He pledg'd it to the Knight; the Knight had wit, The tempter faw his time; the work he ply'd; Behold Sir Balaam, now a man of fpirit, There (fo the devil ordain'd) one Christmas-tide 370 375 380 385 390 IMITATIONS. Ver. 394, And one more penfioner St. Stephen gains.] -atque unam civem donare Sybille. My My Lady falls to play; fo bad her chance, $395 400 To RICHARD BOYLE, Earl of EURLINGTON. Argument. Of the Ufe of RICHES. The vanity of expence in people of wealth and quality. The abufe of the word Tafle, ver. 13. That the first principle and foundation in this, as in every thing elle, is Good Senfe, ver. 39. The chief proof of it is to follow Nature, even in works of mere luxury and elegance. Inftanced in Architecture and Gardening, where all must be adapted to the Genius and Ufe of the Place, and the beauties not forced into it, but refulting from it, ver. 47. How men are difappointed in their moft expenfive undertakings, for want of this true foundation, wi thout which nothing can pleafe long, if at all; and the beft Examples and Rules will be but perverted into fomething burthenfome or ridiculous, ver. 65, &c. to 98. A defcription of the falfe Taste of Magnificence; the firft grand errour of which is to imagine that Greatness confifts in the Size and Dimenfion, iuftead of the Proportion and Harmony of the whole, ver. 99; and the fecond, either in join ing together Parts incoherent, or too minutely refembling, or in the Repetition of the fame too frequently, ver. 105, &c. A word or two of falfe tafte in Books, in Mujic, in Painting, even in Preaching and Prayer, and laftly in Entertainments, ver. 133, &c. Yet PROVI DENCE is juftified in giving wealth to be fquandered in this manfince it is difperfed to the poor and laborious part of mankind, ver. 169. [recurring to what is laid down in the Effay on Man, Ep. ii. and in the epiftle preceding this, ver. 159, &c.] What are the proper Objects of Magnificence, and a proper field for the expence of Great Men, ver. 177, &c. and finally the great and public works which become a Prince, ver. 191, to the end. ner, "TIS ftrange, the mifer fhould his cares employ Is it lefs ftrange, the prodigal fhould wafte NOTES. Rare Firft printed in the year 1732. Ver. 7. Topham] A gentleman famous for a judicious collection of drawings. Ver. 8. For Pembroke, flatues, dirty gods, and coins,] The author fpeaks here, not as a philofopher or divine, but as a connoiffeur and antiquary. Confequenily the dirty attribute here affigned thefe gods of Rare monkish manuscripts for Hearne alone, For what has Virro painted, built, and planted? You show us, Rome was glorious, not profuse, Ꮓ NOTES. ΙΟ 15 20 Yet old renown, is not in difparagement of their worth, but in high commendation of their genuine pretentions. Ver. 10. And books for Mead, and butterflies for Sloane.] Two eminent phylicians; the one had an excellent library, the other the fineft collection in Europe of natural curiofities; both men of great learning and humanity. Ver. 12. Than his fine wife, alas! or finer whore.] By the author's manner of putting together thefe two different utenfils of falfe magnificence, it appears, that properly speaking neither the wife nor the zuhore is the real object of modern tafle, but the finery only and who ever wears it, whether the wife or the whore, it matters not; any further than that the latter is thought to deterve it beft,as appears from her having most of it; and fo indeed becomes, by accident, the more fashionable thing of the two. SCRIB. Ver. 18. Ripley] This man was a carpenter. employed by a first minifter, who railed him to an architect, without any genius in the art; and after fome wretched proofs of his infufliciency in public buildings, made him comptroller of the board of works. Ver. 23. The Earl of Burlington was then publishing the defigns at Inigo Jones and the antiquities of Rome by Palladio, After ver. 22, in the MS. VARIATIONS. Mult bithops, lawyers, flatefmen, have the skill |