GENERAL INDEX. A ACADEMY, the advantages of, i. 9, 10, 11. Academy Royal, Observations on its foundation, i. 5, 6, 7. & n. .. particulars of the origin of, xxxvii--xl. Accident, how far favourable to Painters, ii. 103: iii. 82: Action, the principal requisite in a subject for History- Affectation, a hateful quality, i. 111; 258: iii. 133. Agamemnon,-See Timanthes. Albert Durer,-See D. Allegorical Painting, defence of, i. 214. Some by Reu- ... not adapted to Christian Churches, ii. 305; 355. Amsterdam, Pictures at, ii. 354, 355; 369, 370-The Stadt- Anachronisms in Church-pictures, how far excusable, ii, 314. Analogy of the several Arts; utility to be derived from, ii. III. Angelo Michael,-See M. Antique, the Model to be copied, iii. 48. Antwerp, Pictures at, ii. 277--336. Apollo, Statue of, criticism on, ii. 19, 20, Apostles, Statues of, in St. John Lateran's Church, de- Architecture, hints as to the principles of, ii. 136, & seq. tation, &c. Arts, one cannot be engrafted on another, ii. 334. what is the object and intention of them all, i. 142. B BACK GROUND, in Pictures, rules as to, iii. 71; 152; 154, Baroccio, his defect in colouring, iii. 178. Bassano, his excellencies, i. 218.-See iii. 207. Basso Relievo, improvement of the Mcderns in, ii. 33. 237, 238. the foundation of, i. 59, 60, 61: ii, its varieties, i. 62. of form alone, one great excellence in Sculpture, ii. 16: iii. 113.-See Nature. Bellino, Titian's first Master, Anecdotes of, iii. 204, |