Shakespeare's Metrical ArtUniversity of California Press, 2. aug 1988 - 363 pages This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
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Page 4
... tion of the strict accentual - syllabic pattern . It is especially when iambic poetry is cast in pentameter that these sources of complexity fully emerge . This is largely because pentameter is itself the most problematical line ...
... tion of the strict accentual - syllabic pattern . It is especially when iambic poetry is cast in pentameter that these sources of complexity fully emerge . This is largely because pentameter is itself the most problematical line ...
Page 18
... , its range , its power ; and every line they wrote was not at all ( as the lines of nineteenth- and twentieth - century poets often are ) an invoca- tion of a sacred tradition . They could play with 18 Shakespeare's Metrical Art.
... , its range , its power ; and every line they wrote was not at all ( as the lines of nineteenth- and twentieth - century poets often are ) an invoca- tion of a sacred tradition . They could play with 18 Shakespeare's Metrical Art.
Page 19
... tion that makes up Shakespeare's metrical , syllabic , and expressive key- board ( Chapters 7 through 16 ) . Two concluding chapters ( 17 and 18 ) point to further metrical innovation in Donne and Milton and draw the study to a close ...
... tion that makes up Shakespeare's metrical , syllabic , and expressive key- board ( Chapters 7 through 16 ) . Two concluding chapters ( 17 and 18 ) point to further metrical innovation in Donne and Milton and draw the study to a close ...
Page 36
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Contents
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
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Common terms and phrases
accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt