Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700Doubleday, 1955 - 312 pages |
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Page 19
... contour , sharp edges and boundaries , and each sepa- rate detail in an " isolating " way ( sometimes known as the " decorative isolation " of details ) . By contrast , a painterly ( malerisch ) style , in Woelfflin's sense , blurs the ...
... contour , sharp edges and boundaries , and each sepa- rate detail in an " isolating " way ( sometimes known as the " decorative isolation " of details ) . By contrast , a painterly ( malerisch ) style , in Woelfflin's sense , blurs the ...
Page 95
... contour will generate a manner ; any intellectuality more assertive will lead to uncondi- tional academic dogma , or else eclecticism . A panoramic view of Italian renaissance painting dis- closes where the interferences , the ...
... contour will generate a manner ; any intellectuality more assertive will lead to uncondi- tional academic dogma , or else eclecticism . A panoramic view of Italian renaissance painting dis- closes where the interferences , the ...
Page 96
... contour , contour becomes space , space becomes mass , mass becomes color . These interferences and transformations appear at the groundwork of ren- aissance style in Ghiberti's bronze doors for the Flor- 2 > entine Baptistry , which ...
... contour , contour becomes space , space becomes mass , mass becomes color . These interferences and transformations appear at the groundwork of ren- aissance style in Ghiberti's bronze doors for the Flor- 2 > entine Baptistry , which ...
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academic accents action aesthetic aissance architect architecture artist Aureng-Zebe baroque architecture baroque art Bernini body Botticelli Caravaggio century church classic color columns composition consciousness contour contrast Council of Trent Counter-Reformation critics Descartes dome Domenichino Donne Donne's double drama Dryden El Greco emotion energy epic experience expressed façade feel figures flesh foreground gesture gothic art Greco Hamlet harmony heroic high-baroque human illusion imagination Jacobean Jesuit late-baroque light logic Lycidas mannerism mannerist art mannerist painting mass Measure for Measure medieval ment Michaelangelo Milton mind moral motion nerist painter Paradise Lost Parmigianino passion perspective phase Photo Alinari pictorial piety pilasters plane play poem poet poetry Poussin proportions psychological Racine Racine's renais renaissance art renaissance style Rome roque Rubens Saint Samson sance says Scala Regia scene sculpture seems sense soul space structure surface techniques tension theater things Tintoretto tion tragic ture unity verse vision wall Woelfflin