The Art of Reading PoetryFarrar & Rinehart, Incorporated, 1941 - 519 pages I do not believe that poetry is mysterious or esoteric. It is for all who can read, who can call words, who have rhythm enough, by nature, so that a jazz orchestra sets feet and hands in motion. Likewise, this invitation is to all. But it is, especially, invitation to those regretfully convinced that poetry is not for them, and to those who think they prefer the unequivocating directness of prose. It is invitation to labor, and after labor, entrance upon pleasure "not to be chang'd by place or time," the peculiar pleasure which poetry is. - Invitation to reading. |
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Page 48
... rhythm distort the normal pronunciation of words . Usually , if you relax and let yourself go , the rhythm will carry you , will take care of itself , and you will come out right . 3. Let your voice out . Give vowels and consonants ...
... rhythm distort the normal pronunciation of words . Usually , if you relax and let yourself go , the rhythm will carry you , will take care of itself , and you will come out right . 3. Let your voice out . Give vowels and consonants ...
Page 428
... rhythm . One reason why a student of French who has learned pronunciation only from a book usually speaks French which sounds like English , is that he has not caught the tune of the language . His rhythm is wrong , for he retains the ...
... rhythm . One reason why a student of French who has learned pronunciation only from a book usually speaks French which sounds like English , is that he has not caught the tune of the language . His rhythm is wrong , for he retains the ...
Page 429
... rhythm pattern , and , then , of the embroideries so richly laid upon it that it would seem as though , now and then , we must lose the ground pattern entirely . But we know , of course , that the ground is always there . In the words ...
... rhythm pattern , and , then , of the embroideries so richly laid upon it that it would seem as though , now and then , we must lose the ground pattern entirely . But we know , of course , that the ground is always there . In the words ...
Contents
OUTLINE FOR A DEFENSE | 1 |
LIONS IN THE PATH | 23 |
THE READING AND THE READINGS OF THE POEM | 39 |
Copyright | |
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Common terms and phrases
appear attention ballad beauty become beginning better break close comes contrast dead death detail dream earth effect emotion English example experience expression eyes fall fear feeling figure garden give hand heard heart human idea imagination important interesting John keep kind lady land leave less light lines live look matter meaning mind Miss move nature never night Notice once passed pattern pleasure poem poet poet's poetry probably prose reader reason rest rhythm rime rose seems sense ship sing sleep song sonnet soul sound spirit stand stanza stars story stress Suggestions sweet tears tell thee things thou thought turn understanding verse voice wind write written