Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 pages |
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Page 85
... aware of their existence . Understanding of black music was little above the level of the northern American States in the 1850s : Stephen Foster hits were being sung in schools and George Mitchell's close harmony for ' The Black and ...
... aware of their existence . Understanding of black music was little above the level of the northern American States in the 1850s : Stephen Foster hits were being sung in schools and George Mitchell's close harmony for ' The Black and ...
Page 98
... aware of this fact as anyone alive , nursing a love - hate relationship with the Master throughout his life . Never quite able to deny the extraordinary power of the music , he was always aware that Wagner was the end of a line ...
... aware of this fact as anyone alive , nursing a love - hate relationship with the Master throughout his life . Never quite able to deny the extraordinary power of the music , he was always aware that Wagner was the end of a line ...
Page 112
... aware of the sounds they hear in the street , or out in the country or anywhere they may be ' . 38 He was concerned to make people more aware of their real environment ; and as music had traditionally created an artificial environment ...
... aware of the sounds they hear in the street , or out in the country or anywhere they may be ' . 38 He was concerned to make people more aware of their real environment ; and as music had traditionally created an artificial environment ...
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Common terms and phrases
19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis