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DICK.

And so do I; so come along. We never should have believed this, if we hadn't tried; but its jus* what my old mother used to say-MUCH COIN,

MUCH CARE.*

* It need hardly be observed that this little trifle was written exclusively for youngs, to whom the style was adapted. The subject is imitated from one of Théodore Leclery's Proverbes Dramatiques.

18

MEMOIRS

ILLUSTRATIVE OF ART.

WHAT if the little rain should say

"So small a drop as I

Can ne'er refresh the thirsty plain,
I'll tarry in the sky?"

What if a shining beam of noon

Should in its fountain stay, Because its feeble light alone Cannot create a day?

Doth not each raindrop help to form

The cool refreshing shower?

And every ray of light to warm

And beautify the flower?

AKON.

THE HOUSE OF TITIAN

Doch ist der Mensch

Nicht Künstler blos, auch Mensch; die Menschlichkeit
Schön zu entwickeln, Freund, auch das ist Kunst!

OEHLENSCHLÄGER.

For the Painter

Is not the Painter only, but the man;
And to unfold the human into beauty,
That also is art.

VENICE, September, 1845. IF I were required to sum up in two great names whatever the art of painting had contemplated and achieved of highest and best, I would invoke RAPHAEL and TITIAN. The former as the most perfect example of all that has been accomplished in the expression of thought through the medium of form; the latter, of all that has becn accomplished in the expression of life through the medium of color. Hence it is, that, while both have given us mind, and both have given us beauty, Mind is ever the characteristic of Raphael -Beauty, that of Titian.

Considered under this point of view, these wonderful men remain to us as representatives of the

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