hand it bears on humankind.
The milk of tigers was his infant food,

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Taught from his tender years the taste of blood;
His brother whelps and he ran wild about the wood.
Ah nymph, train'd up in his tyrannic court,
To make the sufferings of your slaves your sport!
Unheeded ruin! treacherous delight!

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O polish'd hardness, soften'd to the sight!
Whose radiant eyes your ebon brows adorn,
Like midnight those, and these like break of morn!
Smile once again, revive me with your charms:
And let me die contented in your arms.
I would not ask to live-another day,
Might I but sweetly kiss my soul away.
Ah, why am I from empty joys debarr'd?
For kisses are but empty when compar'd.
I rave, and in my raging fit shall tear

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The garland which I wove for you to wear,
Of parsley, with a wreath of ivy bound,
And border'd with a rosy edging round.
What pangs I feel, unpitied and unheard!
Since I must die, why is my fate deferr'd!
I strip my body of my shepherd's frock:
Behold that dreadful downfall of a rock,
Where yon old fisher views the waves from high!
"Tis that convenient leap I mean to try.
You would be pleas'd to see me plunge to shore,
But better pleas'd if I should rise no more.
I might have read my fortune long ago,
When, seeking my success in love to know,
I tried the infallible prophetic way,
A poppy-leaf upon my palm to lay:

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I struck, and yet no lucky crack did follow;
Yet I struck hard, and yet the leaf lay hollow:
And, which was worse, if any worse could prove,
The withering leaf foreshow'd your withering love.
Yet farther (ah, how far a lover dares !)

My last recourse I had to sieve and sheers;
And told the witch Agreo my disease:
(Agreo, that in harvest us'd to lease:
But harvest done, to char-work did aspire;
Meat, drink, and twopence was her daily hire,)
To work she went, her charms she mutter'd o'er,
And yet the resty sieve wagg'd ne'er the more;
I wept for woe, the testy beldame swore,
And, foaming with her god, foretold my fate;
That I was doom'd to love, and you to hate.

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