 ... if that indeed can be called composition' in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort.  The Constitution of Man - Page 13by George Combe - 1850 - 442 lehteFull view - About this book
 | Samuel Taylor Coleridge - 1816 - 242 lehte
...if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions,...wrote down the lines that are here preserved. At this OF KUBLA KHAN. 53 moment he was unfortunately called out by a person on business from Porlock, and... | |
 | 1816 - 592 lehte
...indeed," says be, ' can be called composition, in which all the nuages rose up before him as things, with a parallel production of the correspondent expressions,...sensation, or consciousness of effort." — On awaking he began to write down these effusions ; but being called off, and detained above an hour, he found to... | |
 | 1816 - 676 lehte
...the images rose up before him as things, with a parallel production of the correspondent expression, without any sensation or consciousness of effort. On awaking, he appeared to nimself to have a distinct recollection of the whole; and taking his pen, ink, and paper, instantly... | |
 | Samuel Taylor Coleridge - 1828 - 374 lehte
...if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions,...unfortunately called out by a person on business from Parlock, and detained by lam above an hour, and on his return to his room, found to his no small surprise... | |
 | Samuel Taylor Coleridge - 1829 - 400 lehte
...if that indeed can be called composition in which all the images rose up before him as tliingi, with a parallel production of the correspondent expressions,...any sensation or consciousness of effort. On awaking be appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | 1829 - 558 lehte
...that, indeed, can be called composition, in which all the images rose up before him as things, with a parallel production of the correspondent expressions,...without any sensation or consciousness of effort." The tale is extraordinary, but Kubla Khan is much more valuable on another account, which is, that... | |
 | Samuel Taylor Coleridge - 1831 - 628 lehte
...that indeed can be called composition in which nil the image« rose UP b<Ttir<j him an things, witli n awaAinp h« appeared to himself to have a •li-iimrt recollection of tlie whole, and taking his pen.... | |
 | Samuel Taylor [poetical works] Coleridge - 1834 - 312 lehte
...if that indeed can be called composition in which all the images roso up before him as things, with a parallel production of the correspondent expressions,...consciousness of effort. On awaking he appeared to him•elf to have a distinct recollection of the whole, and taking hi* pen, ink, and paper, instantly... | |
 | 1837 - 1032 lehte
...if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions,...without any sensation or consciousness of effort." Ou awaking he instantly sat down to commit his poem to paper. After having written so many lines as... | |
 | Samuel Taylor Coleridge - 1838 - 634 lehte
...composition in which nil the images rose up before him as tkiitgr, with a parallel production of tbe correspondent expressions, without any sensation,...effort. On awaking he appeared to himself to have t distinct recollection of the whole, and taking his pen. ink, and paper, instantly and eagerly wrote... | |
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