Roll Over Rock: A Study of Music in Contemporary CultureStainer & Bell, 1981 - 175 pages |
From inside the book
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Page 68
... Blackface Minstrelsy . In fact the composers of these minstrel shows had only the ghost of a notion of what the black music of the South was really about ; even Stephen Foster , the man who captured the fragile sentiments and ...
... Blackface Minstrelsy . In fact the composers of these minstrel shows had only the ghost of a notion of what the black music of the South was really about ; even Stephen Foster , the man who captured the fragile sentiments and ...
Page 78
... black cause , there will be a specifically black music . Supreme Court Acts , attempting to force integration , had in fact the effect of eroding a unique black culture . The black had utilized elements of white musical traditions in ...
... black cause , there will be a specifically black music . Supreme Court Acts , attempting to force integration , had in fact the effect of eroding a unique black culture . The black had utilized elements of white musical traditions in ...
Page 91
... black music to be controlled by black people and it became possible for the Blues and Gospel to merge into what became known as ' Soul ' . Black music could now learn commercial exploitation from white music and the particular distinction ...
... black music to be controlled by black people and it became possible for the Blues and Gospel to merge into what became known as ' Soul ' . Black music could now learn commercial exploitation from white music and the particular distinction ...
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19th century achieved appear art music artistic audience aware Bach ballads Baroque basic Beatles became become Beethoven black music Blues ceremony chord Church civilisation classical music composers concept contemporary music contrast created culture dance Debussy early effect electronic elements élite emotional entertainment essentially European expression folk music function genius harmony human improvisation individual influence instruments integral serialism jazz John Cage listener London magic Marshall McLuhan melody Messiaen middle classes Miles Davis Mozart musicians nature negro notion opera orchestra ornament parameters performed pitch popular music possible primitive Quentin Fiore record companies Renaissance Renaissance musical rhythm rhythmic ritual Rock Schoenberg's Scratch Music Scratch Orchestra Second Viennese School sense sensory sentiment sing singers social society songs sophisticated sound spirit Stockhausen Stravinsky structure style symphonic synthesis taste texture texture music theatre theatrical thing timbre tonal tribal tunes unity Varèse Wagner Webern western music Xenakis