« EelmineJätka »
Hogarth, his failure in Historical Painting, and the reason,
358--363.See ii. 374.
IDLER, No. 76: ii. 221.-No. 79: i. 229.-No. 82:
Imagination, how far to be preferred to, or regulated by,
reason, ii. 116...See Genius; Imitation.
the pleasure produced by, how to be accounted
in painting; the subject of improper censure,
absolutely nécessary to à Painter, i. 150;
avoiding, often the effect of presumption,
not to be confined to the works of one Master,
in what case to be considered as plagiarism,
of finished Artists, in inferior branches of
Imitators, servile, names of, i. 170: liberal, i, 170, &c.
i. 53; 147:
society, ii. 5.-See Painting.
how to be acquired, i. 156; 159.
the first part of painting, iii. 35; 256.
his Merry-making, in the Dusseldorp gallery,
his character as a Painter, ii. 394.
anecdotes of, iii. 202.
KOEBERGER, his Entombing of Christ, praised, ii. 262.
. his Altar of the Archers at the Cathedral of
another picture of, ii. 326.
La Fage, his genius, mechanick, ii. 89.
defects of his manner, ii. 411.
Landscapes, Gainsborough's models of, ii. 154,
mythological figures in, improper, ii. 164,
instances of the poetical style in, well exe,
remarks on, ii. 22.
by, ii. 410.
Light, masses of; the properest colours for, i. 273, 4, 5:
in a picture, where to be thrown, ii. 389.
choice of, in colouring, iii. 69.
and shade; conduct of the tiņts of, iii. 58; 146--
to be adapted to the situation, a picture is to be
breadth of ; its excellence, iii. 151,
See Study of Painting.
and present Members, i, lxxxiii--v, & n,
his and his father's portraits, ii. 388.
MANNER PECULIAR, a defect in Painters, i. 165.
Massáccio; excellencies and anecdotes of, ii. 93.
i. 104: ii. 193; 370, &c. See Dexterity.
comparison between him and Raffaelle,
... cause of his superior excellence, i. 1996;
effects, on various Schools of Painting,
his caprices; defence of, ii. 205.
study of his works-recommended ; and
Fresnoy's character of him, iii. 201.
rules as to adjusting, i: 102.
į. xlvi--xlviii, & n.
copied, i. 52, 54; 204: ii. 307 : iii. 33, See Taste;
Nature, in what respects certain Arts excell by deyia
ating from it, ii. 121.-Instanced in Poetry, ii. 222.-
imperfections of; how to be remedied by the
habits of; to be distinguished from those of
never to be lost sight of, ii. 103. See Rules.
OPERA, Italian ; defended, ii. 124.
ii. 343; 350...
requisite in painting, in a moderate degree,
... Gothick; to be avoided, iii. 54.
iii. 39. See iii. 117.
Art, ii. 186.