Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 pages |
From inside the book
Results 1-3 of 15
Page 14
... association of the word culture with the arts is not only etymologically incorrect ; it has also perpetuated the notion that involvement in the arts creates a superior mode of existence . The prejudices that exist over the different ...
... association of the word culture with the arts is not only etymologically incorrect ; it has also perpetuated the notion that involvement in the arts creates a superior mode of existence . The prejudices that exist over the different ...
Page 15
... association ; for the only points of reference for the listener are the associations of the sounds heard with others that are familiar , or with the function for which the music is used , including the people , places and events ...
... association ; for the only points of reference for the listener are the associations of the sounds heard with others that are familiar , or with the function for which the music is used , including the people , places and events ...
Page 152
... associations with mental images . And although the philosophies were different , the technical procedures of both studios ... association with other media became evident , a new theatricality was created in the concert hall by combining ...
... associations with mental images . And although the philosophies were different , the technical procedures of both studios ... association with other media became evident , a new theatricality was created in the concert hall by combining ...
Contents
2100351 | 7 |
The Path to Elitism | 21 |
The Path to Chauvinism | 32 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis