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Salvator Rosa
Salviati Francesco
Sammachini, Orazio
San Danielo. See D.
San Geminiano, Vincenzo da
Sanzio, Raffaelle. See R.
Saracino, Carlo
Sarto, Andrea del
Saveri, Roland
Schiavone, Andrea
Schorel, John
Sebastiano.
Segres, Gerard

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Sermonetta, Girolamo da. See G.
Sienna, Marco da. See M.
Signorelli, Luca .
Sirani, Giov. Andrea

Elisabetta.
Snyders, Francis
Sodoma, Il ..
Spada, Leonello
Spagnuoletto, Lo
Sprangher, Bartholemew
Steinwick, Henry
Stella, Jaques
Strada, John

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Tassi, Agostino Tempesta, Antonio Testa, Pietro Tiarini, Alessandro Tibaldi, Pelestrino Timoteo Urbino Tintoretto, I1

Marietta Titiano Vecelli

Girolamo di Trevigi, Girolamo da Turbido, Francesco

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Vecelli Francesco 2

Orazio .

Marco
Vecchio, II
Veest, Ert
Velasquez, Diego
Velvet Brueghel
Venusto, Marcello ,
Verocchio, Andrea
Veronese Paul

Alessandro
Verzelli, Giov. Antonio da
Vicenzo da San Geminiano
Vinci Lionardo da, See L.
Viola, Il ...
Volterra, Daniel da
Vos, Martin de
Vouët, Simon
Vroom. See Wroon,

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GENERAL INDEX.

A

ACADEMÝ, the advantages

, of, i. 9, 10, 11.

Academy Royal, Observations on its foundation, i. 5, 6, 7.

peculiar advantages of, i. 10.
· particulars of the origin of, xxxvii--sl,

.

& n.

Accident, how far favourable to Painters, ii. 103: iii. 82.

To Architects, ii. 103.
Action, the principal requisite in a subject for History,

painting, iii. 104.-See iii. 124.
Affectation, a hateful quality, i. 111, 258: iii. 133.

contrast to Simplicity, i. 259.
Agamemnon,-See Timanthes.
Albert Durer,-See D.
Allegorical Painting, defence of, i. 214. Some by Reun
bens, condemned, ii. 256.

.. not adapted to Christian Churches,
ii. 305; 355.
Amsterdam Pictures at, ii. 354,355; 369, 370—The Stadi.

house, ii. 354-Wharf-Office, ii. 356-Surgeon's-
Hall, ibid.—Mr. Hope's Cabinet, ii. 358. Mr.

Gart's, ii. 363.
Anachronisms in Church-pictures, how far excusable,

ji. 314.

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