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Page 175
The plays are aristocratic in sentiment and political theory: every one of them
centres round a court of not lower than ducal status. Working men are introduced
only for humour or in contempt. The “sharers' of a theatre appointed the 'contriver,
' ...
The plays are aristocratic in sentiment and political theory: every one of them
centres round a court of not lower than ducal status. Working men are introduced
only for humour or in contempt. The “sharers' of a theatre appointed the 'contriver,
' ...
Page 176
In the moral reaction against the licentiousness of Restoration drama, the heroic
play featured love and valour, the ... Queen Anne was not interested in the
theatre, which was thrown upon the aristocracy for patronage : plays dealt with
society ...
In the moral reaction against the licentiousness of Restoration drama, the heroic
play featured love and valour, the ... Queen Anne was not interested in the
theatre, which was thrown upon the aristocracy for patronage : plays dealt with
society ...
Page 501
The Lord Chancellor forbade the repetition of the play “till it can be legally
determined whether the printing of a play gives the Theatre a partnership interest
in its profits, with the further right of mutilating it as they please '; and the result
was that ...
The Lord Chancellor forbade the repetition of the play “till it can be legally
determined whether the printing of a play gives the Theatre a partnership interest
in its profits, with the further right of mutilating it as they please '; and the result
was that ...
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Contents
LA CITTA MoRTA By Sir John Pollock Bt | 17 |
THE QUARTERLY REvIEws FIRST EDIToR | 32 |
DICKENs TRIUMPHANT By Robert Hamilton | 46 |
Copyright | |
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